“to incinerate the colonial filter” with @filmcoop and @canyoncinema as contribution to their @falloffreedom project in cognizance of the ever-present function of u.s. state violence as a vestige indiscernible from the violences of colonialism. presenting an extension of the following with @refusefascism in los angeles tomorrow. (statement: a decaying cycle of revision parallel to an endlessly interpolated reclassification of colonial violence. the cage in a for-profit prison is the cage at the immigrant detention center is the cage of the border and of the colony.)
“a feigning adonis convinces himself”, new work. blown away to be announcing a collaboration with @kluster_collectif at la station-gare de mines @stationgaredesmines in paris where I will be presenting my piece “precarity” in an immersive experience perched at the intersection of underground nightlife and multimedia art experience on november 8. additionally delighted to be screening “solebound” with @leimayfoundation here in nyc the weekend prior as part of their constellation series on november 2. finally, showing once more this year with @loosenart in rome from december 2 through 12.
(“a feigning adonis convinces himself” description: the self as placating fascistic sculpture; a visual commentary on the distorted combat of patriarchal autoflagellation, of the masculine caricature which self-devours. [full work accessible on website])
honored to premiere work in public space again with a 3-channel video work for mapped projection with custom laser installation with @momentfactory and @mapp_mtl on September 26. the night prior, I will still be premiering a collaborative virtual experience with the gloze museum in houston that will include precarity and premonitions of poeisis
spending two months with @governorsisland@climateimaginarium@climatecafe.eco july 25 through september 26 for their curatorial interpretation of climate data where i will show “precarity”. a prior leg of our offering will open with a reception tomorrow evening
brimming with anticipation for my toronto debut with @rchive.ca on may 7 where I will be showing two works (“to incinerate the colonial filter”, “plume”.) screening “a feigning adonis convinces himself” tomorrow with @filmdiarynyc at their closing function at a secret location only available to ticket holders (will share the ticket link on my story.) I am also offering a new mixed media work on postcard with la fornace exhibition hall (treviso, italy) may 8-29. (above: excerpts from “plume”, video, 2’09, 2026: ceaseless, arrhythmic capital disruption.)
excerpt, “flesh reifying flesh”, 2026, video, sound. “misnomers” on view in an exhibition opening tonight through mid-march in caldas da rainha, portugal with atelier ghostbirds. screening at @millennium_film this month. a brief period of respite in the pacific northwest this week
“necropolitic/abandonment”, 2025, video, a sketch of human commodity/comorbity. pleased to make my LA debut with @refusefascism saturday as we screen an extension of “to incinerate the colonial filter” at an event targeting the inexcusable activities of (“)immigration enforcement(”) both in los angeles and across the u.s.
NYC/Rome - deeply looking forward to debuting a new video object (“solebound”) as part of a captivating new group installation at @millennium_film on saturday at 7 p.m. gratitude to @j.palindrome@ledivinechild for curating this remarkable video sculpture to-be. I am also deeply excited to show with @loosenart in Rome once again this November, where I will be presenting “obfuscation” off the heels of 2 successful showings of the piece in France last month.
PARIS DEBUT - “obfuscation” (premiere) at heure fatale ep. 3, an immersive 2-night immersive experience from july 18 to july 19 at le village / ateliers babiole (22 rue pierre et marie curie, ivry-sur-seine.) a multimedia art presentation that evolves into a live-element, nightlife-art hybrid experience.
duly thrilled to share I already will be following this showing with a second presentation of the piece in the region in brinon-sur-sauldre with the wabi sabi festival from july 25-27. this premiere is one of the most heartening professional experiences of my art career. my formative experiences doing art research in paris have offered me some of the most palpable excitement of my time as a young artist. to finally debut original work in the fabric of that scene is life-affirming.
teeming with enthusiasm for my second 2025 audiovisual premiere next month in Rome with @loosenart , showing June 17-27. anticipating my upcoming radio broadcast debut as well, with my sound art piece Vapid Espousals slated for broadcast to 60+ radio stations with 60SR in Montréal. additionally honored to present once again in public installation for 3 months with Brooklyn Pride this year in addition to another presentation in the city parallel (details tbd.) 13 showings in 2025 to present/upcoming, 7 in nyc, remaining curious about what emerges from the endless process
![“a feigning adonis convinces himself”, new work. blown away to be announcing a collaboration with @kluster_collectif at la station-gare de mines @stationgaredesmines in paris where I will be presenting my piece “precarity” in an immersive experience perched at the intersection of underground nightlife and multimedia art experience on november 8. additionally delighted to be screening “solebound” with @leimayfoundation here in nyc the weekend prior as part of their constellation series on november 2. finally, showing once more this year with @loosenart in rome from december 2 through 12.(“a feigning adonis convinces himself” description: the self as placating fascistic sculpture; a visual commentary on the distorted combat of patriarchal autoflagellation, of the masculine caricature which self-devours. [full work accessible on website])](https://sp1.picnob.com/p/pt_6720316518104316206326_0_a63ca3f17496dfd24457fea70a62dfef.jpg?o=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&h=aef64f4af00cc0947c4ddcac3db03820)
