Noah Isa Berhitu

grateful to invite you to the screening of my graduation film 𝒮𝓉𝒶𝓉𝓊𝑒𝓈 𝑅𝓊𝓁𝑒 𝓉𝒽𝑒 𝒲𝒶𝓋𝑒𝓈🌊🗿 𝙏𝙬𝙤 𝙝𝙞𝙨𝙩𝙤𝙧𝙞𝙘𝙖𝙡 𝙛𝙞𝙜𝙪𝙧𝙚𝙨 𝙛𝙧𝙤𝙢 𝙤𝙥𝙥𝙤𝙨𝙞𝙩𝙚 𝙨𝙞𝙙𝙚𝙨 𝙤𝙛 𝙩𝙝𝙚 𝙜𝙡𝙤𝙗𝙚, 𝘼𝙣𝙣𝙚 𝙁𝙧𝙖𝙣𝙠 𝙖𝙣𝙙 𝙈𝙖𝙧𝙩𝙝𝙖 𝘾𝙝𝙧𝙞𝙨𝙩𝙞𝙣𝙖 𝙏𝙞𝙖𝙝𝙖𝙝𝙪, 𝙨𝙝𝙖𝙧𝙚 𝙖𝙣 𝙚𝙣𝙘𝙤𝙪𝙣𝙩𝙚𝙧 𝙩𝙝𝙖𝙩 𝙨𝙚𝙚𝙢𝙨 𝙪𝙣𝙡𝙞𝙠𝙚𝙡𝙮 𝙖𝙩 𝙛𝙞𝙧𝙨𝙩, 𝙗𝙪𝙩 𝙨𝙤𝙤𝙣 𝙪𝙣𝙛𝙤𝙡𝙙𝙨 𝙞𝙣 𝙖𝙣 𝙞𝙣𝙚𝙫𝙞𝙩𝙖𝙗𝙡𝙚 𝙙𝙞𝙖𝙡𝙤𝙜𝙪𝙚. avant-premiere at @sphinxcinema , gent, tue june 25 at 7pm + 22.45pm (ticket link in bio) graduation festival at @kaskcinema , gent, fri june 28 at 12pm sat june 29 at 4pm made with the help of the best friends and family @elinelineli @pingtje @katerina_indesteege @persijn.lau @rogghe @charlot.jodo @f.berhitu @nana_loppies @keziaaloppies @i_suck_moss @finn_antonm @jessica.dcsta @petra_pattiasina @seplinovye @julianonoya_ @kkz_r31nn @geleepinje @selina_maitimu @ega_patt @fridussteijlen and many more! hope to see you there🌺 ~ My graduation film stands as part of K4SKPALESTINE and in solidarity with the student protests and encampments worldwide that demand a complete academic and cultural boycott of the illegitimate zionist state of 1$r@el , as a result of its ongoing genocidal war in Gaza and its decades long violent colonial project in P@lest1ne .
For the full statement and updates follow @k4skpalestine

But where are you really from…?

