Nick Morris

@nickmorris____

🎥 Cinematographer PILLION, SWEETPEA Represented by @xomgmt 🇪🇺 @creativeartistsagency 🇺🇸
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A long time coming but to celebrate Pillion’s release in the US 🇺🇸 today, I can finally share some stills from the film. Working with @hlighton again on this film has been an absolute highlight of my career, and the response it’s had is so unexpected and overwhelming. Finally I’ve got an opportunity to shout out our amazing crew, who worked tirelessly over 5 weeks in Bromley. Long time legend gaffer @helio.ribeiro and his right hand man @sebastiannowell brought their signature ingenuity to the challenges of the budget, and they leapt at a new style of working for us. Creating subtle worlds of control while trying to keep the lighting feeling authentic…and cheap. They taped Amazon LED security lights to hundreds of meters of street lamps, and lit night exteriors with 150w pocket LEDs from SIRUI that I’d seen in a sponsored ad. Key grip @edlivoo is eternally a delight and did an amazing job when I came to him with a host of cheap gimbals and ideas to save time in places we’d wanted to lay hundreds of feet of track. He didnt even laugh at me when I suggested we disguise a dolly in a supermarket shopping cage full of boxes to lay low on Bromley High street. Focus pullers @hoshjiggins and @umpaqueen took on the challenge of no rehearsals and no marks and rose to the occasion. @hlighton likes to capture the first instincts of the actors in the can on the first try, which creates an electricity in the room which is like nothing else. It’s a big ask to the crew, especially alongside managing a host of cameras and a mix of cinemodded stills lenses and proper cinema primes to make the hare brained rigs work. In post @tobytomkins and @harborpictureco pulled out the stops to deliver our dreams of 35mm print inspired look. They wrangled footage from Alexas, Komodos, and DJI ronin 4ds into something seamless and beautiful. Toby was more adventurous than we’ve been in the past in terms of textural work and it’s probably my favourite look we’ve made together. If you’re in the states, please go and watch our film this weekend ❤️🇺🇸❤️. @a24 @pillionmovie @element_pictures
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3 months ago
“Did we just make a Dom-Com?” - @hlighton PILLION - 2025. My heart is SO full seeing this film finally out in the world, coming out in cinemas soon. Made with so much love by so many incredible people. @hlighton you’re a bloody genius. Make films with your mates guys - it’s the best …. The list of people to tag is too long, but the tag spam will come in time. @element_pictures @a24 @britishfilminstitute @mrlgroombridge @emmahcampbell
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7 months ago
Well shit the bed … You could blow me over with a feather. Thanks to a team of utter legends - I can’t express how grateful I am to you all.
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1 year ago
‘Keyboard Warriors’ - @wearepartizan (Learn more about lenses. Join the Community - link in bio) 🔎1- ARRI/ZEISS Master Prime 40mm T1.3 🔎2- ARRI/ZEISS Ultra Prime 10mm T2.1 🔎3- ARRI/ZEISS Master Prime 27mm T1.3 🔎4- ARRI/ZEISS Master Prime 27mm T1.3 🔎5- ANGENIEUX Optimo 19.5-95mm T2.6 🔎6- ARRI/ZEISS Master Prime 27mm T1.3 📹 ARRI Arricam LT 🎞️ KODAK Vision3 500T (5219) Dir. @ethanandtom DP. @nickmorris____ Producer. @cheswick_ Production Manager. @will_cousins Production Coordinator. @brooklynade Production Assist. @lorettawonke 1st AC. joshuahiggins_ Loader. @oonamilka Drone Camera Op. @nl_images   Gaffer. @sebastiannowell Spark. Andy Gonsalves, @zillwood_ ,  @nuno_beirao , @runlight_film SFX Technician. @dan3d_vfx MUAH. @eveycoles MUAH Assist. Carly Guy Production Designer. @alexandratoomey Location Manager. @bencarterlocations VFX Supervisor.  Ben Gallagher @framestore Editor. @kitwellsedit Colorist. @simon_colour_bourne Sound. @soundslikebeng . . #lensaddiction #arrimasterprime
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1 day ago
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1 day ago
“I do love 16mm as a format, but I felt it was going to be too degraded, too nostalgic, too softened,” reveals Pillion DP Nick Morris. He knew the film was all about challenging what a ‘traditional’ relationship looks like, and shouldn’t be overtly romantic. After testing around nine cameras, he chose to shoot digital, with the ARRI Alexa 35, with which he’d shot the first season of Sky Atlantic show Sweetpea. “It’s just super bulletproof and really reliable.” Through his choices, Morris brings a restrained, emotionally precise visual style to Harry Lighton’s Pillion, balancing kink, tenderness and British grit. Read more on our website.
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2 months ago
An exciting day to see my name in print in this months issue of @britishcinematographer ! Especially alongside some truly incredible films and work by some of my heroes. Unit stills by the lovely @chrisharrisuk 📸
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3 months ago
Huge news for Pillion! 3 nominations at 2026 @bafta - - Outstanding British Film - Outstanding Debut - Adapted Screenplay So proud of @hlighton and the whole team 💖💖💖
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3 months ago
2025 won’t be forgotten in a hurry. What a belter. Sweetpea S1 getting cinematography noms at the BSC and BAFTAs, bawling my eyes out out at the Pillion Cannes ovation, another wild adventure on Sweetpea S2, and topping it all off with Pillion winning the top gong at the BIFAs, and we even managed to squeeze in some fun commercials. Thanks to all the amazing crews and people old and new that have made this year so special. ❤️❤️❤️ ** yes I’m on the loo in the last snap
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4 months ago
To celebrate Piilion’s huge win of Best Independent Film last night at @bifa_film , and @hlighton Best Debut Screenplay, here are some of my fave BTS moments I snapped on set. Making independent movies is hard work, but boy were we blessed with this one, those 5 weeks in Bromley will stay with me forever! In front of the camera - @francesca_massariol ‘s sets, @graceesnell ‘s costumes, @diandraferreira_ ‘s HMU 👏🏻👏🏻 📸 Minolta CLE and @kodak Portra 800 and @silbersalz35 , processed at @silbersalzfilm . . . @pillionfilm @pillionmovie @element_pictures @a24 #harrymelling #alexanderskarsgård #douglashodge #lesleysharp @xomgmt
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5 months ago
Fave moments from some AnPost spots in Ireland with @ben_liam_jones and @antidotefilms Arri Alexa Mini LF and Canon K35 primes
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10 months ago
日本 travel archives 🇯🇵 - portrait edition @silbersalz35 + @kodak + Minolta CLE
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1 year ago