I am thrilled that Pillion has a nomination for Best Costume Design from BIFA! A hell of a lot of research and important conversations were had during the interview, prep, and filming. Thank you to the gbmcc
@gaybikersuk for their guidance and the kink community⛓️ for their generosity.
Thank you Emma
@emmahcampbell , for suggesting me to Harry and thank you, Harry
@hlighton , for trusting me with this script! 🐕
It is near impossible to secure a nomination from the Academy or BAFTA for ‘contemporary costume design’. This is what is so special about BIFA
@bifa_film and how their voters judge the films. You are an amazing celebration of unique voices and talent! Thank you for nominating a film set in 2024!
This marks my hat-trick nomination with BIFA. I will always make independent films — they are fucking hard work and so important to our industry. Please support them by going to the cinema and talking about them to friends & family!
I couldn’t be more proud of our costume team, and in particular Louise, who agreed to supervise this film for me “as a one-off.” I couldn’t have done this without you. Thank you.
Costume Supervisor – Louise Holsgrove
@louhols_
Principal Standbys – Sarah Deans
@sarahdeanstalbot (who needed a step ladder for Alexander and who also supervised the pick ups, thank you so much!)
Naomi Golding
@naomigolding & Kyle Rawson
@kylerrawson
Crowd Costume Junior – Jasmine Fone
@jasminefone
ScreenSkills Costume Trainee – Florence Williams
Senior Breakdown Artist – Elsa Wood-Gee
Breakdown Artist – Lili Eastell-Adams
@lilaeastell_
Mr Skarsgård’s Leathers – Kate Jennings
@hideoutleatherltd
Costume Dailies – Emma Rawnsley
@emmarawnsleycostume , Christine Skowron
@christineskowron , Madeleine Edis, Suzie Davies, Noa Rafaelle Cordeiro, Tess Gibson
@tess_gibson_
Congratulations to the rest of team Pillion on your 10 nominations you all worked so hard to get this film made. Well done to all my friends, colleagues and future colleagues on the nominations for your amazing films this year 💙
