NADA

@nadabooking

Booking | MGMT | Production | Sync since 1990
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3,392
Following
757
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Weeks posts
⟢ 𝑁𝑒𝑥𝑡 𝑠ℎ𝑜𝑤𝑠 - @susobrino presents Susonidos This Friday at @horstartsandmusic This year he brings his special Susonidos block party concept to Vilvoorde: expect music, dance and connection! 🙏 Interview by @jamrtbf @guillaume.scheunders Check out the full interview on RTBF Auvio
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5 days ago
FIRST BATCH OF GIGS ANNOUNCEMENT: 08/05 ⎮ Tupumpum - @lacasaencendida 🇪🇸 08/05 ⎮ MAZO Club #15 @mazo.club 🇪🇸 09/05 ⎮ BRUSK Fest @bruskbrugge 🇧🇪 14/05 ⎮ b2b hellotones @horstartsandmusic 🇧🇪 15/05 ⎮ @susonidos #9 @horstartsandmusic 🇧🇪 16/05 ⎮ Susonidos #10 @movimientoslondon @thejagodalston 🇬🇧 21/05 ⎮ Susonidos #11 Mazo Club @hotelesbajitos 🇪🇸 22/05 ⎮ Susonidos #12 @place_noord 🇧🇪 23/05 ⎮ b2b hellotones @lonuestro.paris 🇫🇷 06/06 ⎮ @_bushbby_ Blockparty🇬🇧 12/06 ⎮ @bksfestival 🇳🇱 26/06 ⎮ @lagolagofestival 🇳🇱 04/07 ⎮ @roskildefestival 🇩🇰 05/07 ⎮ @festivalcite 🇨🇭 17/07 ⎮ @colours_cz 01/08 ⎮ @udada.festibala 🇫🇷 07/08 ⎮ @fetesurlelac 🇨🇭 SHOUTOUT TO @nadabooking MORE GIGS TO BE ANNOUNCED SOON🥳
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16 days ago
The responsibility of being one of Rewire 2026’s final acts fell upon @civilistjavel & @mayssajallad , who presented a world premiere collaborative performance at one of the festival’s most beloved venues, Lutherse Kerk.⁠ ⁠ Their moving performance took Civilistjävel!’s rework of Jallad’s ‘Marjaa: The Battle of the Hotels’ as its starting point, using song to guide the audience into a war-torn visage of Beirut’s skyscrapers. She addressed the absurdity and weight of performing in The Hague – a city that houses international courts and mechanisms of justice – while war continued.⁠ ⁠ Matt Reed in Metal Magazine recalls the performance: “Jallad offered a pointed reminder of how fortunate those in attendance, and in the warless West more broadly, are. Recalling a question she had asked herself while walking The Hague’s quaint streets earlier that day, “how do we all live under the same sun?,” she spoke of missiles raining on Lebanon and the devastating genocide in Palestine, and of her hope that one day there might be justice . . .”⁠ ⁠ Video by @_nielsjohn Text by @rewirefestival
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18 days ago
⟢ 𝑁𝑒𝑥𝑡 𝑠ℎ𝑜𝑤𝑠 - This weekend at @aralunaires 🌟 30.04 _ @susobrino (Palais) 01.05 _ @gtichaisesmusicales (Espace Leopold) 02.05 _ @buliejordeaux (Le Lab) 02.05 _ @cheapjewels42 (Palais) 02.05 _ @coupdurband (Le Lab) 03.05 _ @alicegeorgeperez (Le Dôme) And many more! 🔗 More info via aralunaires.be
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19 days ago
⟢ 𝑁𝑒𝑥𝑡 𝑠ℎ𝑜𝑤𝑠 ~ @maquiiinaria has just announced a EU/UK tour as well as the release of a new album! Two new singles are already available! Don’t miss them this summer at the @microfestival in Liège. 🔗 More info via nadabooking.be
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20 days ago
⟢ 𝑁𝑒𝑥𝑡 𝑠ℎ𝑜𝑤𝑠 - @alabaster_deplume playing at @vooruit.gent for VideoDroom2026 on Sept. 26. Save the date!
