Fragments of our with Sanae Mazouz @impliedechoes yet unfinished project, 'Third Shift' filmed on 11/11/2025 in the Palazzo Bianco in Genoa, supported by @studioflorida_ Behind the cameras were
@impliedechoes@elettrabot@mastrabiz and me.
One of the ladies is 35 today!
Мені сьогодні 35 років, й більшість з моєї родини - жива, це щастя.
Und jetzt bin ich nicht so junge Künstlerin. Die Hoffnung ist der große Löffel Honig im manchmal bitteren Tee des Lebens.
Rea| ₩e@₽on (2018) is a digital musical and a cut-up that would be hard to upload today: vîo|€ncē, єr*tiċĩsm, multiple gиnsh0† $uic!ďe₴... and all in a game eng!ne.
So here is only a fragment (which was difficult to choose to avøid all the g0R€) and the whole work is presented on the VRAL platform by @milanmachinimafestival until 6 November 2025 accompanied by our dialogue with Matteo Bittanti presenting the contexts of this project from today perspective and 4ever.
(Link in profile)
Crush, 2025
Web-zine edition. Graphic and essay in German. Download PDF online!
The countdown echoes a horror, but to someone else it could recall language examination rooms, where the same clocks are counting down the time for writing a letter to an imaginary friend.
This is my first essay in German, written at the beginning of June 2025, while preparing for the exam. The set of sheets stylistically inherits the didactic logic of ready-made forms of educational materials and manuals, yet also resists it: in an attempt to re-appropriate the rigid constructions of the language for oneself, in order to express reality. In this way, the text condenses history and its angels.
This work was made specifically for and shown for the first time within the framework of the travelling pavilion of @thebrokengallery_official within the project “Attacke der Retroavantgarde: Kunststudierende als KomplizInnen des Kunstmarktes” which accompanied @artbasel 2025 and functioned as a spatial installation, which included large electronic clocks. Many thanks to @christianjankowski_official and @klasse_jankowski at @abkstuttgart who invited me to participate.
In the online version the full set of images and texts is available in the original order of reading, implying also the logic of a loop. This may be most legible to people who have gone through integration and German language courses being displaced persons, refugees and migrants. Nevertheless the text is directed at those who handle bureaucratic correspondence, endowed with symbolic power, hidden behind many copies and screens.
I am releasing this work across several platforms, and will be glad if it finds new recipients.
it's good to have friends and co-authors and see them at least once every several years
Ged is my constant coauthor on sound: in 2016 we wrote the soundtrack for the installation “shooting range”, in 2018 he helped mixing “real weapon”, in 2017 starred in “luxuriat”, in 2020 edited sound for “my mom is turning into a neural network”.
love you bro
Secret Garden, a first draft (2024), the installation within the project and residency "Look over the edge" at Studio Florida @studioflorida_ (with the support of Culture Moves Europe @culturemoveseurope , @creative.eu and Goethe-Institut @goetheinstitut ), in Genova, Italy. Photo documentation by Francesca Migliorin @ziska.raw
This plant from the Red Book (of rare species to be preserved and protected) is simultaneously classified as an invasive weed. My sister and I used to collect its anchors in the soft silver sands of Dnipro. Now, on the coasts of Ukraine, other women's hands are neutralizing mines. A herbarium wrapped in the ground molds a coat of arms.
“River devil” from the series “untitled / fountains”, 2024
Unglazed ceramics, recycled glass.
#devil #herb #erde #mold #sculpture
“You can see that from the terricones near the mine №5, but no one knows its purpose” from the series “untitled / fountains”.
Unglazed ceramics, recycled glass.
2024
#untitledfountains #ceramics #sculpture #nopeaceunderrussianoccupation
