Juan Cristobal Ribes

@ribesmastering

Ingeniero de mezcla y masterización de audio desde 2011. Estudio profesional situado en #poblenou #Barcelona España. #Mastering #Mixing #Barcelona
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Weeks posts
@apeidon__ is one of the breakthroughs in the Spanish bass scene, moving fluidly between bass, garage, broken beat, house, and everything in between. His sound is driven by raw groove, intricate drum programming, and hypnotic, low-end-heavy textures 🙂‍↕️. We’re proud to present “Fangoso”, the single from "Imantica", Apeidon’s forthcoming EP. A murky, rhythm-forward cut, “Fangoso” leans into swung patterns, saturated textures, and weighty subs unfolding with a slow-burning tension that will lock into your body and mind 🌀. Play it loud. Out now on all streaming platforms and Bandcamp. Link in bio 🔗. Full release May 20! Written and produced by: Apeidon (@apeidon__ ) Mastered by: Ribes Audio (@ribesmastering ) Artwork by: Dypere (@dypere.cc ) Picture by: @___anggel ℗ & ©: 2026 Noise Pollution Recordings
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VIRTUACA004 - El Mago de La Guaira - Tecnostreet Growing up inside Venezuela’s Miniteca culture (mobile sound systems that defined the country’s underground from the 70s through the 90s), Luis Rafael Mojica @elmagodelaguaira came up through Sound Crazy, a sound system institution running since 1979. Based in La Guaira, a port city just north of Caracas, his sound carried the natural pulse of the Caribbean while absorbing the imported records that moved through this zone: disco, electro, italo, reggae, merengue, and eventually the techno and house Venezuelans would come to call Changa. By 1997, he was producing his own tracks on a Pentium 4 using Mixman Studios and Cool Edit Pro. His early productions were defined by polyrhythmic, sample-heavy edits that fused house with soca, Afro-Caribbean rhythms, vocal samples in Spanish, and Venezuelan merengue. Soon after, he began incorporating Brazilian funk vocals and italo elements into his sampling, while consistently anchoring his hooks in Spanish. He called the sound Tecnostreet, street music for La Guaira’s sound systems. While Caracas’s west side was shaping its own chapter of Venezuelan club music underground (Street House and Raptor House with DJ Babatr, DJ Deep RH, among others), El Mago was doing his own thing from the periphery, in his beloved coastal city of La Guaira, quietly influencing a new generation of DJs, including DJ Yirvin. On December 15, 1999, catastrophic mudslides and flooding in an event later known as La Tragedia de Vargas buried much of La Guaira. El Mago lost his studio. The original sessions of most of his productions were gone. This release recovers part of what survived: a foundational archive, built on the edge, before anyone was paying attention. “NUNCA ES TARDE PARA LA BUENA MUSICA” Luis Rafael ‘El Mago de La Guaira’ Out: March 30, 2026 Produced by Rafael Mojica between 1997 and 2000. Mastering by @ribesmastering Artwork by @planetlukedotcom Catalogue No.__ VIRTUACA-004
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SEMPRE COMPROMES , un videoclip amb tres històries paral•leles , on el fi justifica el medi. 👀LINK A LA BIO!!! no et perdis el final . Idea original de Peste Negra i Eloi Román . Musica i mescla : Peste Negra Master: @ribesmastering Video Direcció i edició: @eloiroman Dop/color/grafisme: Neo Blazquez Passamuntanyes i Crocks : Silvana Martín Golf: @guille_elgas Actor guiri 1 : Nate Ruiz
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BRM003 · The Faded Line por Renwick Publicado el 14 de noviembre de 2025 en BRUMA. Productor hondureño basado en Manchester, donde la escena es pequeña en espacios pero muy activa a nivel creativo. Empezó a producir en 2018, pasó por una pausa larga y retomó el proyecto en 2024, combinando trabajo en Ableton con grabación, resampleo y experimentación en estudio. The Faded Line recoge ese momento a través de dos tracks: The Strip y Solid Snake. EP completo y entrevista en la web de BRUMA. Link en bio. Arte: Eka y Dupouy @_dupouy Mastering: Juan Ribes @ribesmastering
