As our exhibition You can return, but no one will be there. comes to an end, I want to reflect on what we (me and
@postsmrtne ) created together.
Our artistic styles may seem opposite, but we strongly connect through themes of origin, childhood, nationality, trauma, and foreignness. This project feels like a culmination of many conversations we shared about home and the feeling of losing it.
We wanted to materialise this experience: what does it feel like to leave a home, lose it, or return after a long time? We turned to personal archives — memories, family photos, childhood clothes, and toys. Everyday objects and rituals that once felt ordinary became precious through loss. We transformed them into transparent casts existing between presence and disappearance, like fragile memories that may never have fully existed.
The works became imprints of our past. From clothes and toys to a crib transformed into a cage, childhood appears as something formative yet impossible to escape. Russian violence has imprinted itself into the singing of birds through a sound piece of Ukrainian birds imitating rockets and mines. Even the exhibition architecture became an imprint itself: fragments of furniture hidden beneath fabric.
The exhibition ends with a cast of a key in a door — a symbol of leaving, returning, or unlocking the childhood cage. Which key it is remains up to you.
Thank you to everyone who came, and everyone who helped bring this exhibition to life. 🪽
You can return, but no one will be there.
Margarita Ivy & Bystrík Klčo
17.4.2026 – 9.5.2026
Curated by Michal Pěchouček
Displayed at
@arta_kkc
Photos
@_isonative