Anne Frank and Martha Christina Tiahahu at @cinemasianl this weekend Sunday 12 April 🧩🧩🧩 Thank you for bringing these girls to my hometown in this context: 𝘖𝘯 𝘢 𝘫𝘰𝘶𝘳𝘯𝘦𝘺 𝘧𝘰𝘳 𝘢𝘯𝘴𝘸𝘦𝘳𝘴, 𝘰𝘯 𝘢 𝘫𝘰𝘶𝘳𝘯𝘦𝘺 𝘣𝘢𝘤𝘬 𝘩𝘰𝘮𝘦, 𝘰𝘯 𝘢 𝘫𝘰𝘶𝘳𝘯𝘦𝘺 𝘢𝘤𝘳𝘰𝘴𝘴 𝘰𝘤𝘦𝘢𝘯𝘴 𝘢𝘯𝘥 𝘢𝘤𝘳𝘰𝘴𝘴 𝘸𝘰𝘳𝘭𝘥𝘴 𝘳𝘦𝘢𝘭 𝘢𝘯𝘥 𝘷𝘪𝘳𝘵𝘶𝘢𝘭, 𝘶𝘭𝘵𝘪𝘮𝘢𝘵𝘦𝘭𝘺 𝘰𝘯 𝘢 𝘫𝘰𝘶𝘳𝘯𝘦𝘺 𝘰𝘧 𝘴𝘦𝘭𝘧-𝘥𝘪𝘴𝘤𝘰𝘷𝘦𝘳𝘺. 𝘐𝘯 𝘵𝘩𝘦𝘴𝘦 𝘧𝘪𝘭𝘮𝘴 𝘵𝘳𝘢𝘷𝘦𝘳𝘴𝘪𝘯𝘨 𝘧𝘪𝘤𝘵𝘪𝘰𝘯, 𝘥𝘰𝘤𝘶𝘮𝘦𝘯𝘵𝘢𝘳𝘺, 𝘢𝘯𝘥 𝘢𝘯𝘪𝘮𝘢𝘵𝘪𝘰𝘯, 𝘧𝘪𝘷𝘦 𝘺𝘰𝘶𝘯𝘨 𝘋𝘶𝘵𝘤𝘩-𝘈𝘴𝘪𝘢𝘯 𝘧𝘪𝘭𝘮𝘮𝘢𝘬𝘦𝘳𝘴 𝘵𝘢𝘬𝘦 𝘶𝘴 𝘰𝘯 𝘫𝘰𝘶𝘳𝘯𝘦𝘺𝘴 𝘱𝘦𝘳𝘴𝘰𝘯𝘢𝘭 𝘢𝘯𝘥 𝘪𝘯𝘵𝘪𝘮𝘢𝘵𝘦, 𝘩𝘪𝘴𝘵𝘰𝘳𝘪𝘤𝘢𝘭 𝘢𝘯𝘥 𝘧𝘶𝘵𝘶𝘳𝘪𝘴𝘵𝘪𝘤, 𝘪𝘯 𝘴𝘦𝘢𝘳𝘤𝘩 𝘰𝘧 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘵𝘩𝘢𝘵 𝘤𝘢𝘯 𝘪𝘭𝘭𝘶𝘮𝘪𝘯𝘢𝘵𝘦 𝘵𝘩𝘦 𝘱𝘳𝘦𝘴𝘦𝘯𝘵. Shorts program JOURNEYS + q&a 12 April 16:00 @studiokamsterdam 🌊🌊🌊

𝙊𝙫𝙚𝙧 𝙊𝙣𝙨 (2022) maakt deel uit van KETAHANAN: Verhalen van Veerkracht in @hetnoordbrabantsmuseum van 18 feb t/m 31 mei 2026🪁🪁🪁 Een tentoonstelling niet alleen over de Molukse gemeenschap, maar die met de gemeenschap is gemaakt (!). De film zelf is vooral een speculatie over en een omarming van het kampleven van onze (groot)ouders. De werktitel was ‘Waarom we bleven’. Ik denk dat ik tijdens het filmen hoopte dit antwoord te vinden, maar eigenlijk ging het niet zozeer om ‘waarom’. Het ging om het opvullen van hiaten in een herinnering die ik draag, zonder dat ik die zelf heb beleefd: een poging om ‘hoe’ we bleven in beeld te brengen met de 2e, 3e en 4e generatie. Hierdoor ging het om ons als familie, als gemeenschap, als filmploeg, als studenten, als (klein)dochters, als dragers van een (hi)story. Het is mijn interpretatie, mijn hoop, over ons🪢 De reden dat ik dit verhaal wil (blijven) vertellen, is niet omdat ik er niet overheen kan komen. Het is omdat de reden waarom we bleven nog steeds springlevend is. Je kunt denken in termen van een koloniaal verleden, maar als je een beetje oplet, weet je dat het gaat om een koloniaal heden... Dezelfde Nederlandse overheid waaronder onze ouders zo hebben geleden, heeft haar nieuwe zondebokken gevonden. Misschien kunnen we dus niet leren van de geschiedenis omdat ze nog niet voorbij is? Dangke banyak~ Team achter Ketahanan💙 @msalampessy @ayohmamaee Cast🤍 @nnandeq @amandavirgilia Joey Pasanea, J’Nae Nanlohy, D’Vaez Nanlohy, Queshayro Leiwakabessy, JJ Tuhumury, Nel Lekatompessy, @mauricerugebregt @valerynandeq en Lora Usmany Crew💚 AD @mamamamarthe Camera @katerina_indesteege @anaiskabore Geluid @mandy.pixel Licht @maaiekjapsers @jannsu_ Script @rogghe Kostuum @norahazhaz @petradevalk @lainkoskamp Locatie @marc_elisabeth @emiliendubuc Mixage @i_suck_moss Runner @davidberhitu En alle crowdfunders❤️

