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Pirra

@pirra

I make up worlds. Production Design, Analog Photography and Filmmaking. That’s what I do. @cosmicagency_ @moongalleryparis
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And here are a few Set pics. 2nd and 4th 📷 by @peterbohdal You can see the commercial in previous post. Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan ) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni ), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter. This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez ) and Rosas (@rosasagency ). I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal ), Neal Hall (@radioneals ) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck ) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho ) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart ) our super talented Graphic Designer, Dylan Darwin (@dylandarwin ) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders ). This has been one of the most incredible teams I’ve ever worked with. Many thanks to Agosto Productions (@elagosto ).
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8 days ago
Here are some of my drafts, sketches and brainstorming made to bring this building-machine-archive to life. You can see the commercial in the previous post. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan ) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni ), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter. This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez ) and Rosas (@rosasagency ). I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal ), Neal Hall (@radioneals ) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck ) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho ) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart ) our super talented Graphic Designer, Dylan Darwin (@dylandarwin ) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders ). This has been one of the most incredible teams I’ve ever worked with. Many thanks to Agosto Productions (@elagosto ). In the next posts, I will be displaying set pics, and renders.
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9 days ago
Here’s a special one. I’ve teamed up with the legendary director Nacho Gayan (@nachogayan ) for this project, from the very beginning to the very end of its production, all taken by the hand of the unique talent of EP, Toni Moreno (@soy_toni ), pushing the boundaries to design and create a very special building with strange behaviours, to shoot the remake of one of the most iconic scenes of Harry Potter. This unique project has been scripted and created after a few years’ push by Pol Martinez (@_polmartinez ) and Rosas (@rosasagency ). I wanted to give a very special mention and massive thanks to my incredible team in Toronto. Art Directed by my good friend Peter Bodhal (@peterbohdal ), Neal Hall (@radioneals ) our incredible Set Decorator, Chloe Olson our unique Prop Master, Alex Zuck (@zuuuuuuuuck ) our amazing Art Dept Coord, Phil Carvalho (@phillycarvalho ) our ultra-skilled Construction Coordinator and all his incredible team, Kim Sison (@kimachuart ) our super talented Graphic Designer, Dylan Darwin (@dylandarwin ) amazing hand-drawn graphics. Big massive thanks to my right hand for the last 15 years, incredible Draftsman, David Brufau (@dbrenders ). This has been one of the most incredible teams I’ve ever worked with. Thanks to our amazing DOP Paul Meyers (@pmeyersdp ), and the talent of Tom Felton (@t22felton ) and incredible Susie Trayling. Many thanks to Agosto Productions (@elagosto ), Eva Termini and Sònia Figuera (@sonia_figuera ), and local production company Radioactive Film (@radioaktive.film ) hosted by Sasha Bevka (@sasha_bevka ) and Dan Montgomery (@dan_montgomery ). For all the final part of the project, big thanks to Digital District (@digitaldistrictparis ), with VFX Supervisor Marc-Thomas Cavé and VFX Producer Maéva Bonté, and Aubrey Woodwiss (@aubreycolor ) in colour grading. Costume Designer: Georgia Groom (@georgiagroom ) Editor: Arnald Viladomat (@arnaldviladomat ).�Music — Luke Atenzio�Sound Design & Mix — Luke Atenzio & Jon Ware In the next posts, I will be displaying some drafts, set pics, and renders.
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9 days ago
A little bit more of underexposure. Don Pedro, once again. Rolleiflex, once agin. (Can’t stop shooting this guy).
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2 months ago
Rolleiflex in Toronto (under a snow storm).
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2 months ago
61 6
3 months ago
85 años y todavía luchando. @pedro_lorenzo_galligo @mariajocalvo iPhone, Nikon Fm2, Fuji GFX 100 II, OP1 Field
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7 months ago
Para... (Nikon FM2-NIkkor 35mm 1:2-lford Delta 400)
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7 months ago
What... (Nikon FM2-NIkkor 35mm 1:2-lford Delta 400)
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7 months ago
Arles. @rencontresarles IN PRAISE OF ANONYMOUS PHOTOGRAPHY Found 9th Plate Daguerreotype. (5x6cm) @galerielumieredesroses
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10 months ago
Un día de esos...
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1 year ago
Rolleiflex.
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1 year ago