🐌 Excited to perform our own Mingjia Chen’s
@ming_rat_thing piece for upper voices, “Comic Con,” on our December run of shows! Enjoy Ming’s video art with her illustrations, backstory on the piece and a musical excerpt.
Dec 2 - Montreal, QC @ Musée des beaux-arts, Bourgie Hall
@mbamtl
Dec 3 - Stowe, VT @ Spruce Peak
@sprucepeakarts
Dec 5 - Bath, ME @ Chocolate Church
@chocolatechurcharts
Dec 7 - Florence, MA @ BOMBYX
@bombyx.live
For the 4 higher voices doubling on synthesizers and percussion, COMIC CON subverts sacredness by redirecting our gaze towards the profane, the tacky, the negligible, and the perverse: the “low.” In a string of candy-colored vignettes, Chen builds a collage bursting with pop culture references ranging from B-list celebrity interviews, to Japanese game shows, to anthropomorphic children’s stories. Wrapped within these circus scenes is an exploration of fantasy and performance as political tools for both hope and nihilism. Ultimately, COMIC CON investigates survival strategies deployed by the sinners and the freaks historically shunned by conventional places of worship. The cathedral becomes the comic convention, or the bedroom, or the tumblr thread; the holy text is the infinite loop of fetishizing self-reference in modern digital media. Campy, surreal, and tender, COMIC CON is both a critique and a celebration of the messy attempt in creating our most deeply desired realities and selves.