non-

Absurd Reality - الواقع السخيف A white tape installation Equilibrium spaces within the equilibrium symmetry of the rounded nature. On becoming nature within a centroid of architecture being that has one center. Reforming architecture's ego-seeking one center through its power of perception of one perspective in the space into kaleidoscopic centers using the same elements. "Architecture tends to be experienced through the eye" "Nature tends to be experienced through the touch" (The eyes of the skin Book by Juhani Pallasmaa, 1996) في دراسة للعمارة المدمرة، استعملنا الشريط الابيض لنفهم نقط تحول مراكز المبنى الذي كان مبني على المنظور الواحد اتباع التوازن المعماري، مع التوازن طبيعة استدارة الارض. تتكرر النقطة لنقاط متعددة بمثل طبيعة المنظار الكليدوسكوب. ”في العمارة يبحث الانسان عن مركز المكان باستخدام العين بحثا عن منظور الواحد“ ”اما في الطبيعة المستديرة يتبع الانسان اللمس لتكون الوسيلة للوصول للمركز“ ... Published in @labiennale in 2018 the Egyptian pavilion #if_copy_then_value #art #copy #copyright #tape #Cairo #paper #demolished #installation #architecture #lisbon #egypt #Arch #beinnale

Amanhas de Ontem - غد الأمس 1+1= (1) (1) مراية صوت - تعكس و تجمع كل الاصوات في نقطة تركيز واحدة حتى يكون التفاعل اسرع Sound mirrors - It reflects and collect all of the sounds to one focal point for a faster reaction. Artistic direction and choreography - @gustavociriaco_artista Guest performers and collaborators - Filipe Caldeira, Lewis Seivwright, Joana Levi, Mariana Costa, Sara Zita Correia and Tiago Barbosa Set design and objects - Ali Talaat Administration and financial management - Missanga Antunes Residencies - Vaga (@vagapdl ) – Espaço de Arte e Conhecimento, Materiais Diversos Funding Fundação Gulbenkian Photos Anna Dienberg + @alixtalaat … #If_copy_then_value #nonstudio #AmanhãsDoOntem #sound #soundmirror #art #performance #talk #theatre #set #design #Azores #portugal

‏Amanhas de Ontem - غد الأمس. ‏‎كيف نتعلم، و هل علامنا تاسس عن النسخ البحت من اهلينا في بداية ايامنا؟ و اذا كان كذلك ما هي اسس تطوير ما نسخنا من اهلينا و من حولنا، لشخصية الحركة. في هذا المشروع نركز على الادوات التي اسست مهارتها بشكل فطري مثل المقشة، فهم حرفة التنضيف و تقسيمها الى اجزاء لنفهم كل ما عرفناه من عوامل طبيعية زي الجاذبية و حرفة استخدام اليد و الجسم في الحركة. بعد مرحلة النسخ فترة اكتشاف الحركة الشخصية عادةً تعتمد على المنافسات التي نوجهها و لكنها بلا شك تعتمد على عنصر الازدواج او المجموعة لكي تنشا شخصية الحركة. ‏‎مشروع مستوحى من اثنين من كبار المفكرين في مجال التعليم ، الألماني فريدريش فروبيل ، مخترعالحضانة الأطفال ، والبرازيلي باولو فريري ، الداعي إلى التعليم من أجل الحرية. Amanhas de Ontem- Yesterday's Tomorrows. What do you learn by opening your eyes? Where does our attention wander in curiosity about the world? From what is seen, what becomes knowledge, vertigo, mystery? From the eyes to the mouth, from the mouth to the word, from the word to the ear and again to the eyes, the world is processed and through it all of us as thinking, affective, sensitive matters. Immersed in the present, we cast anchors for the future. Two reference pedagogical strategies inspire this project. Both merge on a common basis: learning as a practice for freedom. On the one hand, the German theorist Friedrich Fröbel, inventor of the kindergarten and his use of the game as a fundamental tool for learning the materialities at work in the world. On the other hand, the renowned Brazilian educator, Paulo Freire, advocate of a critical pedagogy in which the apprentice is considered a co-creator of knowledge. Artistic direction and choreography - Gustavo Ciríaco Guest performers and collaborators - Filipe Caldeira, Lewis Seivwright, Joana Levi, Mariana Costa, Sara Zita Correia and Tiago Barbosa Set design and objects - Ali Talaat @alixtalaat Administration and financial management - Missanga Antunes Residencies - Vaga – Espaço de Arte e Conhecimento, Materiais Diversos Funding Fundação Gulbenkian Photos @marianalidl

