Robert Bevis

WEAPONS AND THEIR NAMES (2023) . ‘Weapons’ was a true labor of love from start to finish, shot back in 2021 alongside some of my very best friends from film school, over some of the hottest days of a south Florida summer. Melina wrote a gorgeous, nuanced script and I poured everything I had into helping her bring it to life. We shot 15 rolls of film over 5 days with no dailies and a very shitty SD video tap — everything had to come from the gut. Thankfully we’d prepped a ton both in New York and then on location in Florida the week prior, creating the space and time for the story to lead. Our cast and crew were truly phenomenal, and despite my resting internal terror shooting the whole film without dailies and 300 miles from the rental house — every night still brought a feeling of warmth that’s hard to describe. . shot on: Arriflex SR3 [Kodak Vision3 7219, 7207] + Zeiss Ultra16 Primes . writer/director: @mmelinavv cast: @cecilia__rene @greta.c.hicks @lilia.karst @bdawk511 producers: @raymondknudsen @5thfloorpictures @bigbluepictures exec. producer: Alan McConnell assoc. producer: @bandrybarry production design: @cowboyblonde editor: @jake_o_lanternnn colorist: @katie_jordan_color first ac: @trevorviner second ac / loader: @tylereverettcook gaffer: @no_cargo key grip: @chris_violette . @kodakshootfilm @sundanceorg @cinevideotech @tcsfilm #shotonfilm #sundance #sundancefilmfestival #sundance2023

DIDN’T THINK I’D SEE YOU HERE (2024) . Dylan reached out with the script for DTISYH in 2022 and we met over fried chicken at the Commodore 💥. I was sold pretty quickly — not just because the script was beautifully written, but Dylan’s creative vision felt totally and uniquely distinct. It was also clear that he wanted a visual collaborator to invest emotionally into the project and help bring it to life, which is what I live for. This kind of thing never feels like doing a job, because even the most technical decisions tend to come from an emotional response to the story, or a certain location, or performance, etc — it’s all alchemy. We faced a fair amount of challenges on this one (smash cut to getting kicked out of our first location day 1), and a super tight schedule, small crew, all that, but a great script will make you forget those things and just bust your ass to make it all happen. Very proud of this one. . shot on: Arri Alexa Mini + Kowa Cine Prominars / Angenieux Optimo 24-290mm Zoom . writer/director: @dylanguerra cast: @getyaron @marquisrodriguez producers: @getyaron @lduppz editor: @getyaron colorist: @katie_jordan_color first ac: @mmelinavv second ac: @steff_elainee @chris_violette gaffer: @oliviermetzler key grip: @no_cargo . @sundanceorg @tcsfilm @arri @newfest #sundance #sundancefilmfestival #sundance2024

FIELD MOUSE (2025) . It’s hard to fully articulate how special this project was for me. Grayson is my longest creative partner, going back to F1s (first semester films) at @fsufilm , and ‘Field Mouse’ is the outgrowth of a particular visual and pacing style we’ve been developing since our time there. The story unfolds in a rather disjointed, non-linear fashion, paralleling the main character’s inner torment and increasing disconnection from reality. For me, it’s a melancholic tone poem of grief, cowardice, escape and ideation. ‘Field Mouse’ is currently on the festival circuit, stay tuned! 🙏🏼 . shot on: Arri Amira + Panavision Ultra Speeds MkII / Panavision Primo 17.5 - 75mm Zoom . writer/director: @graysogo cast: @gabefraiv Sophia Claire Smith, Jon Lonoff, Lola Lukas producers: @storaroblue @raymondknudsen @rbevis @patsilver2000 co-producer: @mollymartha_ editor: @patsilver2000 colorist: @katie_jordan_color first ac: @willapisarski second ac: @lilymars__ Collin Hassler gaffer: @oliviermetzler key grip: @no_cargo swing: @chris_violette art dept: @i_hate_skins @aidanpkaye vfx: @reidlauff @erikforall . @panavisionofficial

Willa’s bday was the other day and also this movie we shot a few years ago is finally premiering so it’s time to release the photo series. DEEPFAKE (focus by @willapisarski ) premieres at Tribeca on 6/6 at village east angelika 🎞️

DEEPFAKE is headed to Tribeca! Very proud of Matt and all the work he put in to bring this wacky script to life, from script to post, and incredibly thankful to my small, tight-knit crew for crushing it every single day of this shoot back in 2023. I feel very lucky to get to do this job alongside people I love dearly. Of course, my sincerest thanks to @panavisionofficial NY (in particular Jeff Marzigliano, Luca Spensieri, and Chris Bieler) for their unwavering support and expertise along the way 🫶🏼 DEEPFAKE screens June 6, 7, and 14! writer/director: Matt Eames cast: @thejessdigi @sophialucia____ @jocweis @emilyunkles producer: @fed_lai @backbaystudios 1st ad: @erikforall production designer: @graysogo dp: @robertbevisdp steadicam op: @j.coyote 1st ac: @willapisarski 1st ac (dayplay): Gianfranco Bello 2nd ac: @michaelglantzis 2nd ac (dayplay): @lilymars__ gaffer: @oliviermetzler key grip: @no_cargo sound mixer: @nicole_majewskii sound editor: Philip Kim foley artist: Sam Beneitone colorist: @katie_jordan_color . @panavisionofficial @arri @fujifilmproduction

NOT MY PROBLEM Laila! . label: IIIXL Studio artist: @prodlaila director: @_ot production company: @newyerrk producer: @jamiemdolan associate producer: @debtam // @radish dp: @robertbevisdp production design: amelia martinez editor: @jacquelinexerri management: jessica chong 1st ad: @cosmo_sweeney steadicam op: @authorizeddealer 1st ac: @willapisarski gaffer: @oliviermetzler key grip: @no_cargo production sound mixer: @jskyproduction stylist: @tifffanyhelena HMUA: eve marie colorist: @lorenjameswhite . shot on: Arri Alexa Mini + Cooke Speed Panchros / Century Compact Zoom . @arrirental @cookeoptics @arri . #cinematography #commercial #musicvideo #dırectorofphotography

bolt x bts #cinematography #mrmc #boltx #commercial #production

BTS from ‘Cora, Eat Your Spaghetti’ back in September (dir. @shannonm.sutherland ), in post now! // 📸 @aaronkudja

Found this in my spam folder today 😅🥵 so it’s a few days late, but so grateful to @the__asc for the opportunity to take part in their 2025 Vision Mentorship program!

primos v ultra speeds v master primes v s4s [all on S16 Kodak V3 500T 7219]. Big thanks to Chris Bieler at @panavisionofficial NYC for letting us come in for this test, and @kodak_shootfilm for the great service. The full comparison and exposure test is up on vimeo, dm me for link if anyone’s interested . 1st ac: @steff_elainee loader: @johnjenne gaffer: @oliviermetzler . #shotonfilm #panavision #arri #kodak #16mm #16mmfilm @cookeoptics @arri @zeisscameralenses

from the vault // sundance #2 (2024) with ‘Didn’t Think I’d See You Here’ // this place is really expensive