Next Tuesday, @kortfilmfestival Leuven and @kortfilm.be present the co-curated short film programme “Reclaiming Archives”, which compiles postmodern militant works by artists rooted in Iran, Syria, Iraq, and Palestine. In this programme, political-historical images, Google Maps, and Palestinian flowers all serve as devices of resistance. How a handshake between world leaders destroys countless lives, while a manipulated video of Ayatollah Ali Khamenei drafts an alternative reality: these filmmakers rewrite their history in a claim for a different future. The programme will be introduced by ACAB KINO’s Noah Isa Berhitu (@nofable ) and followed by a conversation with filmmaker Saleh Kashefi, and features works by Mahdi Fleifel, Saif Alsaegh, Theo Panagopoulos, Issa Touma, Thomas Vroege, Floor van der Meulen, Razan AlSalah, and Kashefi. ✚ All ticket revenues will go to the Palestine Red Crescent Society (@palestineredcrescent ), an independent Palestinian organisation that provides humanitarian aid, healthcare, and social services to Palestinians in Palestine and the Palestinian diaspora. TUE 02.12 — 20:15 — STUK, Leuven ⤷ More info and tickets via kortfilmfestival.be! _ #reclaimingarchives #shortfilmprogramme @stukleuven @saifalsaegh @theos_perspective @issa_touma @hi_raz @salehkashefi

Statues Rule the Waves kembali ke (is coming back to) Indonesia❤️‍🔥 Terima kasih banyak @ffdjogja Part of the shorts programme Site-Making, along four other beautiful films. “Site remains an essential–if not enduring–aspect of cinema. Site shapes cinema’s form, and cinema redefines our perception of site. Here, site does not appear as a representation–as something shown as it is–but instead undergoes a process of making and performing through filmic practices. This programme, which consists of five films, asks the audience to problematise the meaning of site by looking at how site is made.” Read more via the link in my bio📌🔗

Thursday 13 November, Fireplace Cinema and ACAB Kino invite the filmmaker 𝗔𝗹𝗮𝗶𝗻 𝗞𝗮𝘀𝘀𝗮𝗻𝗱𝗮. His film 𝘾𝙤𝙘𝙤𝙣𝙪𝙩 𝙃𝙚𝙖𝙙 𝙂𝙚𝙣𝙚𝙧𝙖𝙩𝙞𝙤𝙣 takes us on a journey in the heart of the Thursday Film Series at Ibadan University, Nigeria. What starts off as a weekly film club, becomes a beating heart for a student uprising. The screening will be followed by a community conversation on the critical potential of non-institutional, self organised film initiatives. } Thursday 13 November
} 18:30: Soup and bread — 19:30: Introduction — 20:00: Film screening — 21:30: Conversation
} Cinemaximiliaan, Rue de Manschester 36, 1080 Brussels } Entrance: Free donation 𝘾𝙤𝙘𝙤𝙣𝙪𝙩 𝙃𝙚𝙖𝙙 𝙂𝙚𝙣𝙚𝙧𝙖𝙩𝙞𝙤𝙣 by 𝗔𝗹𝗮𝗶𝗻 𝗞𝗮𝘀𝘀𝗮𝗻𝗱𝗮 Documentary, France/Nigeria, 89’

Every Thursday, a group of students from the University of Ibadan, the oldest in Nigeria, organizes a film club, transforming a small amphitheater into a political agora where they refine their vision and develop a critical voice. Coconut Head Generation, a scornful expression to designate a stubborn and brainless youth, takes on a whole new meaning when the students turn this stigma around to claim their freedom of thought. 𝗖𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻: After the screening, film researcher Gawan Fagard and the ACAB Kino collective will host a community conversation with Alain Kassanda and the audience, exploring the potential of self-organised, non institutional microcinemas in peripheral and precarious conditions. To what extend does the screening room transform into a temporary safe space, a rehearsal room for new ideas, a revolutionary foyer, or a space for social emancipation? How to negotiate notions of inclusivity versus exclusivity, political necessity versus film aesthetics, film exhibition politics, the economy of electrical currents fueling the screenings?

