🔈🎬🎞️ We’re proud to share that after a successful theatre tour, Porte Bagage is now getting a national cinema release in the Netherlands and Belgium from March 20th. Screenings will take place at cinemas including Pathé, Kinepolis, and other selected theatres across both countries.
For us, this was a special one to work on.
We handled the sound design, re-recording mix and final 5.1 cinema mix, shaping the film’s sonic world for the big screen.
Porte Bagage follows the Idrissi family as they travel to Morocco. Their father, in the early stages of dementia, wants to return to his birthplace. Not everyone agrees with the plan. Will the journey bring them closer together, or push them further apart?
Grateful to have been part of this journey, and even more excited that it’s now reaching a wider audience.
See you at the movies 🍿
Produced by: @zouka.nl
Directed by: @abdelkarimef
Produced by: @asmaelfassi
Edit by: @sjoerd.schipper
Music: @valentinhadjadj
D.O.P: @sjorsmosman
And many more…….
It’s official! 🙌
The past few months, @randall_w_macdonald and I been working on the launch of @rabble_studios A studio born out of our pure love for music and sound design.
A special shoutout to @erwinerwinerwin for turning the Rabble concept into a kickass animated logo 🙏
Sound design & music composition for National Geographic's latest global broadcast idents 🎶🔊📺
Lots of fun breathing life into these worlds created by @erwinerwinerwin
We blended subtle musical elements with sound design and ambience to create smooth, fluid transitions from one scene to the next, leading up to the grand reveal of the conclusive sound logo we created at the end.
Credits
Client: National Geographic
Director: @erwinerwinerwin
VFX: @erwinerwinerwin
Post Production company: The Panics
Producer: @ingezoete
Congrats @erwinerwinerwin and @nexusstories on winning the Creative Review Grand Prix! 👏So happy to have contributed the music composition to this celebration of creativity. 🎶🎸
#CreativeReview #GrandPrix #MusicComposition
New Work! 🧻📱
We created a light, subtle and quirky composition that leans into the awkwardness of the moment. As choices become increasingly elaborate, we land on the simplest request of all, do you have some regular toilet paper too?
Credits:
Agency: @tbwaneboko
Creatives: @richbus and alexherwig
Director: @jamillevwijngaarden
Agency Producer: Noor Hinskens
Production: @wikke1980 at @holyfoolsnl
Audio post production: @loudr.nl@tbwaneboko Edit: @jorienvoogt.editing
New Work! 🚀
Tonal x The Mandalorian
A movie trailer driven approach to sound, where gym performance and cinematic action visually rhyme, cutting between real world effort and the scale of the Star Wars universe.
We recorded foley in a local gym to capture real weight, tension and mechanics, then fused those textures with iconic Star Wars elements, shaping a sound world that bridges physical training and cinematic storytelling.
Agency: @flowershop.agency
Agency producer: @lpowzyk
Creative Director: @olliesonofwat
Chief Creative Officer: Al Merry
Chief Executive Officer: Mary Lou Bunn
Production Company: @curfew.tv
Director: @daysezo
Editorial: @cabinedit
#sounddesign #trailer
New Work! 🔊
A future forward, tech driven approach where the sound is there to support and elevate each feature. Clean, precise and detailed, with just enough character to give the device its own voice without getting in the way.
We carefully blended the tech heavy sound design into the music, so it feels like an extension of the track itself, while subtly narrating the film as each feature is revealed.
Agency: WPP's GroupM
Director: Wu Ting
Production Company: MOD Shanghai
Music: MonsterMusic
#sounddesign #audiopost #rabblestudios
New work! 🔊🧢🛹
Sound design & mix for Life360 – ‘Mom Of The Guys’.
‘Blijf in de buurt, maar niet te dichtbij’. 👀 A fun one about the thin line between caring and slightly overdoing it.
We had a blast working on these fun scenarios created by @philiporhugo
Credits
Creative Directors: @philiporhugo
Producer: Bo Polak
Edit: @pimvanderpas_editor
And many more 🙌
New Work! 🔉Sound design and re-recording mix for ‘The Gift’, directed by @__mikkid and premiered at Nederlands Film Festival💙
Shout out to everyone involved 🙌
Alesya Dobysh
The Gift
Simon Bus
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Written & Directed
Mikki Sindhunata
—-
Producers
Mikki Sindhunata
Guido F.G. Jeurissen
——
Director of Photography
Myrthe Mosterman, NSC
—-
Editors
Sam Groesbeek
Mikki Sindhunata
—-
Music Composer
Mojan Alaiyeh
—-
Production Sound
Ting Fung Cheung
——
Production Designer
Iris Schutgevaar
——
Styling
Fien Lute
——
Hair & Make-up
Faïsa Sontodimedjo
——
Executive Producer - Mikki Sindhunata
Co-Producer - Rauwkost Film
Office Manager - Arjen van Doezelaar
First Assistant Director - Guido F.G. Jeurissen
Third Assistant Director - Caylee Nielen
Production Runner - Nika Ferwerda
Gaffer - Erik de Wildt
Best Girl - Fabienne Lamet
1st Assistant Camera - Alyssa van Veen
2nd Assistant Camera - Robbe van Rhijn
Camera Equipment Rental - Cam-a-lot
Lighting Equipment Rental - Lux & Co
Art Assistant - Julia Bartelds
Art Assistant - Emily Claridge
Art house - Kotryna Buruckaitė
Location Scout - Allard van der Spek
—-—————
Movement Direction - Mikki Sindhunata
Performance “Alesya” - Alesya Dobysh
Performance “The Gift” - Simon Bus
Casting - Mikki Sindhunata
Re-Recording Mixer - Bertus Pelser
Thereminist - Thorwald Jørgensen
Vocals - Mojan Alaiyeh
Creative Consultant Music - Job Poels
Colorist - Qianwei Tong
Visual Effects - Elmer Leeuwaarden
Title Designer - Midhat Avdagic
Behind the Scenes Photography - Maximilian Drubba
