nilor studio | generative ai art and toolmakers

✨ That’s a wrap on Machine Learning Monday! ✨🤖🎬 Huge thank you to everyone who came out last night and brought so much enthusiasm, curiosity, and thoughtful conversation to the room. It’s always inspiring to see South Florida creators showing up ready to learn, share, and build community around what’s next. Last night’s session, AI, Immersive Storytelling & Real-Time Audience Interaction, featured two incredible South Florida-based guests: 🎧 Luiza Justus (@lujustus ) (@arvoreimmersive ARVORE Immersive Experiences) — who took us inside Fabula Rasa: Dead Man Talking, an award-winning interactive VR experience where audiences engage in live conversation with AI-driven characters, shaping the story in real time. 🌐 Oriana Neidecker (@orianan ) of @nilor.studio studio — who shared a producer’s perspective on how immersive works evolve from concept to installation and touring, and how AI + spatial storytelling + performance can be integrated to strengthen emotional connection and collective participation. Together, the conversation landed on what we care about most: how creators can experiment with new tools while keeping story, emotion, and human creativity at the center. 💛 Thanks again to our speakers, attendees, and community — we can’t wait to keep exploring the future of storytelling with you. #MachineLearningMonday #FilmGateMiami #ImmersiveStorytelling #CreativeAI

🤖🎭 What happens when AI, spatial storytelling, and live performance collide — without losing the human heartbeat? Join us for Machine Learning Monday featuring Oriana Neidecker (@orianan ), Creative Producer at @nilor.studio , whose work lives at the intersection of AI, immersive installation, and performance — always focused on technology that deepens human connection rather than distracts from it. Oriana’s recent productions include: ✨ tAxI (Cannes Immersive 2025) ⚖️ GAWD v. The People (Selected for Festival de Cannes Compétition Immersive 2026) She’s also produced projects with Marshmallow Laser Feast, Jon Hopkins, the Barbican, and the Royal Shakespeare Company, and led Dream (RSC), an award-winning mixed reality performance experienced by audiences in 79+ countries. Perfect for filmmakers, producers, writers, immersive artists, technologists, and anyone building at the edge of creative tech. 🗓️ Monday, May 11 ⏰ 7:00–9:00 PM 📍 Downtown Media Center / FilmGate Miami 🎟️ Tickets: filmgate.miami/events #MachineLearningMonday #FilmGateMiami #ImmersiveStorytelling #CreativeAI

Discover one of the exceptional works officially selected in the 2026 #CompetitionImmersive! 🎉 In GAWD V. THE PEOPLE, an AI-led tribunal puts humanity on trial, forcing us to testify for our continued existence and weighing up whether the planet can still afford us. ▶ Directed by Yamil Rodriguez, Ivan Alejandro Diaz Cardenas, Stephen Henderson ▶ Produced by Nilor Studio Learn more about the 9 boundary‑breaking works competing for this year’s Best Immersive Award 👉Link in bio — #CompetitionImmersive #Cannes2026

It's official! our latest project GAWD is headed to @marchedufilm - we stretched the limits of our tools to build this extended cinematic interactive immersive experience and we can't wait to see how it plays out each time. Massive thanks across our team. Stay tuned and follow us on the road to the red carpet. 🤞🤞🤞✨

Disguise x ROE Visual x Nilor Demo Event April 22 + 23 - link and details in bio (for now) Join us in Tokyo with Disguise and ROE Visual Display Solutions to learn a little more about us and our friends. Registration is required and delight is expected. ━━━━━━━━━━━━━━━━━━━━━━ 本イベントは招待制となっております。ご参加をご希望の方は、[4月20日] までに下記よりご登録ください。 参加登録はこちら：

We had such a great time speaking, sharing, and being inspired by friends new and old. Massive thanks to the whole crew at @futurepixelhouse for having us in the mix and @sxsw for keeping things fresh and staying weird. We came, we spoke, we raved.

Borrowing tools, techniques, and aesthetics from advertising, video, and new media art, Sugar, Sugar weaponizes AI to expose histories of extraction. Using custom-built workflows designed to reclaim technologies from corporate monopolies, nilor collages archival documentation of sugar's violent past—plantation slavery, land theft, industrial brutality—with AI-generated media that refuses to let us bury the truth. The three works operate in parallel: sugar's centuries of commodifying bodies for profit mirror Big Tech's extraction of data and labor disguised as innovation. In Cupcake, a cupcake takes an eternity to collapse into rot, and reveal the blood-soaked production beneath its gloss. This isn't art about AI, or a glorified tech demo, its resistance built with reclaimed tools, countering extractive capitalism by seizing the means of production, and showing how we can use these tools in artistic ways to combat the force-feeding of dopamine slop. nilor suggests that we can still use these tools to create critical commentaries and hopeful alternatives to the blind faith of the technophile and the stalwart resistance of the opt-out technophobe. Created in collaboration with @taralong.overdraft.fee for @locustprojects Locust Projects, 297 NE 67th St, Miami, FL Until January 17th 2026 tAxI: miAmI - December 5th & 6th - DM to book