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El 8 de Agosto de 2025 nuestro sello comunitario, BRUMA, publicó su primera referencia: BRM001, Introspective de @fontana_ataraxia , con Introspective y Simplicity. Te invitamos a escuchar su trabajo y descubrir más sobre Fontana leyendo su entrevista, puedes encontrar todo esto en la web de BRUMA, link en nuestra bio. Mastering: @ribesmastering Artwork: @_dupouy
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El 19 de septiembre de 2025 nuestro sello comunitario, BRUMA, publicó su segunda referencia: BRM002, Monolith, de @sedlec___ , con Obsidian y Zero Grid. Te invitamos a escuchar su trabajo y descubrir más sobre Sedlec leyendo su entrevista; puedes encontrar todo esto en la web de BRUMA, link en nuestra bio. Mastering: @ribesmastering Artwork: @_dupouy
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The first release from our new label La Triple Alianza is out! You can find it in some of our favorite record shops in Berlin. @bikiniwaxxrecords @marla_records_berlin @black.round.twelve @oyerecordstore @kimchi_records And in Mexico via @hotcakesmx La Triple Alianza is a label that celebrates vinyl culture and the importance of this medium. Our first release is a humble exercise of resistance. Underground, uncompromised art. Created by 4 Mexican artists working in 3 different studios. Itzone in Mexico. R.B.S. in Barcelona. Echowoman & Signal Deluxe in Berlin. L3A. Pressed with 100% recycled PVC. Distributed by hand. Vinyl only. No digital. No streaming. La Triple Alianza.  L3A. L3AVA01. A1.Echowoman _ Slu Rae  @echowoman_808 A2.Signal Deluxe _ Gamma Zoot @sd_signal_deluxe B1.R.B.S. _ Reencuentros @rbsribes B2.Itzone _ Ancient Loop Technology @djitzone Invierno 2025. Mexico - Barcelona - Berlin. 3 estudios. L3A. Mastered @ribesmastering #techno #electro #mexico #barcelona #berlin
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‘When That Day Comes’ drops today — a slow-burning minimal built around a flipped sample of Freedust’s Bad Move (feat. Sheila Weaver). Piano by @mark_aanderud , deep Dilla-style bass, and a drunk groove—minimal, looped, and mood-heavy. Graphics by @testadiradio , mastering by @ribesmastering . ⠀ #newmusic #nowplaying #instrumentalhiphop #jazzhop #samplebased dillavibes beatscene freedust markaanderud lofiart musicrelease
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La Triple Alianza.  L3A. L3AVA01. A1.Echowoman _ Slu Rae @echowoman_808 A2.Signal Deluxe _ Gamma Zoot @sd_signal_deluxe B1.R.B.S. _ Reencuentros @rbsribes B2.Itzone _ Ancient Loop Technology @djitzone Invierno 2025. Mexico - Barcelona - Berlin. 3 estudios. L3A. Mastered @ribesmastering
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La Triple Alianza.  L3A. L3AVA01. A1.Echowoman _ Slu Rae @echowoman_808 A2.Signal Deluxe _ Gamma Zoot @sd_signal_deluxe B1.R.B.S. _ Reencuentros @rbsribes B2.Itzone _ Ancient Loop Technology @djitzone Invierno 2025. Mexico - Barcelona - Berlin. 3 estudios. L3A. Mastered @ribesmastering
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La Triple Alianza.  L3A. L3AVA01. A1.Echowoman _ Slu Rae @echowoman_808 A2.Signal Deluxe _ Gamma Zoot @sd_signal_deluxe B1.R.B.S. _ Reencuentros @rbsribes B2.Itzone _ Ancient Loop Technology @djitzone Invierno 2025. Mexico - Barcelona - Berlin. 3 estudios. L3A. Mastered @ribesmastering
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La Triple Alianza.  L3A. L3AVA01. A1.Echowoman _ Slu Rae @echowoman_808 A2.Signal Deluxe _ Gamma Zoot @sd_signal_deluxe B1.R.B.S. _ Reencuentros @rbsribes B2.Itzone _ Ancient Loop Technology @djitzone Invierno 2025. Mexico - Barcelona - Berlin. 3 estudios. L3A. Mastered @ribesmastering
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