*Grafis Huru Hara is coming to Ebihara Shoten!*
On 7 December, 1-5PM, we’re hosting two activities in one day:
*Sublimash Workshop*
A fun sublimation-print collage workshop where kids can experiment with images, colors, and fabric.
*Barterin: Japan Edition #1*
Exchange GHH artworks with uniquely Japanese items — from snacks, crafts, to local souvenirs.
Come hang out, create, exchange, and enjoy an afternoon of shared fun and experimentation at @ebiharashoten !
This project is a part of the RRR OFFICE sub-rent program presented by @tenthausoslo and @oven.network for the @tokyobiennale
#grafishuruhara #printmaking #collective
🪄NEWSHOW!展示告知🪄
<Knot🎀Kawaii Witches>
Date: 11.20 (thu) - 11.24 (mon)
Time: 11:30 - 16:30
Venue: Ebihara Shoten 2-13-5 Kanda Sudacho, Chiyoda-ku, Tokyo
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Artist: Bianka @bianka78770 , Hyejeong Yun @hyejeongyun_ , JHNSI @jhnsi____
Curator: Li Jingwen(SEIBUN) @celiamo_
Visual Design: JHNSI
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On 11.20 (thu) - 11.24 (mon), group exhibition <Knot | Kawaii Witches> will take part in the “Sub-rent Program” organized by Oven Network @oven.network as part of the project “RRR office” at Ebihara-shoten, presented by Tenthaus Art Collective and Oven Network for TOKYO BIENNALE 2025.
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Emerging from Kawaii Witches’ ongoing practice that began with <Whispers of the Kawaii Witches>, the collective shifts from performance to spatial presence, exploring the intersections of material, emotion, and technology. <Knot | Kawaii Witches> is a process-oriented collaborative project bringing together artists from South Korea, Austria, and China, working across installation, sound, fabric, and digital imagery to examine how care, resistance, and healing intertwine through the shared metaphor of the knot.
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11月20日（木）から11月24日（月）にかけて、グループ展 《Knot | Kawaii Witches》 は、TOKYO BIENNALE 2025 において、 Tenthaus Art Collective と Oven Network によって Ebihara商店 で開催されるプロジェクト 「RRR office」 の一環として、Oven Network（@oven.network ） が主催する 「Sub-rent Program」 に参加します。
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《Knot | Kawaii Witches》 は、これまでの 《Whispers of the Kawaii Witches》 から続くKawaii Witchesの実践を基盤とし、パフォーマンスから空間的プレゼンスへと展開します。
本プロジェクトは、素材・感情・テクノロジーの交差点を探求し、韓国、オーストリア、中国出身のアーティストたちによる、インスタレーション、サウンド、ファブリック、デジタルイメージを横断するプロセス指向の共同企画です。
「結び目（Knot）」という共通のメタファーを通じて、ケア、レジスタンス、ヒーリングがどのように絡み合うのかを探ります。
#contemparyart #tokyo #akihabara #tokyobiennale
On November 9th, artist-parents and their children are invited to participate in a collaborative flower arrangement activity and a discussion on the interrelated aspects of caregiving and artmaking at @ebiharashoten . No floristry experience required. Materials provided and you’ll get to take home your floral arrangement.
This program is part of Destiny’s Childcare – a project that responds to the lack of structural support for artist-parents and challenges the norm that artists disappear from the art world after becoming parents. It affirms that children are integral to everyday life, and that intergenerational care is a shared social responsibility.
*Please note we will be using fresh flowers.
*Destiny’s Childcare is a project between art collectives @ytbgallery and @gendaigallery . Workshop design in collaboration with @waardwardcollective .
This project is a part of the RRR OFFICE sub-rent program presented by @tenthausoslo and @oven.network for the @tokyobiennale .
Today Slekke Wørld are presenting their Water Based project at Tokyo Biennale, in the form of an audiovisual installation inside the historical Ebihara Shoten. Water Based is a process-oriented experimental project synthesizing field recording, site-specific interventions, participatory post-graffiti and video.
Their installation is part of the exhibition at Ebihara Shoten: Tenthaus Art Collective and the Oven Network: The House Is Bigger than It Looks
Inspired by Ebihara Shoten’s past, the project houses the concept of TRANSLOCAL. Taking place in and around Ebihara Shoten, the members of the TENTHAUS collective and their network, together with the local community, create a space of interference with individuality and transform current challenges.