‏Amanhas de Ontem - غد الأمس. ‏‎كيف نتعلم، و هل علامنا تاسس عن النسخ البحت من اهلينا في بداية ايامنا؟ و اذا كان كذلك ما هي اسس تطوير ما نسخنا من اهلينا و من حولنا، لشخصية الحركة. في هذا المشروع نركز على الادوات التي اسست مهارتها بشكل فطري مثل المقشة، فهم حرفة التنضيف و تقسيمها الى اجزاء لنفهم كل ما عرفناه من عوامل طبيعية زي الجاذبية و حرفة استخدام اليد و الجسم في الحركة. بعد مرحلة النسخ فترة اكتشاف الحركة الشخصية عادةً تعتمد على المنافسات التي نوجهها و لكنها بلا شك تعتمد على عنصر الازدواج او المجموعة لكي تنشا شخصية الحركة. ‏‎مشروع مستوحى من اثنين من كبار المفكرين في مجال التعليم ، الألماني فريدريش فروبيل ، مخترعالحضانة الأطفال ، والبرازيلي باولو فريري ، الداعي إلى التعليم من أجل الحرية. Amanhas de Ontem- Yesterday's Tomorrows. What do you learn by opening your eyes? Where does our attention wander in curiosity about the world? From what is seen, what becomes knowledge, vertigo, mystery? From the eyes to the mouth, from the mouth to the word, from the word to the ear and again to the eyes, the world is processed and through it all of us as thinking, affective, sensitive matters. Immersed in the present, we cast anchors for the future. Two reference pedagogical strategies inspire this project. Both merge on a common basis: learning as a practice for freedom. On the one hand, the German theorist Friedrich Fröbel, inventor of the kindergarten and his use of the game as a fundamental tool for learning the materialities at work in the world. On the other hand, the renowned Brazilian educator, Paulo Freire, advocate of a critical pedagogy in which the apprentice is considered a co-creator of knowledge. Artistic direction and choreography - Gustavo Ciríaco Guest performers and collaborators - Filipe Caldeira, Lewis Seivwright, Joana Levi, Mariana Costa, Sara Zita Correia and Tiago Barbosa Set design and objects - Ali Talaat @alixtalaat Administration and financial management - Missanga Antunes Residencies - Vaga – Espaço de Arte e Conhecimento, Materiais Diversos Funding Fundação Gulbenkian Photos @marianalidl

‏Amanhas de Ontem - غد الأمس. ‏‎كيف نتعلم، و هل علامنا تاسس عن النسخ البحت من اهلينا في بداية ايامنا؟ و اذا كان كذلك ما هي اسس تطوير ما نسخنا من اهلينا و من حولنا، لشخصية الحركة. في هذا المشروع نركز على الادوات التي اسست مهارتها بشكل فطري مثل المقشة، فهم حرفة التنضيف و تقسيمها الى اجزاء لنفهم كل ما عرفناه من عوامل طبيعية زي الجاذبية و حرفة استخدام اليد و الجسم في الحركة. بعد مرحلة النسخ فترة اكتشاف الحركة الشخصية عادةً تعتمد على المنافسات التي نوجهها و لكنها بلا شك تعتمد على عنصر الازدواج او المجموعة لكي تنشا شخصية الحركة. ‏‎مشروع مستوحى من اثنين من كبار المفكرين في مجال التعليم ، الألماني فريدريش فروبيل ، مخترعالحضانة الأطفال ، والبرازيلي باولو فريري ، الداعي إلى التعليم من أجل الحرية. Amanhas de Ontem- Yesterday's Tomorrows. What do you learn by opening your eyes? Where does our attention wander in curiosity about the world? From what is seen, what becomes knowledge, vertigo, mystery? From the eyes to the mouth, from the mouth to the word, from the word to the ear and again to the eyes, the world is processed and through it all of us as thinking, affective, sensitive matters. Immersed in the present, we cast anchors for the future. Two reference pedagogical strategies inspire this project. Both merge on a common basis: learning as a practice for freedom. On the one hand, the German theorist Friedrich Fröbel, inventor of the kindergarten and his use of the game as a fundamental tool for learning the materialities at work in the world. On the other hand, the renowned Brazilian educator, Paulo Freire, advocate of a critical pedagogy in which the apprentice is considered a co-creator of knowledge. Artistic direction and choreography - Gustavo Ciríaco Guest performers and collaborators - Filipe Caldeira, Lewis Seivwright, Joana Levi, Mariana Costa, Sara Zita Correia and Tiago Barbosa Set design and objects - Ali Talaat @alixtalaat Administration and financial management - Missanga Antunes Residencies - Vaga – Espaço de Arte e Conhecimento, Materiais Diversos Funding Fundação Gulbenkian Photos @marianalidl

