Regen Projects

@regenprojects

Current Exhibition: Alberta Whittle 'Learning a new punctuation for hope in times of disaster' March 16 – May 18, 2024
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Tap the link in our bio to explore our Online Viewing Room for @ArtBasel Hong Kong 2024, which is now live for VIP Preview. Opening for public view next Wednesday, March 27, the gallery’s virtual presentation features selected artworks by Kevin Beasley, Glenn Ligon, Daniel Richter, Anish Kapoor, Sue Williams, Jack Pierson, Wolfgang Tillmans, and Marilyn Minter. #ArtBasel #ArtBaselHongKong @kevinmbeasley @glennligon @dirty_corner @jackpierson9 @wolfgang_tillmans @marilynminter #KevinBeasley #GlennLigon #DanielRichter #AnishKapoor #SueWilliams #JackPierson #WolfgangTillmans #MarilynMinter
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6 days ago
Musician Kim Gordon’s tour for her second solo album, ‘The Collective,’ arrives tonight at the Regent Theatre in Los Angeles. Gordon's tour kicked off on March 21 in Burlington, Vermont, and features a new visual composition by Regen Projects artist Alex Hubbard.⁠ ⁠ 1–2: @lukeawtryphotography @highergroundmusic ⁠ ⁠ 3: @arenotphotos @knockdowncenter ⁠ ⁠ #AlexHubbard @kimletgordon @regenttheaterla
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23 hours ago
This Sunday, March 31, from 2 – 3:30 pm, join Rebecca Morris and her longtime friend, painter Amy Sillman, as they discuss selected works from ‘Rebecca Morris: 2001–2022,’ a 21-tear survey of Morris’s oeuvre, on view at the Museum of Contemporary Art Chicago through Sunday, April 7.⁠ ⁠ In person access is sold out, but tickets to a seated livestream of the conversation—hosted in the MCA Commons—are free with the price of museum admission. ⁠ ⁠ After the talk, Morris will sign copies of the exhibition’s catalogue, a fully illustrated volume featuring texts on the artist’s work and practice by Jamillah James, Anne Ellegood, Anthony Elms, Alex Jen, Camila McHugh, and Hamza Walker.⁠ ⁠ Photo: Flying Studio, Courtesy of the artist⁠ ⁠ @mrs.kozaki @mcachicago @amyandomar #RebeccaMorris #AmySillman #MuseumofContemporaryArtChicago #MCAChicago
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1 day ago
Visit us at Booth 3D17 during Art Basel Hong Kong, which runs through Saturday, March 30. The gallery’s presentation features works by Alex Hubbard, Elliott Hundley, Sue Williams, Kader Attia, Wolfgang Tillmans, Gillian Wearing, Matthew Barney, Catherine Opie, Anish Kapoor, Sable Elyse Smith, Daniel Richter, Kevin Beasley, Glenn Ligon, Marilyn Minter, Rebecca Morris, Jack Pierson, Walead Beshty, Liz Larner, Silke Otto-Knapp, Raymond Pettibon, James Welling, and Andrea Zittel.⁠ ⁠ Tap the link in our bio to explore our Online Viewing Room.⁠ ⁠ Photo: Andrea Rossetti⁠ ⁠ @ArtBasel #ArtBaselHongKong @elliotthundley @thekaderattia @wolfgang_tillmans @pacecarforthehubrispill @csopie @dirty_corner @sable_elyse @kevinmbeasley @glennligon @marilynminter @mrs.kozaki @jackpierson9 @raymond_pettibon_ @jamescwelling @andreazittel #AlexHubbard #ElliottHundley #SueWilliams #KaderAttia #WolfgangTillmans #GillianWearing #MatthewBarney #CatherineOpie #AnishKapoor #SableElyseSmith #DanielRichter #KevinBeasley #GlennLigon #MarilynMinter #RebeccaMorris #JackPierson #WaleadBeshty #LizLarner #SilkeOttoKnapp #RaymondPettibon #JamesWelling #AndreaZittel
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1 day ago
