The Dreadful 🥀 In every project we do, color is an essential part of our visual language. From early on in prep, we knew we wanted to weave audiences in and out of the past — visual threads of childhood, of peace, of war. We created four show LUTs to accomplish this, with the expert help of Alastor Arnold and a final grade by Sebastian Perez. Excited for you to experience it on the big screen. In cinemas February 20th in the U.S.
If there's one thing we like more than shooting cars it's getting to go back to NY to shoot cars~
Here's the first of two pieces we had the pleasure of producing for @lincoln and the delightful team at @atlanticrethink featuring @mistyonpointe
Thanks as always to @cinemavision.nyc for the cameras and @metrocameracars for the cars to stick those cameras onto 🎥🚗🎥
NY Unit -
Client: @lincoln
Agency: @atlanticrethink
Director: @natakerm
ATL Producers: Carrie Clayton, Bethany O'Grady, Preston Tietjen
Pro Co: @illiumpictures
Producers: @wunotwoo , @jimmyhoherron
Prod Coordinators: @peteazen@skevboon
DP: @alexanderchinnicidp
Steadicam: @71yan
1st AC: Cody Shrock
2nd AC: Josh Reyes
Gaffer: Billy Quigley
BBE: Anthony Asaro
Electric: Rob Silcox
KG: Jared Hermann
BBG: Bliss Bussant
Grip: David Connelly
G&E Driver: Angel Vera
Picture Car Driver: Brionna Lynch
Arm Car Driver: @joeybwhoelse
Arm Op: Ari Moore
Head Tech: James Demetriou
Drone Pilot: Rob McEnaney
Drone Cam Op: Ryan Tighe
Drone Tech: Will Strathmann
Wardrobe: Kah Li Haslam
Makeup: Mali Boykin
Hair: Nai'vasha
Sound Mixer: @ahfez
PD: @celinaarslanian
PD Asst: Luis Marcilliano
PA: Dot Perryman
Color: @alanlouisgordon
Post Sound: @anarchy_post
🦇 Abraham’s Boys is in theaters today. With our small but mighty crew and our beautiful cast, we faced off with wildfires and rattlesnakes and extreme heat in the middle of Simi Valley California and made something from the bottom of our dark little hearts, based on Joe Hill’s brilliant short story. We hope you enjoy it on the big screen — visit abrahamsboysmovie.com to get details (link in bio) 🦇
"Abraham’s Boys," Natasha Kermani’s clever retelling of the classic Dracula tale, burns itself into the brain by way of bold narrative choices and Southern Gothic aesthetics.
Based on a short story in author Joe Hill’s first published book, "20th Century Ghosts," the film opens in 1915’s Central Valley, California, a purposefully remote location where Abraham Van Helsing has moved his two boys in the hopes of outrunning their colorful past. Little do they know, the greatest threat facing this family already resides within the walls of their quaint new home.
Hill's observations on Van Helsing coalesce in a riveting tale of an overbearing father with paranoid ideations and questionable ethics.
Read the interview with the creators in our bio link.
@natakerm@joe_hill@rljefilms@shudder
Writer @kalyncorrigan
Behind the scenes photos: @de_urioste
Joe Hill photo: Vivien Killilea /Stringer/Getty
Stills: @rljefilms
Almost a year ago to the day we started principal photography on this lil demon baby in the 110 degree hills of Simi Valley and at long last, its trailer can enter your eyeballs.
Based on the short story by @joe_hill and written & directed by @natakerm , catch #AbrahamsBoys in theaters on July 11th~
Thank you as always to all the cast and crew and Costco 🦇❤️🦇
#RLJEFilms #Shudder #TitusWelliver #JocelinDonahue #JudahMackey #BradyHepner
⚔️🌹 that’s a wrap 🌹⚔️ thanks to my most dreadful cast + crew who busted their asses through Cornish rain + sleet + mud (a lot of mud) to make some gothic magic with us 🌲🛖🌲
