Samantha Jackson

a couple of pics from the studio ahead of a great critique with @conditionsstudioprogramme last monday, we hit the year mark recently and I am feeling especially blessed to be surrounded by so many fabulous people there <3 [martin's stone, 154cm x 220cm] [candle, 10cm x 5cm]

'let in through soft iron/ winter sun' 250cm x 185cm dm me if you'd like to see some new writing/ a materials list x

Serenity Prayer / Coalbrookdale Gates 2458mm x 1500mm this drawing was installed at the whitgift centre with @conditionsstudioprogramme - we also have an open studios on the 6th of September! Come say hi <3 I spoke about this installation with the lovely @connor_dillman on his @people__painting podcast if you'd like to know more abt it too [peep stella and phillip in the background, this show also had amazing work by @kiera.grace , @flobraceytea and @ikuulikki check them out]

𝘚𝘢𝘭𝘵𝘸𝘢𝘵𝘦𝘳 publication, exhibition and talk 📍 Dundee! Tuesday (5th) @generatorprojects Come and see what we got up to in Greece and learn all about the Zakynthos residency (open call now live for 2026) 6:30pm- free entry + drinks

𝘟𝘟𝘟-𝘞𝘓𝘘 10cm x 37cm

𝐏𝐋𝐀𝐘𝐅𝐎𝐑𝐌 featured artist @sam_jacksonart • PRIVATE VIEW: 23 April 6-9pm 📍Hypha Gallery 2, No.1 Poultry, London, EC2R 8EJ 🎟️RSVP via link in bio Samantha Jackson is a painter from Dundee, Scotland. Her work is a gestural exploration of everyday life and the relationships that emerge between painting, material and site through making. She studies compositions that erode hierarchies of sight and result in fleeting, fragmented paintings that play with the modern nature of images in our habitual lived experiences. Recently, drawing has begun to develop in her practice as a critical mode of making, using mixed charcoal methods (powder, wet and willow) to express large scale, gestural drawings. These are a bodily response to perceived barriers and systems of power/access and often take the form of historic ironwork. Jackson’s work maintains that painting is a shared, lived experience rather than a singular event, seeking to reward long looking as a way of fostering intimacy and connection with one another, particularly in the face of wider bureaucratic harm. All of her work understands itself as an object in a particular space: in drawings and paintings she incorporates ephemera that speaks to our current time through her own personal experiences. Jackson graduated from the Glasgow School of Art in 2023 and the Royal College of Art in 2024 and currently lives and works in London with the Conditions Studio Programme. Artwork images: ‘Press’ and ‘Ravenswood Standing Stone Study’ - Samantha Jackson PLAYFORM curated by @resonantground Open 24 April - 30 May Open Thursday-Sunday, 12pm-6pm  Exhibiting artists: @_snake_case_ @tengwanggggggggggggg @sam_jacksonart @hasmithson @anais.ost @42sod @patriciaisabel Exhibition presented by: @hyphastudios @recessed.space @cheapsideba #contemporaryart #architecture #exhibition #painting

𝘬𝘪𝘴𝘴𝘪𝘯𝘨 𝘨𝘢𝘵𝘦  10cm x 25.5cm

when trees are by the sea the bark kind of goes black with the saltwater and this painting is kind of about that and also the lichen and signifiers people carve into/onto things and places [20cm x 15cm] watercolour, eyeshadow, woodstain, photos, jewellery, carving on wood panel

'public', painted after stumbling across a memorial to William Wallace and getting a distrusting feeling... I made this painting for @auto___amor 's swap at @acrylicize last night which was lots and lots of fun x

caught up in an evening dark [20cm x 25cm] back in london now- still so grateful for the residency with my amazing sister @emmie.j.arts , here's another painting from Greece

i'll stay here as long as you'll let me 7cm x 10cm this is my entry to the @canalboatcontemporary miniature masters #miniaturemasters

i haven't got a title for this yet, something about fire and the way debris rises in the updraft of heat charcoal, receipts, birthday stickers and tag, Saint Dionysios token + greek ledger on paper [0.84m x 3m]