This event takes place in the framework of Fireplace Cinema, a research project on cinema, community and reconfigurations of the economy of empathy through film by Gawan Fagard. This event is a collaboration between Fireplace Cinema, ACAB Kino, Cinemaximiliaan and Université Libre de Bruxelles.

With hearts warm, sore, but fuelled, we arrive at the final ACAB KINO screening of this summer. We are grateful to 𝗧𝗵𝗲 𝗖𝗮𝗺𝗲𝗹𝗶𝗮 𝗖𝗼𝗺𝗺𝗶𝘁𝘁𝗲𝗲 for bringing us this program: TOWARDS THE SOUTH / VERS LE SUD / نحو الجنوب on Wednesday, August 20. In the aftermath of Israeli attacks on Lebanon (in the summer of 2006 and the autumn of 2024), two filmmakers take the road towards the south. M͟e͟r͟e͟l͟y͟ ͟a͟ ͟S͟m͟e͟l͟l͟ ͟b͟y͟ ͟M͟a͟h͟e͟r͟ ͟A͟b͟i͟ ͟S͟a͟m͟r͟a͟ ͟(͟1͟0͟’͟,͟ ͟L͟e͟b͟a͟n͟o͟n͟,͟ ͟2͟0͟0͟7͟)͟
 Summer 2006: the Israeli war against Lebanon. A boat makes its way to besieged Beirut to evacuate foreign nationals. Under the rubble, buildings lie destroyed. Making their way south, the survivors drag out the corpses of the dead. N͟o͟ ͟T͟i͟t͟l͟e͟ ͟b͟y͟ ͟G͟h͟a͟s͟s͟a͟n͟ ͟S͟a͟l͟h͟a͟b͟ @ghassansalhab ͟ ͟(͟4͟2͟’͟,͟ ͟L͟e͟b͟a͟n͟o͟n͟,͟ ͟2͟0͟2͟5͟)͟
 “Disaster ruins everything while leaving everything as it is,” wrote Maurice Blanchot. Everything. From the southern districts of Beirut into south Lebanon, a car winds its way through the devastated country. No title could capture such desolation. Before the screening, there will be a video introduction by The Camelia Committee @cameliacommittee (Mira Adoumier @miraadoumier , Carine Doumit and Nour Ouayda @nouayda ). Afterwards, there will be time and space for discussion, decompression and exchange. We’re here to learn from each other and gather tools to overthrow the rotten, imperial core. From within the belly of the beast, there is no greater struggle than the one against ignorance! Come watch, listen and learn with us. ⚠️𝙇𝙞𝙢𝙞𝙩𝙚𝙙 𝙘𝙖𝙥𝙖𝙘𝙞𝙩𝙮 𝙖𝙣𝙙 𝙣𝙤 𝙖𝙙𝙢𝙞𝙨𝙨𝙞𝙤𝙣 𝙖𝙛𝙩𝙚𝙧 𝙩𝙝𝙚 𝙨𝙘𝙧𝙚𝙚𝙣𝙞𝙣𝙜 𝙨𝙩𝙖𝙧𝙩𝙨, 𝙨𝙤 𝙥𝙡𝙚𝙖𝙨𝙚 𝙖𝙧𝙧𝙞𝙫𝙚 𝙚𝙖𝙧𝙡𝙮! Wed, Aug 20, 20:00-midnight Rue Locquenghien 41, 1000 Brussels }Doors & bar -20:00 }Screening -21:15 (= no entry after this) }Prix libre (cash preferred)

