Your recording is clipping…
And once it clips, it’s gone.
No plugin can fix distortion baked into your signal.
Your interface gain should stay controlled.
Not too hot.
Not too low.
Clean input = clean mix.
“Laye” — OUT NOW💿.
You don’t sound weak…
You’re just too far from the mic.
Distance kills presence.
The closer you are (with control),
the fuller and more intimate your vocal becomes.
Step closer. Control your level.
That’s how professionals sound upfront.
“Laye” — OUT NOW 💿
Your mix sounds harsh…
Not because it lacks quality…
But because you’re boosting too much.
Every boost adds energy.
Too many boosts = fatigue.
Clarity doesn’t come from adding more…
It comes from removing what’s unnecessary.
Start cutting instead.
“Laye” — OUT NOW 💿
Your vocal isn’t cutting through.
Not because it’s weak…
But because your effects are too loud.
Delay and reverb shouldn’t compete with your vocal.
They should follow it.
Duck them.
Let the vocal lead.
“Laye” — OUT NOW 📀.
Beyond grateful for the incredible opportunity to contribute to To Kill a Monkey. I’m so proud to have been part of something truly special.
Huge thanks to @kemiadetiba and @oscarhemanackah for trusting me with your vision and allowing me to play a role in bringing this masterpiece to life.
It was incredibly inspiring watching you, @oscarhemanackah , create such powerful music and score the film so beautifully.
Here’s to storytelling that moves hearts. God bless you both! 🙏🏾
Happy Birthday Ishola Onimama, keep being a beacon of light and hope.
And now that you are growing older I pray you never loose touch with your inner child, the one who dares to dream, the one who sees every challenge as an opportunity to learn, the one with an impeccable intuition paired with the courage of a fierce wild cat.
May you continue to win in all aspects of life and may Allah protect your soul from the impurities of this world…. Amin 🤲❤️