Art Basel Hong Kong opens for preview today, Tuesday, March 26, and continues through Saturday, March 30. Join us at Booth 3D17 to view a presentation of works by gallery artists, including Daniel Richter’s ‘I can feel it,’ 2024, pictured here.⁠ ⁠ The evocative figurative elements in ‘I can feel it’ are excavated from—or, more accurately, submerged in—a dense, crimson ground. Richter transforms sketches from everyday life (“[a] child at the dentist, boys playing basketball”) into complex, energetic compositions that oscillate between figuration and abstraction. Semi-autonomous forms constructed from hard lines and opaque streaks of varicolored paint appear to reach for one another across a shadowy, circular void at the painting’s center. The mutual attraction of Richter’s opposing figures suggests numerous competing narratives and affects, from kinship or reciprocal curiosity to a bitter contest for dominance.⁠ ⁠ Explore the gallery’s online viewing room via the link in our bio, which features additional highlights from our presentation at @ArtBasel Hong Kong including works by Kevin Beasley, Anish Kapoor, Glenn Ligon, Marilyn Minter, Jack Pierson, Daniel Richter, Wolfgang Tillmans, and Sue Williams.⁠ ⁠ Image: Daniel Richter, ‘I can feel it,’ 2024⁠ ⁠ #ArtBasel #ArtBaselHongKong #ABHK #DanielRichter #RegenProjects
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2 days ago
Happy birthday, Matthew Barney!⁠ ⁠ Congratulations to the artist on a banner year! Among other achievements, Barney was elected into the American Academy of Arts and Letters, and his new, critically-acclaimed film ‘SECONDARY’—which debuted in the summer of 2023 as a multi-channel, studio installation—was dubbed a ‘Defining Artwork’ of the year by @ARTnews , and listed among the top ten, US-based shows by @FriezeOfficial . Catch the Los Angeles debut of ‘SECONDARY’ at Regen Projects this summer, beginning June 1.⁠ ⁠ Image: Production still from Matthew Barney, ‘SECONDARY,' 2023. Photo: Jon O’Sullivan, © Matthew Barney⁠ ⁠ @pacecarforthehubrispill #MatthewBarney
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3 days ago
“‘Under construction’ has a lot of meaning to me in terms of what it means to build not only community but also a city.” Join Catherine Opie and author Karen Tongson as they discuss the conceptual architecture of ‘harmony is fraught,’ a presentation of unseen photographs from the artist’s archive, recently on view at Regen Projects from January 11 – March 3, 2024. Tap the link in our bio to view a complete recording of their conversation. @csopie @tongsonator #CatherineOpie #KarenTongson
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5 days ago
On view at Kunstverein in Hamburg through April 14, 2024, ‘Bühnenbilder’ surveys Silke Otto-Knapp’s formal innovations as a painter.⁠ ⁠ The presentation includes depictions of theater, dance, film, and opera by the artist from the last decade, as well as ‘Versammlung,’ Otto-Knapp’s final cycle of multi-paneled, freestanding paintings. Rendered in high-contrast, greyscale watercolors, the works in ‘Bühnenbilder’ reflect on formal and thematic questions concerning the representation of the performing arts within the medium of painting.⁠ ⁠ 1–6: Installation view of Silke Otto-Knapp, ‘Bühnenbilder,’ Kunstverein in Hamburg, January 27 – April 14, 2024. Photo: Fred Dott⁠ ⁠ @kunstvereinhh #SilkeOttoKnapp #Bühnenbilder #Versammlung #KunstvereininHamburg #KVHH
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6 days ago
‘OF & ABOUT POSTERS,’ the most comprehensive presentation of the Lawrence Weiner Poster Archive to date, is currently on view at the Vancouver Art Gallery through August 25, 2024.⁠ ⁠ Featuring more than 250 posters made between 1965 and 2021, the exhibition is complemented by selections from Weiner’s editioned works, publications, and audio projects. Taken together, these diverse materials exemplify the various ways that the artist’s work and ideas have circulated around the globe.⁠ ⁠ Although Weiner described himself primarily as a sculptor, he departed from the conventional associations of the term in the late 1960s, defining his principal medium as “language + the material referred to.” Since then, his precise, poetic texts have appeared on the surfaces of art museums and galleries, as well as on posters, books, and in song lyrics.⁠ ⁠ Find more info at the link in our bio.⁠ ⁠ Image: Lawrence Weiner during the installation of ‘The Vancouver Art Gallery Archive of Lawrence Weiner Posters,’ 125 Jahre Hochschule für Angewandte Kunst, Vienna, 1993. Courtesy of the Lawrence Weiner Estate⁠ ⁠ @vanartgallery #LawrenceWeiner #VancouverArtGallery
