Next Tuesday, 7 pm ET, online and in-person at our friends upstairs at Journey’s End Refugee Services for the group screening Echolocations: Films in Translation and Transcription. Bringing together essay films and personal non-fiction films, historical analyses and experimental films, the filmmakers’ approaches to subtitles, captions, translations, and interpretation grapple with the histories, present, and futures of imperialism, colonialism, racism, and ableism.
Alternately playful, angry, contemplative, utopian, and generous, the films help us imagine new relationships, between films and audiences, and between each other, across languages and voices. Learn more about the films, accessibility info, and get tickets at the link in our bio. Free or suggested donation.
Featuring work by #AlexDoloresSalerno #AstriaSuparak #champoy #JJJJJeromeEllis #JohannDiedrick #NadiaShihab #OliviaOngEvans #SaifAlsaegh and #SkyHopinka . The screening will be following with a Q&A with Olivia Ong Evans. This is the first event as part of our Fall / Winter series [Speaking in Foreign Language]. Funding for this program is provided by
@warholfoundation . #warholgrantee
@jersbuffalo
@alex_dolores_ @astriasuparak @champchampchampoy @jjjjjeromeellis @johanndiedrick @nadiashihab @o.l__i.v @saifalsaegh @skyhopinka
Image descriptions: Ten images with angular lines, text, and Squeaky Wheel’s logo. All slides except the first one also have a still image from a film.
Slide 1. Text on image: Echolocations: Films in Translation and Transcription. Tuesday, October 17, 7pm ET @ Journey’s End Refugee Services and online. Screening with work by Alex Dolores Salerno, Astria Suparak, champoy, JJJJJerome Ellis, Johann Diedrick, Nadia Shihab, Olivia Ong Evans, Saif Alsaegh, and Sky Hopinka.
Slide 2. Image: Tattooed hands trace letters and their translations engraved in wood. Text: champoy, english is yr mother tongue, 4 min, 2020.
Slide 3. Image: A cellphone standing vertically on a carpeted floor. On the screen is a woman looking at us, and the filmmaker, on a smaller screen on the top corner. Text: Saif Alsaegh, 1991, 12 min, 2018.
Additional image descriptions in comments.