Upcoming shows:
This Thursday I’ll be playing some disfigurements of The Fall in @apartment.house for BBC Radio 3’s new music show.
On Friday @that_travis and I have organised a night of free improvisation as MUON at @theoldchurchn16 with a bunch of fantastic musicians.
Then on the following Friday 24th @redmar.eu have a headline show at @spacestudiosnorwich , dusting off the noise tools after a few quiet months.
Tickets for latter two in my bio.
Photo by @juna_lypenko 🫶🏼
MUON & friends at The Old Church - 17th April 8 p.m.
On the 17th, me and @milesluko are hosting a special night of improvisation as MUON together with distinct musicians @jochristosackerley@yerblooze@0gu10 and @weatherissues
A night of free improvisation with a diverse group of artists :) also an effort in supporting The Old Church’s current Fundraiser 🌊✨
The Old Church is the only surviving Elizabethan church in London, and an iconic music venue that has supported me over the years. Me and miles’ first performance together was actually here (see video of us rehearsing back in 2024).
They are currently trying to raise the necessary fund to fix their plumbing system, which will allow them to keep their doors open and continue hosting grassroots events.
Links to tickets and crowdfunding in my bio.
Save The Old Church!
Thank you to everyone who was with us this weekend at Soooon Space.
These were intense and beautiful days, and we’re very grateful to everyone who shared this time and space with us.
A special thank you to @milesluko for the powerful concert and to @juna_lypenko for the incredible set that carried the night forward.
Congratulations to @nazarovadar on the opening of her exhibition Embrace the Void.
And a big thank you to @ubani.center and @a_chorgolashvili_ for the thoughtful introduction and research behind the film. It was a truly inspiring evening.
Thank you to everyone who came, listened, watched, and filled the space with such attentive energy.
except from Anatomy of Breath, Pt.2
Thank you to those who came to me and @milesluko ‘s show the other week. It was a real pleasure playing the church’s organ and piano alongside Miles’ 🎛️🎚️🔊. Here is a little clip of it, the full video will be available online soon as well.
There will be more performance from us soon 👀🌊
📸 by @cameron.makin and @graeme_smith
On February 27th we’ll present the second part in our performance series ‘Anatomy of Breath’ at St James’ Chuch, Islington. Featuring organ, piano, voice and live electronics.
Tickets are available now, link in our bios.
Clip from recent performance with @milesluko
The full video is available on Youtube — link in bio
‘Anatomy of Breath, Pt. 1’ — Muon
14 Dec 2025, @chisenhaledance as part of @eternalserieslondon
Part Two of the series will be performed in a church in February ✨ more details soon
We’re pleased to announce our new project together, MUON. On December 14th we’ll perform ‘Anatomy of Breath Pt.1’ at Chisenhale Dance Studios for the @eternalserieslondon . Tickets available online now.
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Anatomy of Breath is a three-part interdisciplinary performance by MUON (Miles Lukoszevieze and Travis Yu). Staged under a blackbox theatre for the first part of the project, the duo presents a new correlation between movement and sound that evidences a physicality to breath. Featuring woodwind instruments, voice, and electronics, they unearth sonic textures beyond traditional music-making and present a new intersection of performance under a dramaturgic approach.
MUON emerged in 2023 as a duo project of sound artists and musicians Miles Lukoszevieze and Travis Yu, who met during their studies at the London College of Communication. They bonded over their shared passion for all things ambiguous and the in-between. Hugely improvisational, the project explores interconnected avenues of electroacoustic work, noise, and experimental music. Miles’ emotive and dichotomic soundscapes, in conjunction with Travis’ at times visceral, at times ethereal voice, create a rich and hauntingly reverberant atmosphere. As two distinct emerging artists, they challenge, assimilate, and appropriate the norms of sound making across disciplines and genres, to construct a new set of vocabularies for sonic gesturing through music performances.
Ticket link in bio.
Photos by @juna_lypenko ✨
Extract from Meridian Triptych, June 2025 for @lccsoundarts BA Graduate Exhibition ‘(murmured / blared)’.
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Meridian Triptych
Audiovisual Installations, Quadraphonic Sound, CRT monitors, motion sensor.
This piece explores the body as both subject and environment; a site where surface stillness meets internal flux. Layered footage of endoscopy, magnified skin, and cellular imagery creates an abstract narrative of overlapping temporal states, reflecting the disjunction between lived experience and the molecular systems that silently sustain it. Three CRT monitors loop the videos while quadraphonic sound evolves in subtle response to audience presence. A motion sensor by the entrance triggers delayed micro events, this latency ensures that no participant can directly perceive their influence.
Through strategies of chance, delay, and dissociation, Meridian Triptych renders the audience unwittingly entangled in a sonic environment shaped by their own passage, highlighting the tension between bodily immediacy and the autonomous processes quietly unfolding beyond conscious perception.
Meridian Triptych, my new album is out on Bandcamp now.
The 3 pieces on the album were composed for a quadraphonic audiovisual installation of the same name which I presented for my graduate showcase. They played alongside 3 CRT monitors looping accompanying films while a motion sensor by the entrance would be triggered by those entering the room, generating new sound files at random from a bank of 50 samples after a several minute delay.
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A video extract from the installation is also on YouTube, I hope you enjoy.
Locus is a piece for 3 performers and quadraphonic sound, documented at @chronicillness_sewage in May, 2025.
The piece engages with indeterminate structures and improvisation, questioning patterns and notions of memory through observing the performers responses to the recapitulation of their own musical phrases, recorded the day before. These phrases were played back into the
space, manipulated and attenuated into sine tones and abstract granular clouds, towing the line between familiarity and ambiguity. The result sees the performers, Harry Fisher (viola) and Travis Yu (bass flute), limited to their original phrases, responding “to themselves”.
The title ‘Locus’ refers to the definition of “a particular position or place where something occurs”. Each phrase was recorded twice, one close-mic’d and one where the performer plays from a separate room, hearing more of the space itself. Later, the performers were directed to play their instruments moving, interacting with their acoustic field, as variations of their phrases are emitted back into the space and diffused through a quadraphonic setup. We consequently observe the tension between internal will and external forces as spectral variations of one’s own playing confront the performer in conversation.
You can watch the whole performance and listen to the recording via my website, link in bio.
Thank you to @that_travis and @fishcakewastaken for helping me realise this, and @chronicillness_sewage and @vxtxtxr for accommodating us.
Photography and videography by @juna_lypenko 🤍
