Nick Armstrong

🚬🪬 Department of Health & Social Care ‘Canteen’ Director @arthurstuds Production @magna.studios EP @jspenc_r Head of Production @alistairpaynejames Producer @drewon3ill PM: Rhian Gwenlan Agency: MullenLowe Creative Director: Kris Wheater Sr Art Director: Clint Harding Sr Copy Writer: Simon Mannion Sr Producer: Vanessa Hunt, Nicola Mitchell Managing Partner: Emily Whiteaway Business Director: Kirsten Barnes Senior Account Manager: Hugh O’Sullivan Client: DHSC DOP @simonjrichards 1st A/C: Joe Wright 2nd A/C: Louise Tse Grip: Rob Barlow Video Playback Op: Nick Forrester DIT: Alex Parkinson Sound Recordist: Stephen Hodge Gaffer: Marco Di Giulio Rigger: Oscar Neme 1st AD @julianrichards3 2nd AD: Lucy Kelly Production Designer: @sarah.jenneson Stunt Coordinator: @matt_sherren Costume Designer: @florencerjones Art Director: Leo Turnbull Mair and Makeup: Eve Coles Casting Director: @castingbeast Location Manager: Jamie Jamieson Edit House @tenthree_editing Editor: @nickarm Producer: Ed Hoadley Post Production @no8ldn Producer: Robson Yeo VFX Artists: Rob Peacock, Toby O’Connell Colourist: @turners_colour Audio Post Production @no8ldn Sound Designer: Ben Gulvin

“Hand up, I have never seen The Greasy Strangler or An Evening with Beverly Luff Linn, the pair of films that made the name of lo-fi Brit surrealist Jim Hosking. But when I saw his new one was apparently a new entry in the Paul McCartney cinematic universe, I thought I would give it a whirl. I’m glad I did because I can report it’s probably the weirdest film I’ve ever seen – not Eraserhead weird, but weird in the sense you can’t believe someone had the conviction and self-belief to get this stuff on film. Here’s what happens: a blind Black musician called Stevie turns up in a rowing boat at the island cottage of a white, mulleted, thumbs-up character called Paul (who is forever promoting a range of vegetarian meals branded “By the Wife”); the title clues you in to who they might be and what they might be doing together. Needless to say, nothing gets done, apart from dressing up as sheep and jumping into the sea. The repetitive, inane dialogue might drive you insane, but it has something of Waiting for Godot about it. This film is a genuine, unrepeatable one-off, worth seeing for its sheer bloodymindedness alone.” Andrew Pulver @guardian

👀 The trailer for Ebony & Ivory (@ebonysndivorywtf ) The new film from Jim Hosking (@JimHosking ) I had the pleasure of cutting. Trailer edit by @themaclennan

From the mind of @JimHosking Ebony & Ivory is out this summer, in all good theatres, across many lands. @ebonysndivorywtf

Britbox ‘Behind The Scenes’ The film was shot over 14 hours and follows one actor through 11 different sets and 4 different genres, using a dynamic, highly choreographed, single-shot sequence filmed at 1 frame per second using a precision motion control unit. It’s a celebration of craft, of British television, and of the human effort that goes into producing the brilliant entertainment we all love. Production Company: @Blinkink Director: @nicos_yesevil Agency: @uncommon.creative.studio ECD: Sam Walker Executive Producer: Bart Yates Executive Producer: Josef Byrne Head of Production: Alex Halley Producer: @sebastian.jowers Director of Photography: @SimonChaudoir Production Manager: @thijmegrol 1st AD: @rob.blishen Movement Director: @supplenam Hair and Makeup Designer: @natashalawes Hair and Makeup Assistant: Georgia Brown
Prosthetics: @millennium_fx_ltd Service Production: @solentfilm 
Line Producer: @petra_trendafilova 
Production Design: @pistolet2.0 Editor: @nickarm   Assistant Editor: @moogie94 
Edit Producer: @rachelgoodger Lead Compositor: @simon______e Compositor: @pliskin97 Compositor: Andy Hague
Compositor: Tom Fisher
Virtual Production Supervision: @lws.phlps  @endeavour.works Storyboard: @boxbeatrobot Color House: @selectedworks.tv Colorist: @hannibalalng Music Supervision: @major_tom_music 
Sound Design & Mix: @soundtreemusic

👘 Ebony & Ivory will have its 🇬🇧 Premiere at @glasgow film festival 🍿 @jimhosking ’s cinematic ode to the meeting between musical legends Paul McCartney and Stevie Wonder will be revealed in Shcotland.

Sneakerhead is now available on BBC iPlayer. See the show the Guardian said had ‘passable jokes’ wherever you stream stuff.

Juice 🧃 won the @royaltelevisionsociety 🏆 for Best Comedy Drama Big up @rosco5corporation @moulder13 @mawaanr @variousartistsl + the edit crew ✂️ @brokenbikeframe @kiri_shmiri John Okello, May Ziade and @fiftyfiftypost

Jan in Rich VA

National Comedy Awards Don’t Hug Me I’m Scared and Sneakerhead are nominated in ‘Best Scripted Comedy Show’ @hugob0ssman is nominated for ‘Outstanding Comedy Actor’ & @chiwithac @itsbigzuu and @frannnmills are up for ‘Outstanding Supporting Role’ Vote link in bio

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⛄️The Snowgran • O2 • Directed by Joseph Mann • BlinkInk • VCCP • @joseph___mann @blink_ink @rebeccalitte @josefbyrne @tenthree_editing @vccp__ @etc.colour @electric.theatre.collective @vaudevillesound