Borrowing tools, techniques, and aesthetics from advertising, video, and new media art, Sugar, Sugar weaponizes AI to expose histories of extraction. Using custom-built workflows designed to reclaim technologies from corporate monopolies, nilor collages archival documentation of sugar's violent past—plantation slavery, land theft, industrial brutality—with AI-generated media that refuses to let us bury the truth. The three works operate in parallel: sugar's centuries of commodifying bodies for profit mirror Big Tech's extraction of data and labor disguised as innovation. In tAxI: miAmI, an AI taxi driver preserves the human connections that autonomous futures are designed to erase in the name of convenience. This isn't art about AI, or a glorified tech demo, its resistance built with reclaimed tools, countering extractive capitalism by seizing the means of production, and showing how we can use these tools in artistic ways to combat the force-feeding of dopamine slop. nilor suggests that we can still use these tools to create critical commentaries and hopeful alternatives to the blind faith of the technophile and the stalwart resistance of the opt-out technophobe. Created in collaboration with @taralong.overdraft.fee and @toussaint.serge for @locustprojects Locust Projects, 297 NE 67th St, Miami, FL Until January 17th 2026 tAxI: miAmI - December 5th & 6th - DM to book

Borrowing tools, techniques, and aesthetics from advertising, video, and new media art, Sugar, Sugar weaponizes AI to expose histories of extraction. Using custom-built workflows designed to reclaim technologies from corporate monopolies, nilor collages archival documentation of sugar's violent past—plantation slavery, land theft, industrial brutality—with AI-generated media that refuses to let us bury the truth. The three works operate in parallel: sugar's centuries of commodifying bodies for profit mirror Big Tech's extraction of data and labor disguised as innovation. In Sugar, Sugar, seductive advertisements loop endlessly, and selfie moments implicate viewers standing inside the marketing materials. This isn't art about AI, or a glorified tech demo, its resistance built with reclaimed tools, countering extractive capitalism by seizing the means of production, and showing how we can use these tools in artistic ways to combat the force-feeding of dopamine slop. nilor suggests that we can still use these tools to create critical commentaries and hopeful alternatives to the blind faith of the technophile and the stalwart resistance of the opt-out technophobe. Created in collaboration with @taralong.overdraft.fee for @locustprojects Locust Projects, 297 NE 67th St, Miami, FL Until January 17th 2026 tAxI: miAmI - December 5th & 6th - DM to book

The inspiration for our NILOR PARTY video is close to home, literally. Modeling the room as an almost 1:1 of @nilsjohannesson ‘s attic room and remaking the visuals setup we had for real at the Nilor Party event earlier this year. The videos show a chronological timeline of how the project was made. Using @comfyui to generate weird versions of everyday objects and turning them into 3D models with the first version of #hunyuan3d . Staying in the spirit of GAN TOWN by utlizing the latest generative ai models as a tool within the pipeline and experimenting with how it can shape the video. Full video will be up on IG soon, the YouTube link is in our bio!

@nilor.studio are teaming up with @carnegiemellon to deliver a practical introduction to generative AI. @nilor.studio have been exhibited internationally from Japan to the UK, and from the UAE to the USA, as well as building the agentic brains behind numerous world class permanent installations in restaurants, venues and museums. Now they bring the dark art of Slop Whispering to one of America’s most prestigious universities, to help students understand how to put the actual artistry back into AI art, and figure out how to (mis)use this power to shape tomorrow.

NILOR PARTY (the spiritual successor to our piece GAN TOWN) follows two geezas trying to steal nilor’s secrets. They break in to the nilor squat and dig through the chaos to understand the tech behind the Nilor Party we ran in London in Feb 2025. They find a few hidden gems including the entire projection setup from the party, the “Bunny Railing Ket” minigame, the actual visuals from the event, and a special guest appearance from everyone’s favourite cursed sack: Bavis. Using Unreal Engine, and the latest in custom AI image and 3D workflows we made this short in less than 2 weeks. Nilor is always pushing boundaries. Stay tuned for the whole thing here on IG soon, or watch it on YT now at [[[link in bio]]]. #unrealengine #comfyui #generativeai