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7 days ago
Regen Projects is pleased to participate in the 2024 edition of Art Basel Hong Kong from Tuesday, March 26 – Saturday, March 30. ⁠Find us at Booth 3D17 to view a presentation of works by gallery artists representing a variety of media, styles, and techniques.⁠ ⁠ Explore the gallery’s Online Viewing Room at the link in our bio.⁠ ⁠ Featured artists include Kader Attia, Matthew Barney, Kevin Beasley, Walead Beshty, Alex Hubbard, Elliott Hundley, Anish Kapoor, Liz Larner, Glenn Ligon, Marilyn Minter, Rebecca Morris, Catherine Opie, Silke Otto-Knapp, Raymond Pettibon, Jack Pierson, Daniel Richter, Sable Elyse Smith, Wolfgang Tillmans, Gillian Wearing, James Welling, Sue Williams, and Andrea Zittel. ⁠ ⁠ 1: Jack Pierson, ‘MAGIC,’ 2024⁠ ⁠ 2: Kevin Beasley, ‘Plot I,’ 2024⁠ ⁠ 3: Glenn Ligon, ‘Stranger Study #40 ,’ 2023⁠ ⁠ 4: Daniel Richter, ‘I can feel it,’ 2024⁠ ⁠ 5: Sue Williams, ‘The Pink Object,’ 2002⁠ ⁠ 6: Anish Kapoor, ‘Prussian Blue over Silver Blue,’ 2023⁠ ⁠ 7: Wolfgang Tillmans, ‘Still Life Sebastian Street,’ 2021⁠ ⁠ 8: Marilyn Minter, ‘Electric,’ 2023⁠ ⁠ @artbasel #ArtBaselHongKong @thekaderattia @pacecarforthehubrispill @kevinmbeasley @elliotthundley @dirty_corner @glennligon @marilynminter @mrs.kozaki @csopie @raymond_pettibon_ @jackpierson9 @sable_elyse @wolfgang_tillmans @jamescwelling @andreazittel #KaderAttia #MatthewBarney #KevinBeasley #WaleadBeshty #AlexHubbard #ElliottHundley #AnishKapoor #LizLarner #GlennLigon #MarilynMinter #RebeccaMorris #CatherineOpie #SilkeOttoKnapp #RaymondPettibon #JackPierson #DanielRichter #SableElyseSmith #WolfgangTillmans #GillianWearing #JamesWelling #SueWilliams #AndreaZittel
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9 days ago
Happy birthday, Doug Aitken!⁠ ⁠ Aitken is currently the subject of ‘Return to the Real,’ a major exhibition of works by the artist from the past 15 years, on view at SCHAUWERK Sindelfingen in Germany through June 16, 2024. ⁠ ⁠ 1: Photo: Frank Kleinbach⁠ ⁠ 2–6: Installation view of Doug Aitken, ‘Return to the Real,’ SCHAUWERK Sindelfingen, September 24, 2023 – June 16, 2024. © Doug Aitken, photo: Frank Kleinbach.⁠ ⁠ @dougaitkenworkshop #DougAitken #HappyBirthday @schauwerk_sindelfingen #SCHAUWERKSindelfingen #ReturntotheReal
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10 days ago
Alberta Whittle’s debut presentation with the gallery, ‘Learning a new punctuation for hope in times of disaster,’ opens today at Regen Projects. Join us tonight for an opening reception from 6 – 8 pm.⁠ ⁠ Blending tender portraiture with more abstract passages and symbols, Alberta’s paintings reflect her own lived and embodied experience, as well as her desire to cultivate moments of rest, reflection, and kinship—both with and for others. The exhibition presents Alberta’s 2022 film, ‘Lagareh – The Last Born’ for the first time in North America, following its debut at the 59th Venice Biennale. Shot across several countries, including Scotland, England, Barbados, Sierra Leone, and Italy, the film weaves documentary alongside more lyrical, esoteric sequences, inheriting a filmic and artistic tradition that is both experimental and essayistic.⁠ ⁠ 1, 3, 5: Installation view of Alberta Whittle, ‘Learning a new punctuation for hope in times of disaster,' Regen Projects, Los Angeles, March 16 – May 18, 2024. Photo: Evan Bedford⁠ ⁠ 2: Alberta Whittle, ‘Genealogies of Chosen Family (Traician Meikle),’ 2024⁠ ⁠ 4: Alberta Whittle, ‘Genealogies of Chosen Family (Sekai Machache),’ 2024⁠ ⁠ @purebred.mongrel #AlbertaWhittle #RegenProjects #LosAngeles
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12 days ago