FINAL DAY! at 791 High street Thornbury. The exhibition closes at 5pm. With an apt title for the weather today - Precipitations. Come anyway, all you need is an umbrella.
PRECIPITATIONS by Daniel John Pilkington
October 17 - 26
A Rubicon exhibition hosted by Neon Parlour @neonparlour at 791 High street Thornbury. @danieljohnpilkington
This exhibition explores the idea that failure, chance, and imperfection are inherent to all acts of creation. On display are five unsuccessful attempts to 3D print a sphere—a form traditionally associated with perfection. In each case, a single intervention disrupted the printing process, causing the sphere to collapse and expose the spiralling line that would have completed it. These works challenge the fantasy that 3D printers can flawlessly realise any imagined form. Conceptually, the show also draws on Lucretius’s notion of the clinamen and the emergence of language with and within the mind. The collapsed spheres resemble broken full stops and are accompanied by a ghostly letter ‘A’, signifying the emergence and potential of the alphabet.
Last few days at 791 High street Thornbury. The exhibition closes at 5pm Sunday 26th Oct.
PRECIPITATIONS by Daniel John Pilkington
October 17 - 26
A Rubicon exhibition hosted by Neon Parlour @neonparlour at 791 High street Thornbury. @danieljohnpilkington
This exhibition explores the idea that failure, chance, and imperfection are inherent to all acts of creation. On display are five unsuccessful attempts to 3D print a sphere—a form traditionally associated with perfection. In each case, a single intervention disrupted the printing process, causing the sphere to collapse and expose the spiralling line that would have completed it. These works challenge the fantasy that 3D printers can flawlessly realise any imagined form. Conceptually, the show also draws on Lucretius’s notion of the clinamen and the emergence of language with and within the mind. The collapsed spheres resemble broken full stops and are accompanied by a ghostly letter ‘A’, signifying the emergence and potential of the alphabet.
OPEN NOW! At 791 High street Thornbury.
PRECIPITATIONS by Daniel John Pilkington
October 17 - 26
A Rubicon exhibition hosted by Neon Parlour @neonparlour at 791 High street Thornbury. @danieljohnpilkington
This exhibition explores the idea that failure, chance, and imperfection are inherent to all acts of creation. On display are five unsuccessful attempts to 3D print a sphere—a form traditionally associated with perfection. In each case, a single intervention disrupted the printing process, causing the sphere to collapse and expose the spiralling line that would have completed it. These works challenge the fantasy that 3D printers can flawlessly realise any imagined form. Conceptually, the show also draws on Lucretius’s notion of the clinamen and the emergence of language with and within the mind. The collapsed spheres resemble broken full stops and are accompanied by a ghostly letter ‘A’, signifying the emergence and potential of the alphabet.
TONIGHT! 6pm
Precipitations by Daniel Pilkington @danieljohnpilkington
October 17 - 26
Opening night Friday 17th 6pm.
Hosted by Neon Parlour @neonparlour at 791 High street Thornbury.
This exhibition explores the idea that failure, chance, and imperfection are inherent to all acts of creation. On display are five unsuccessful attempts to 3D print a sphere—a form traditionally associated with perfection. In each case, a single intervention disrupted the printing process, causing the sphere to collapse and expose the spiralling line that would have completed it. These works challenge the fantasy that 3D printers can flawlessly realise any imagined form. Conceptually, the show also draws on Lucretius’s notion of the clinamen and the emergence of language with and within the mind. The collapsed spheres resemble broken full stops and are accompanied by a ghostly letter ‘A’, signifying the emergence and potential of the alphabet.
Last day today! Closing at 5pm.
Daniel Song - Landscaping @danielsong.art
July 19 - August 9
This project snapshots scenes from local train lines and train stations, where the maintenance and renovation of inarguably one of the most important infrastructures of our city results in the removal of surrounding flora that inhibits it. These new landscapes are ever evolving, whether due to expansion by the city or reclamation by flora, results in an often conflicting and never stable landscaping.
These impressions are imprinted into, ironically PVC skins, the implications of plastics alongside a critique of the erasure of our natural landscapes. Then furthermore crammed into display cases as archival evidence for an audience.
