We’re @londonoriginalprintfair@somersethouse until Sunday 17 May. We’re in a new location below the Nelson Staircase (and beside the bar!)
Hope to see you there!
Galleries, residencies, art fairs: do you have an opportunity to share with our readers?
Deadline for a free listing in Opportunities in the next issue is
Friday 1 May
Please include full details of how artists can apply for your opportunity (any opportunity open to printmaking with a deadline from June onwards)
Email: [email protected]
Cover image: Ways of Looking at a Blackbird (2005-10) Kang Jianfei. Wood carving installation
Artists! Galleries! Museums! Art Fairs!
Do you have an exhibition or event happening in June, July or August that you would like to share with our readers?
Please send details for a free listing in the next issue.
Deadline: Friday 1 May
Email: [email protected]
Cover image: Ways of Looking at a Blackbird (2005-10) Kang Jianfei. Wood carving installation
Suzanne Moxhay ARE describes her process of using filmmaking techniques to construct intimate sets and how this allows her to represent both the physical exterior and the interior, psychological aspects of a story @suzanne_moxhay
Follow link in bio to subscribe to Printmaking Today
Images:
The model used in the work Exterior, Night by Suzanne Moxhay. Photo: Oliver Goodrich
Backdrop (2024) Suzanne Moxhay. Archival pigment print, 880 x 880mm
Derek Michael Besant RCA brings together two artists, Hideki Kimura and William Laing, who create intimately-scaled, ‘shelf’ landscapes
Follow link in bio to subscribe to Printmaking Today
Images
Charcoal / Three Houses (2013) Hideki Kimura. Silkscreen, inkjet print, burning, Awagami inkjet paper Bizan, 80 x 600 x 420mm
Installation view of Charcoal / Marine House (2014) Hideki Kimura. Silkscreen, inkjet print, burning, Awagami inkjet paper Bizan, 80 x 600 x 420mm
Walking #5 (2020) William Laing. Silkscreen on mirror and plywood, twig and cast plaster, 410 x 240 x 320mm
Walking #1 (2020) William Laing. Silkscreen on cut-out Plexiglas, intaglio laminated on plywood and cast plaster, 390 x 330 x 250mm
‘The final form is not something I create; it is already pre-embedded within the woodblock’. Wood is integral to everything that Professor Kang Jianfei Hon RE does. It is the tool through which he articulates his ideas and is his chosen medium for all of his printmaking. Read his profile in the spring issue
Follow link in bio to subscribe to Printmaking Today
Images:
Ways of Looking at a Blackbird (2005-2010) Kang Jianfei. Wood carving, installation, dimensions variable
Where Is Not IKEA (2007) Kang Jianfei. Woodcut on rolling pin, dimensions variable
Beyond Being: Breath (2022) Kang Jianfei. Raw peeled wood veneer, acrylics, stretchers, steel wire, wooden frames, hooks, fishing line, dimensions variable
Printmaking Today spring issue 137 is out now
Featuring artist profiles on master of the timberverse Kang Jianfei (cover artist), the ethereal prints of Ken Kiff and the landscape shelf installations of artists Hideki Kimura and William Laing
Suzanne Moxhay presents her work-in-progress and Catherine Cartwright reports on IKON Gallery’s Art in Prison’s programme. We have an in-depth look at the potential of photopolymer through some leading practitioners and a celebration of the London Original Print Fair, plus all the regulars and much, much more to discover
Follow link in bio to subscribe to Printmaking Today
Image: Ways of Looking at a Blackbird (2005-2010) Kang Jianfei. Wood carving, installation, dimensions variable
#kangjianfei
@ken.kiff_estate
#hidekikimura
#williamlaing
@suzanne_moxhay@catherine_cartwright_@ikongallery@londonoriginalprintfair
Artists! Galleries! Museums! Art Fairs!
Do you have an exhibition or event in March, April or May that you would like to share with our readers?
Please send details for a free listing in the next issue.
Deadline: Sunday 1 February
Email: [email protected]
Cover image: Reaching Hands by Christian Noelle Charles @christiannoellecharles
Galleries, residencies, art fairs: do you have an opportunity to share with our readers?
Deadline for a free listing in Opportunities in the next issue is
Sunday 1 February
Please include full details of how artists can apply for your opportunity (any opportunity with a deadline from March onwards)
Email: [email protected]
Cover image: Reaching Hands by Christian Noelle Charles @christiannoellecharles
The deadline for the RBSA Print Prize 2026 has been extended which means that you now have until Thursday 15 January at 12.00pm to submit work.
As well as RBSA prizes of £1000, £500, and £250, we are delighted that @printmakingtoday and editor @leonie_bradley will be awarding one artist an editorial feature in the publication, the foremost printmaking magazine in the UK.
Selecting the exhibition will be:
Professor Caroline Archer-Parré – Professor of Typography and Co-Director of the Centre for Printing History and Culture at Birmingham City University/University of Birmingham, and Chair of the Baskerville Society and Print Networks
Leonie Bradley – Artist, printmaker, and Editor of Printmaking Today
Katie Brent – Printmaker and teacher
Full details and the link to the entry form can be found via the link in our bio.
#rbsagallery #callforentries #callforart #printprize #printmaking #printexhibition #rbsaprintprize #callforartists #callforprintmakers #printmakingexhibition