Wednesday 6 August, ACAB KINO welcomes 𝑪𝑶𝑳𝑳𝑬𝑪𝑻𝑰𝑭 𝑭𝑨𝑰𝑹𝑬-𝑷𝑨𝑹𝑻, who have been working on a tribute to 𝑱𝒖𝒍𝒊𝒖𝒔 𝑬𝒂𝒔𝒕𝒎𝒂𝒏, together with artists Victoire Karena Kampire, Mawena Yehouessi and Fallon Mayanja. This night we delve deeper into the teachings of Eastman, the African American composer whose musical explorations reflected his uncompromising activism. }Doors & bar -20:00 }Screening -21:30 }Prix libre (cash preferred) ⚠️𝗡𝗢 𝗔𝗗𝗠𝗜𝗦𝗦𝗜𝗢𝗡 𝗔𝗙𝗧𝗘𝗥 𝟮𝟮𝗛 𝙅𝙊𝙔 𝘽𝙊𝙔 - 𝘼 𝙏𝙍𝙄𝘽𝙐𝙏𝙀 𝙏𝙊 𝙅𝙐𝙇𝙄𝙐𝙎 𝙀𝘼𝙎𝙏𝙈𝘼𝙉 𝙀𝙫𝙞𝙡 𝙉 - Video by Mawena Yehouessi & Fallon Mayanja “Evil” came from the Old English word “yfel”, which means “wicked”, “vicious”, or “bad”.  Krump comes from Clowning, which is about passing. Or precisely, unveiling the glitched im.possibility of “passing” for black bodies. Krumping is a dance that's a philosophy. Kingdom Radically Uplifted Mighty Praise, THEY SAID.
Although no krumping occurs in this video. No evil is present either. Nothing for your white fantasy. But future ancestors sounding in our heads: f.healing. 𝙈𝙖𝙣𝙮, 𝙈𝙖𝙣𝙮 𝙒𝙤𝙢𝙚𝙣 - Video by Rob Jacobs
Planets travel through the cosmos of a water drop. Swirling lines of text and simple symbols draw star maps of small galaxies. The singers repeat the phrase “this one is one” over and over, in an invitation to feel the interconnection of all beings. 𝙂𝙖𝙮 𝙂𝙪𝙚𝙧𝙧𝙞𝙡𝙡𝙖 - Video by Anne Reijniers & Paul Shemisi A group of queer Kinois dancers form a 'Gay Guerrilla', freedom fighters moving through the streets of Kinshasa, falling and rising together. Dancers: Thony Yondo, Sanders Coccinelle, Naomie Kulemfuka & Dan Monga. 𝙅𝙤𝙮 𝘽𝙤𝙮 - Video by Victoire Karera Kampire An amazon is about to be buried under some animated organic matter. They kept their jewelry, their “grillz” smile, as protection and gift to the gods as they go back to the earth to which they belong. They body parts - muscles, shiny skin, long painted nails, fake eyelashes - glow through the shadow. They are a - moving - breathing - still - life painting.  𝙄𝙣𝙩𝙚𝙧𝙡𝙪𝙙𝙚𝙨 - Soundscape by Fallon Mayanja Audio interludes are played between the films.

Wednesday 16 July, ACAB KINO invites 𝑺𝒖𝒅𝒂𝒏 𝑺𝒐𝒍𝒊𝒅𝒂𝒓𝒊𝒕𝒚 𝑵𝒆𝒕𝒘𝒐𝒓𝒌 & 𝑵𝒂𝒔 𝑺𝒉𝒂𝒈𝒂𝒍𝒂 / ناس شغالة to present the collectives’ activism and solidarity of the Sudanese people to confront the repercussions of the war. The screening will invite us to explore how voluntary and care work are being organised and will inspire us to keep active and resilient. The evening is divided into two parts with an open discussion afterwards, see the full program below. Feel free to bring a pillow! } Doors & bar -20:00 } Screening session -22:00 } Prix libre (cash preferred) ⚠️𝗡𝗢 𝗔𝗗𝗠𝗜𝗦𝗦𝗜𝗢𝗡 𝗔𝗙𝗧𝗘𝗥 𝟮𝟮𝗛 Please arrive no later than 15 minutes before the scheduled screening time! Full program: ~21:45 Introduction ~22:00 Start screening Part 1 (25 mins) 𝘌𝘭𝘯𝘢𝘸 𝘏𝘰𝘴𝘱𝘪𝘵𝘢𝘭 𝘐𝘯𝘪𝘵𝘪𝘢𝘵𝘪𝘷𝘦 (2023) | 6 min | AR, EN subtitles 𝘖𝘮𝘥𝘶𝘳𝘮𝘢𝘯 𝘊𝘰𝘮𝘮𝘶𝘯𝘪𝘵𝘺 𝘒𝘪𝘵𝘤𝘩𝘦𝘯𝘴 (2024) | 6 min | AR, EN subtitles 𝘔𝘢𝘵𝘢𝘳𝘦𝘦𝘴 / 𝘉𝘢𝘳𝘳𝘪𝘤𝘢𝘥𝘦𝘴 (2023) | 6 min | AR, EN subtitles 𝘏𝘰𝘸 𝘥𝘰𝘦𝘴 𝘷𝘰𝘭𝘶𝘯𝘵𝘢𝘳𝘺 𝘸𝘰𝘳𝘬 𝘤𝘰𝘯𝘵𝘪𝘯𝘶𝘦 𝘪𝘯 𝘚𝘶𝘥𝘢𝘯 𝘢𝘧𝘵𝘦𝘳 𝘢 𝘺𝘦𝘢𝘳 𝘰𝘧 𝘸𝘢𝘳? (2024) | 4 min | AR subtitles EN | ~Interlude Short intervention on donations and support, while transitions into the film ~Part 2 (30 mins) 𝘉𝘭𝘰𝘤𝘬 5 (2024) | 30 min | AR, EN subtitles ~Part 3 DISCUSSION // Q&A ~00:00 END OF THE EVENING 🖤🖤🖤