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26 days ago
🚴‍♂️ 𝙇𝙀 𝙂𝙍𝘼𝙉𝘿 𝘽𝙍𝘼𝙌𝙐𝙀𝙏 4 ~ LA vraie reine des classiques, le 6e Monument, celui qui s’offre aux téméraires, récompense les plus audacieux•ses, et celui qui transpire le talent, suinte la passion et regorge de champion•nes d’aujourd’hui et demain... Le Cabaret du Grand Braquet ! La 4e édition se tiendra cette année le dernier samedi de mai (30/05/26) ! C’est un festival itinérant qui peut se faire en vélo, à pied (pour les plus courageux•ses) ou en transport en commun (les 3 sites sont proches des gares de Braine-le-Comte et de Soignies). Le parcours en vélo est encadré par Avello (anciennement le GRACQ) et attention les places sont limitées à 50 cyclistes. Une programmation éclectique à découvrir absolument! 📍 𝐂𝐡𝐚𝐧𝐭 𝐝𝐞𝐬 𝐏𝐨𝐬𝐬𝐢𝐛𝐥𝐞𝐬 (Braine-le-Comte) ~ 12h00: Accueil des Cyclistes et petite restauration ~ 13h30: JACQUES STOTZEM (guitare fingerpicking) 📍𝐌𝐚𝐢𝐬𝐨𝐧 𝐝𝐞 𝐥𝐚 𝐋𝐚𝐢̈𝐜𝐢𝐭𝐞́ 𝐚𝐮 𝐏𝐚𝐫𝐜 𝐏𝐚𝐭𝐞𝐫 (Soignies) ~ 16h00: SOPHIE DUEZ (chanson française) ~ 17h30: LATERNA MAGICA joue Triplex (trio de flûtes à bec) 📍𝐋𝐚 𝐕𝐞𝐫𝐫𝐞𝐫𝐢𝐞 (Braine-le-Comte) ~ 20h00: LOVERA (Ukulélé & Shoegaze) ~ 21h00: GROS COEUR (Rock psychédélique tropical) ~ 22h40: DJ LOMBRIC (Françoiz Breut) 🚂 Pour les voyageur.euses en train: La ligne Verrerie se trouve à 4 minutes à pieds de la gare de Braine-le-Comte. 🕘 Dernier train vers Bruxelles : 23h03 (ou trains de secours : l'omnibus de 23h21 ou 00h21) 🕘 Dernier train vers Mons : 23h19 🤍 Sur une idée qu’aurait pu avoir 𝙋𝙞𝙚𝙧𝙧𝙚 𝙫𝙖𝙣 𝘽𝙧𝙖𝙚𝙠𝙚𝙡. 🖌 © @simon.vanrie
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1 month ago
Get your Tickets 🫶🏻🎟✨ Samedi on sera de retour là où beaucoup de choses ont commencées. Il y a 5 ans on montait pour la première fois sur la scène du @botanique_bxl pour le concours @courtcircuit_ . Et dans quelques jours, c'est là qu'on joue notre première date officielle en tant que Neroli en full band 🤩 Un vrai rêve d'enfant qui se réalise et c'est grâce à vous 🌸 Alors remplissons cette salle de vos belles énergies et faisons de cette soirée un moment mémorable ! On vous attend avec impatience 🫶🏻 Et @__embrune__ sera là aussi en première partie avec ses trop belles chansons ✨ 🎟️✨ Link in Bio
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1 month ago
“Taamir (Bahriyyeh)” is the new single by Mayssa Jallad @mayssajallad . A major new work. South-east of Saida (the historic port on Lebanon’s southern coast), two landscapes grew side by side: Ain el Helwe refugee camp and the Taamir housing project. After the 1956 earthquake, the state drafted a vision for “New Saida”, designed by French architect Michel Ecochard. Between 1958 and 1968, concrete housing blocks rose, planned and modern, yet unevenly distributed. Some apartments took the form of two-story “villas.” The nearby camp, already eight years old, was absent from the plan. In 1967, floods destroyed fishermen’s homes. A box of keys changed hands. The buildings they occupied became known as the “Bahriyyeh,” expanding over time as families multiplied and political ties solidified. Down the road, the camp was both refuge and training ground. After the 1969 Cairo Accord, armed groups operated more freely from south Lebanon. Retaliation followed retaliation — from the Bahr el Baqar school bombing to the Avivim school bus attack in 1970. With “Taamir (Bahriyyeh)”, Mayssa carries these histories into song — clear-eyed and unyielding. Written and performed by Mayssa Jallad, composed and produced with Fadi Tabbal @fadi_tabbal , with drums by Pascal Semerdjian and mastering by Lopazz at mixmastering. This release marks the beginning of a new chapter. Mayssa’s new album arrives Fall 2026. Watch the full video & order the single: https://lnkfi.re/rptd074 (link in bio). Produced by Fadi Tabbal and Mayssa Jallad Lyrics & vocals: Mayssa Jallad Music: Fadi Tabbal and Mayssa Jallad Drums: Pascal Semerdjian @pas_makdous Mastering: Lopazz Design: Josette Khalil @josettekhalil Video by Ely Dagher @elydagher . Photo of Mayssa by Batoul Faour @batoulfaour_ . Trio photo by Carlos Cruz. Mayssa Jallad tours Europe in April with Julia Sabra @juliasabra and Pascal Semerdjian @pas_makdous : 07 Apr — Göteborg, Kulturhuset Bergsjön 08 Apr — Copenhagen, Alice @alice_nbro 09 Apr — Malmö, Inkonst @inkonst 10 Apr — The Hague, Rewire @rewirefestival (trio) 12 Apr — The Hague, Rewire + Civilistjävel! @civilistjavel Tour organized by NADA @nadabooking .
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1 month ago
⟢ 𝑁𝑒𝑥𝑡 𝑠ℎ𝑜𝑤𝑠 ~ @suzanpeeters - Spring tour 🌷 Photo by @femke.appeltans who else Styling @edgarvandenheede
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1 month ago
تعمير (البحرية) اغنية جديدة حصرياً على باندكامب ويوتيوب في ٢ نيسان Taamir (Bahriyyeh) New song, exclusively on Bandcamp and YouTube on April 2
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1 month ago