Daniel Song, a Melbourne-based contemporary artist, was born in 1997 in Melbourne, Australia. Finishing his Masters in Fine Art at RMIT in 2022, he works across mediums including, installation, painting, film, and sculpture. Song creates his paintings using a unique monoprint process that combines PVA, ink, acrylic, and flora. His work explores themes of process, time, and environmental capture, often incorporating elements of nature and experimentation
The gallery is now open 12-5pm on Sundays also.
image above- Daniel Song : Infrastructure 1, PVA, acrylic , ink, ochre, 75x66cm. @danielsong.art
Daniel Song - Landscaping
Opening night 5-8pm Saturday July 19
July 19 - August 9
This project snapshots scenes from local train lines and train stations, where the maintenance and renovation of inarguably one of the most important infrastructures of our city results in the removal of surrounding flora that inhibits it. These new landscapes are ever evolving, whether due to expansion by the city or reclamation by flora, results in an often conflicting and never stable landscaping.
These impressions are imprinted into, ironically PVC skins, the implications of plastics alongside a critique of the erasure of our natural landscapes. Then furthermore crammed into display cases as archival evidence for an audience.
Daniel Song, a Melbourne-based contemporary artist, was born in 1997 in Melbourne, Australia. Finishing his Masters in Fine Art at RMIT in 2022, he works across mediums including, installation, painting, film, and sculpture. Song creates his paintings using a unique monoprint process that combines PVA, ink, acrylic, and flora. His work explores themes of process, time, and environmental capture, often incorporating elements of nature and experimentation
Join us 5-8pm TONIGHT! for the opening of Landscaping by Daniel Song. It will be at our new space in Brunswick, 3 Merrifield street. So come and check out the new space and see a very interesting exhibition and have a glass of wine while you’re at it. 😀
Daniel Song - Landscaping
Opening night 5-8pm Saturday July 19
July 19 - August 9
This project snapshots scenes from local train lines and train stations, where the maintenance and renovation of inarguably one of the most important infrastructures of our city results in the removal of surrounding flora that inhibits it. These new landscapes are ever evolving, whether due to expansion by the city or reclamation by flora, results in an often conflicting and never stable landscaping.
These impressions are imprinted into, ironically PVC skins, the implications of plastics alongside a critique of the erasure of our natural landscapes. Then furthermore crammed into display cases as archival evidence for an audience.
Daniel Song, a Melbourne-based contemporary artist, was born in 1997 in Melbourne, Australia. Finishing his Masters in Fine Art at RMIT in 2022, he works across mediums including, installation, painting, film, and sculpture. Song creates his paintings using a unique monoprint process that combines PVA, ink, acrylic, and flora. His work explores themes of process, time, and environmental capture, often incorporating elements of nature and experimentation
Upcoming exhibition-
Daniel Song - Landscaping
Opening night 5-8pm Saturday July 19
July 19 - August 9
This project snapshots scenes from local train lines and train stations, where the maintenance and renovation of inarguably one of the most important infrastructures of our city results in the removal of surrounding flora that inhibits it. These new landscapes are ever evolving, whether due to expansion by the city or reclamation by flora, results in an often conflicting and never stable landscaping.
These impressions are imprinted into, ironically PVC skins, the implications of plastics alongside a critique of the erasure of our natural landscapes. Then furthermore crammed into display cases as archival evidence for an audience.
Daniel Song, a Melbourne-based contemporary artist, was born in 1997 in Melbourne, Australia. Finishing his Masters in Fine Art at RMIT in 2022, he works across mediums including, installation, painting, film, and sculpture. Song creates his paintings using a unique monoprint process that combines PVA, ink, acrylic, and flora. His work explores themes of process, time, and environmental capture, often incorporating elements of nature and experimentation
Last day today to see Paint-Paper-Scissors, closing at 5pm.
Travis Vella: DeChirico Dreaming, acrylics and paper on board, 68x39cm, 2025.
PAINT-PAPER-SCISSORS
21 June - 12 July
12 -5pm Wednesday- Saturday
3 Merrifield street, Brunswick