WEATHER UPDATE ~~ As some of you may know, rain is forecasted this evening, with most predictions indicating between 7 and 9 pm. We decided to take the chance to continue with our screening, provided that the rain stops before 10 pm. If you decide to come, bring an umbrella or dress appropriately! } Doors & bar -21h } Screening session -22h15 } Prix libre (cash preferred) ***PROGRAM UPDATE 🎞 Subversive film will share some of their ongoing research into militant and solidarity cinema, with a focus on Palestine and struggles around the world. We’ll look at archival film footage and open up a conversation about the politics of image making and how archiving can resist forgetting. Come watch, listen, and discuss with us. We have limited capacity; please arrive early.*** 𝐒𝐮𝐛𝐯𝐞𝐫𝐬𝐢𝐯𝐞 𝐅𝐢𝐥𝐦 will program our first ACAB KINO screening on 2 July! To stay up to date with the selection of films, sign up for our newsletter and/or telegram channel via our website-->contact! // 𝐒𝐮𝐛𝐯𝐞𝐫𝐬𝐢𝐯𝐞 𝐅𝐢𝐥𝐦 zal onze eerste ACAB KINO screening op 2 juli programmeren! Om op de hoogte te blijven van de filmselectie, meld je aan voor onze nieuwsbrief en/of telegram channel via onze website --> contact! // 𝐒𝐮𝐛𝐯𝐞𝐫𝐬𝐢𝐯𝐞 𝐅𝐢𝐥𝐦 va programmer notre première projection d'ACAB KINO le 2 juillet ! Pour rester informé de la sélection des films, inscriptions à notre newsletter et/ou canal telegram via notre site web --> contact !

Excited to announce 𝐀𝐂𝐀𝐁 𝐊𝐈𝐍𝐎 – 𝐀𝐥𝐥 𝐂𝐢𝐧𝐞𝐦𝐚𝐬 𝐀𝐫𝐞 𝐁𝐞𝐚𝐮𝐭𝐢𝐟𝐮𝐥! ACAB KINO is a self-organised cinema space for community, solidarity, counterculture and resistance. It is a space for and by people organising against the systemic oppression worldwide by Western imperialism, resulting in numerous ongoing genocides, state police violence and common fascism, serving only the capitalist powers. This summer, we’re hosting 𝗳𝗼𝘂𝗿 𝗼𝗽𝗲𝗻-𝗮𝗶𝗿 𝘀𝗰𝗿𝗲𝗲𝗻𝗶𝗻𝗴𝘀 in the garden of Rue Locquenghien 41 Brussels, in collaboration with activist collectives. Expect 𝗿𝗮𝗱𝗶𝗰𝗮𝗹, 𝗺𝗶𝗹𝗶𝘁𝗮𝗻𝘁 𝗮𝗻𝗱 𝗧𝗵𝗶𝗿𝗱 𝗖𝗶𝗻𝗲𝗺𝗮 – 𝘀𝘁𝗼𝗿𝗶𝗲𝘀 𝘁𝗵𝗮𝘁 𝗿𝗲𝘀𝗶𝘀𝘁. To kick off and raise funds, we’re organizing a market + bar. Come for a cosy market, drinks, snacks, music and a chance to support us and get to know our project. All proceeds go to filmmaker fees and building the cinema infrastructure. Saturday, May 31, 2–6PM 
Rue Locquenghien 41, 1000 Brussels