VENUE
Kanda/Akihabara Area
Ebihara Shoten
2-13-5 Kanda Sudacho, Chiyoda-ku
Open from 11:30 to 16:30 on Sunday November 2nd
Learn more about our project at tokyobiennale.jp
Works by Studio150 and Slekke Wørld, as shown at SWAB in Barcelona. Thank you for having us!
Studio150 is based in Bangkok. The studio’s practice is on a playground that consists of observation, research, curation, and storytelling and visualises those artefacts with notions of contemporary world context through graphic design techniques, new media, activities and exhibitions. The studio projects are distributed directly from our perspectives and engage with interdisciplinary collaboration, both for commission projects and initiatives, together with valuing logic, conceptualisation, and aesthetics. In 2019, both co-founders were inducted to be the members of Alliance Graphique Internationale (AGI)
Slekke Wørld was born in Belgium and lives in Oslo, Norway. Their work includes art, curation, and cross-disciplinary collaboration. They synthesize tools and rituals from gardening and graffiti through a variety of media such as performance, installation, and site-specific interventions. Carving out space to make tangible things which transcend societal labels and constraints, connecting with processes of deep change and transitions in life. They investigate self-organized dissemination via small-press and video and alternative exhibiting approaches such as off-site and online. Slekke is a member of the Tenthaus collective since 2019, and a member of the GRAA collective since 2022. Since 2018 they annually perform a participatory spring ritual with Bart Van Dijck.
Tenthaus for sale at SWAB
SWAB Barcelona is an independent platform dedicated to gathering and giving visibility to emerging practices that shape the current contemporary art scene. Focused on new languages and collaborative forms, Swab promotes relationships and exchanges that contribute to a diverse and sustainable cultural ecosystem, seeking a balance between the role of the market and the public purpose of artistic creation.
Across two adjacent booths, Tenthaus shows works by Studio 150 X The Oven, Ventura Profana, and Slekke.
Belén Santillan curates the public program, framing it as a collective and participatory space that extends beyond the commercial fair format. Their contribution unfolds across three interconnected platforms: Editorial, Radio, and Video. The program is funded by Nordisk Kultur Fond and FRAME Finland.
OVEN is joining Tokyo Biennale 2025 with Tenthaus Collective. Together we present RRR OFFICE, a temporary space for research, record, and report. The office will be operating in Akihabara from October to December.
See you soon, JP!
@tokyobiennale@studio150bkk@tenthausoslo
- Three-Nons - 2024
Three-Nons was the third exhibition in The OVEN: URGENCY Project, presented by Gudskul and curated by Gesyada Siregar. The exhibition featured works by Anita Bonit, JJ Adibrata, MG Pringgotono, and Rifandi Nugroho, addressing topics such as economic precarity, political aftermath, AI and learning, and the meaning of physical presence today.
The title refers to “non-preconception, non-academic technique, and non-academic aesthetic,” a principle of the late Indonesian artist Nashar. As a curatorial framework, Three-Nons embraced an open and urgent mode of making, inviting art to respond directly to the present without bias or hierarchy.
Artists : Anita Bonit, JJ Adibrata, MG Pringgotono, Rifandi Nugroho
Dates : 20 July–4 August 2024
Location : 413BETA, Seoul
Part of : The OVEN : URGENCY Project
Curated by : Gesyada Siregar
Supported by : Ministry of Education, Culture, Research, and Technology of the Republic of Indonesia; Globus Opstart; Nordic Culture Fund; Embassy of Norway in Seoul
- Daddy’s Dinner - 2024
Daddy’s Dinner brought together works by Jinbin Chen, Jacky Jaan-Yuan Kuo, and Bobby Yu Shuk Pui to explore migration, queerness, and family structures within East Asian patriarchal cultures. Using the dinner table as a metaphor, the project reflected on how care, conflict, and power play out in domestic settings.
Presented as part of The OVEN: URGENCY Project, the exhibition took place in two locations: at Tenthaus in Oslo and as a mirrored presentation at 413BETA in Seoul. Through film, painting, sculpture, installation, and arranged objects, the artists transformed the gallery into a space of reflection on identity, belonging, and inherited roles.
Artists : Jinbin Chen, Jacky Jaan-Yuan Kuo, Bobby Yu Shuk Pui
Dates : 30 May – 23 June 2024
Location : Tenthaus, Oslo
Part of : The OVEN : URGENCY Project
Curated by : Tenthaus
Supported by : Oslo Kommune, Norske Billedkunstnere, Kulturdirektoratet, and the National Culture and Arts Foundation (Taiwan)