'The[invisible]Water Short Film' - that won the 'Fundación Botín Water Observatory' award on Sustainable Water Management. Aims to evoke the murky subject of "virtual water"; a term that defines oblivious water consumption, used to produce and manufacture products, from food to household goods, clothing or buildings. Pretty much any artificial object when production or construction, a subjacent layer of the fight against climate change that ain't always tackled. Whereas individual decisions make collective actions that are key to challenge the status quo and change the system. You can take part on writing the rest of the non-script. So, how do you want the story to end? Creative direction and animation: @non.arc Production: @amwajalliance @revolvemedia Foley artist and music production: @roonystunes

'The[invisible]Water Short Film' - that won the 'Fundación Botín Water Observatory' award on Sustainable Water Management. Aims to evoke the murky subject of "virtual water"; a term that defines oblivious water consumption, used to produce and manufacture products, from food to household goods, clothing or buildings. Pretty much any artificial object when production or construction, a subjacent layer of the fight against climate change that ain't always tackled. Whereas individual decisions make collective actions that are key to challenge the status quo and change the system. You can take part on writing the rest of the non-script. So, how do you want the story to end? Creative direction and animation: @non.arc Production: @amwajalliance @revolvemedia Foley artist and music production: @roonystunes

Can Guineu articipatory design and construction of the temporary intervention for the municipality of Sant Sadurni, Spain authors @dasstan_bissen @ttufii @gutiangelini @julia_llorens @fem.fatigue @temporary.pleasure @knoph.designs @elsaromer @liana.kalaitzoglou @sasha_zaz @malakghamraoui @chloerood @momenabil as part of @meats.elisava photos by @adriagoulaphoto

the installation aimed to manifest the historic residence of Can Guineu; a protected 19th century cultural house. authors @fem.fatigue @liana.kalaitzoglou @chloerood @ttufii @dasstan_bissen @knoph.designs @temporary.pleasure @gutiangelini @julia_llorens @malakghamraoui @sasha_zaz @elsaromer as part of @meats.elisava

traces of the house interior were printed on fabric sections, as it gave to those visiting a new realm when accessing its patio, as the building remained closed. authors @fem.fatigue @liana.kalaitzoglou @chloerood @ttufii @dasstan_bissen @knoph.designs @temporary.pleasure @gutiangelini @julia_llorens @malakghamraoui @sasha_zaz @elsaromer as part of @meats.elisava

the keyword cards are bilingual wild cards that hold a word and its corresponding poetry piece, describing different scenes or experiences or hymns, and they're the different focal points on how non- perceives a place. the power of the cards come when: one gets lost in translation; constantly deviating from the core meaning of the card; altering one’s perception. the cards came inside envelopes, as portable archives to document one’s impressions and the evolution of the statements becoming solid art pieces, and design elements. collectively by shuffling and puzzling the cards, they guided us into building the user experience and constructed a new architectural skeleton of the actual summit. #workshop #creatives #thebodyisthecenter #architecture #art #graphicdesign #cards #design #ideation #creation #bilingual #poetry #exploration #conceptualization #riseupsummit21 #spatialdesign #experiencedesign