Excited to share my new photographic zine
‘YOU MAY SAY WE’RE DREAMERS, BUT…’
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A visual journey through Melbourne across 2016, 2023 & 2024 — exploring the quiet tension between the futures we imagine and the realities we live.
This personal migration story captures those moments when dreams drift away from what actually unfolds.
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• Limited edition of only 50 copies
• 21x15cm, 80 pages, softcover-fold
• Hand-stitched binding by Dibdee Binder
• Made in Chiang Mai, Thailand
❌SOLD OUT!❌
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Thank you in advance for your support! :)
Final week of ‘The Restoration of Happiness’ exhibition at @blocprojects@platformasia !!!
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10 Oct - 15 Nov
Bloc Projects, Sheffield
Free Entry
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As part of our ESEA Futures strand (co-presented with Platform Asia), the exhibition brings together works by Southeast Asian artists Elizabeth Gabrielle Lee, Chulayarnnon Siriphol, Krerkburin Kerngburi and Arlette Quỳnh-Anh Trần.
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Image credits: James Clarkson
SurrealLand!” is part of the group exhibition “The Restoration of Happiness” by @platformasia & @blocprojects — 10 Oct to 15 Nov!
Many thanks to Morit Chueng for including my work in this show.
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📍 Bloc Projects, 71 Eyre Lane, Sheffield S1 4RB
More about the exhibition here: platformasia.org.uk/the-restoration-of-happiness
@roc46 Krerkburin “Bath” Kerngburi (b. 1988) is an invisible photographer/artist from Chiang Mai, Thailand, who grew up around street art. He earned his MA in Photography from the University of the West of England, Bristol, UK (2020). His photographs are known for their satirical and mysterious vibe, often looking at Thai society with a critical eye. Through his work, he explores identity, culture, and politics. His art has been shown in Thailand and around the world, including Australia, Germany, Italy, Singapore, and the UK.
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His new zine YOU MAY SAY WE’RE DREAMERS, BUT…
Is a visual journey through Melbourne across 2016, 2023 & 2024 - exploring the quiet tension between the futures we imagine and the realities we live. This personal migration story captures those moments when dreams drift away from what actually unfolds. It traces shifting perceptions and explores the emotional landscape of migration, and asks what it means to belong — or not.
• Limited edition of only 50 copies
• 21x15cm, 80 pages, softcover-fold
• Hand-stitched binding by Dibdee Binder
• Made in Chiang Mai, Thailand. Pre order at the link in his bio @roc46