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Ryan Esquivel

@ryesq

highly skilled migrant @ryanesquivel.art @polaroid
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Weeks posts
I’m wearing dark glasses today because I’m seeing the future and it’s looking very bright.
91 9
14 days ago
“Song of the Flower” by Lebanese poet Kahlil Gibran, from Tears and Laughter (1914), translated from Arabic.
19 2
24 days ago
Me and my dog @analogue.ams
81 7
28 days ago
10 years ago today, “Little Miss Amber” was delivered to me with a rhinestone-encrusted collar — and Nomi was born. A decade of devotion to my Dominican queen. Love you, darl.
143 21
29 days ago
3 years at @polaroid HQ. Safe to say we both got more than we bargained for.
89 8
1 month ago
Looksmaxxing since ‘88 ✨ lensed by @harrietbrowse
100 2
2 months ago
Relics, 2025 Polaroid emulsion lift and acrylic paint on canvas 20 x 20 cm Part of the Domestic Bliss series.
27 4
2 months ago
Choose your fighter 🌹
126 12
2 months ago
You are not standing at the edge of possibility. You are standing at the door of fulfillment. ✨ Listen to ‘Threshold’ at soundcloud.com/ryesq/threshold
38 1
2 months ago
Shining, shimmering, splendid ✨
69 9
3 months ago
Father Figure began with a roll of expired film found inside the Canon AE-1 Program I inherited from my stepfather. When developed, it revealed classic muscle cars photographed in Alberta long before the camera reached me. As part of In Between Hurt and Healing, the series traces a movement toward reconciliation — transforming a lost roll of film into a pathway for healing. 1969 Dodge Dart GTS Convertible / 1969 Plymouth Barracuda Convertible, 2025 Polaroid emulsion lift and acrylic paint on canvas, 70 x 50 cm
15 1
3 months ago
I just wanna see you shine ‘cause I know you are a stargirl 📸 @woahruben
77 10
3 months ago