🎭 MOGUĆNOSTI OTPORA — TIJELO I NADZOR
Marko Marković / studenti ALU & UMAS
Hvala Marku Markoviću, studentima Akademije likovnih umjetnosti u Zagrebu i Umjetničke akademije u Splitu te publici koja je bila dio performansa Mogućnosti otpora — Tijelo i nadzor u sklopu manifestacije Crta za beskraj 2026.
Kroz tijelo, pokret i neverbalnu komunikaciju performans je otvorio pitanja kontrole, prisutnosti i mogućnosti otpora u suvremenom društvu.
Izvodili su: Leonarda Budak, Martin Vidaček, Petra Crnjac, Una Küttenbaum i Lora Gostimirović.
Mentor: Marko Marković
Suradnik u realizaciji: Sandro Đukić
✨ vidimo se na nastavku programa
#crtazabeskraj #centarknap #yeloprodukcija #zagreb #performans
The Unboxing of Amazon | TQW Magazin by Jana Dolečki
The latest performance by the Viennese collective Gods’ Entertainment delivers a compelling unboxing of the Amazon universe. What stands out is how convincingly it frames this global company as a form of occupation—one that permeates everyday routines, shapes language and thought, and extends into material, territorial realities, even implicating its users in the infrastructures that sustain real-world occupations and wars. Although this might suggest a purely horror-like exercise, the performance instead brims with surges of unruly humour, and moments that challenge the absurdity of theatrical conventions.
(…)
A personal highlight features a Bezos figure playing Konjuh planinom on the piano. Originating in the Yugoslav antifascist struggle of WWII, the song evokes a bond between partisans and nature, with the forest mourning their loss. By invoking this imagery, the performance connects past resistance to the present, questioning whether nature can still offer shelter or alliance—and answering bluntly: think again. The striking “ending” culminates in a tense stand-off between the audience and a giant terrarium, violently unpacked from the cardboard box by a blindfolded Bezos. Filled with plant-like weapons—or weapon-like plants—nature appears not as refuge, but as a threatening structure of our own making. In this confrontation, both audience and Bezoses face the consequences of what has been set in motion, underscored by a soundscape of helicopters, screams, and distant horror. It is as if nature screams—when it should have been us.
all text - link in bio
pics @petermayr_com
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@janadolecki@partnerincrimevienna@riorutzi@4evasommer@almabektas_@blackpageorchestra@marko.markvic@tanzquartierwien@domokos.iszlay@parkkenner@m0nst3rfrau@emmpsen
DER BESTE MENSCH VON AMAZON
@tanzquartierwien
23/24/25/26.04. | 19h
tickets online
…
God’s Entertainment (GE) und wird vom Performance-Kollektiv für Der beste Mensch von Amazon in gewohnt abenteuerlicher und überbordend kreativer Manier auf die Bühne übersetzt. Der poetische Widerstand gegen den profitgetriebenen Technofeudalismus der großen Plattformen wird zum Ausgangspunkt, um alternative Handlungsspielräume zu erforschen. Wenn das Objekt verschwindet, bleibt nur die Transaktion. Statt Besitz zählt einzig der Zugang.
… The anarchic humor in misusing the review format seems to be tailor-made for God’s Entertainment, who have adapted the material for the stage: Der beste Mensch von Amazon boasts the audacious and exuberantly creative style the performance collective are known for. Poetic resistance to the profit-driven techno-feudalism of major platforms becomes the starting point for exploring alternative scopes of action.
★ ★ ★ ★ ☆
“Der beste Mensch von Amazon (The best person at Amazon) is not a reflection of reality, but the reality of that reflection.“ – God’s Entertainment
By and with God’s Entertainment | In Cooperation with TQW | Suppported by MA7
Opening night @leftbank_art & @x_vitamin_artgallery
G A S T A R B E I T E R
25.03 – 16.04.2026
LEFTBANK · ART SPACE · GALLERY
Goldschlagstrasse 1, 1150 Vienna
Mario Grubisić
Marko Lulić
Neda Nikolić
Marko Marković
Negra Bernhard
Nikola Milojčević
Rade Petrašević
Masa Stanić
curated by Stefan Bidner
“ Under the balcony “ was performed at the Hofburg Palace in @hdgoe (2025).
The film was directed by @mikalmaldoror and produced in collaboration with @erinnerninzukunft and @brunnenpassage . It was later screened at @admiralkino (2026) as part of the film series Breathing Spaces.
The found footage originates from the archive of the Austrian House of History and includes photographs of citizens civilians during the annexation of Austria at Heldenplatz in Vienna (1938) by Adolf Hitler and the Nazi army at the beginning of the Second World War and its campaign of terror. The performance echoes the voices of war victims in collective memory as a never ending struggle against violence.
Thank you all for being part of this extraordinary work:
camera @blagojevic_insta ,
photography @igorripakphotography ,
artistic exchange @annewiederhold and @fri.dance , music @marina_dzukljev . Video clip 1: @ksenija_marinkovic , video clip 2:@blagojevic_insta
Special thanks and many congratulations to my dear friend and outstanding filmmaker Michael Podgorac Miki who made this film and invited me to do the performance in Imperial Palace Hofburg !
I am deeply honored that my artwork is recognized and appreciated by such wonderful people and within the Austrian artistic & film scene.
(DE)
Marko Marković ist Performance-Künstler, Musiker und Absolvent der Universität für angewandte Kunst Wien. Seine interdisziplinäre Arbeit verbindet körperliche Intervention, politische Sensibilität und klangbasierte Experimente. Er untersucht, wie Körper zu Orten von Erinnerung, Erschöpfung und Widerstand werden. Seine Arbeiten wurden u.a. auf der Architektur-Biennale Venedig, der Biennale Prag, in der Kunsthalle Karlsplatz Wien, der Kunsthalle Graz und im Anthology Film Archive New York gezeigt.
UNDER THE BALCONY
Ein performativer Filmessay mit Marko Marković
21.1. · 📍 Admiral Kino Wien
Teil von Breathing Spaces – eine Produktion der Initiative Erinnern in Zukunft · Brunnenpassage Wien, mit Unterstützung der CPPD und der Stadt Wien – Kulturabteilung, Kulturinitiativen.
(EN)
Marko Marković is a performance artist and musician, and a graduate of the University of Applied Arts Vienna. His work combines bodily intervention, political sensitivity, and sound-based experimentation, exploring the body as a site of memory, exhaustion, and resistance. His work has been presented at the Venice Architecture Bi
UNDER THE BALCONY
A performative film essay with Marko Marković
Jan 21 · 📍 Admiral Kino Vienna
Part of Breathing Spaces
Part of Breathing Spaces, a production of Initiative Erinnern in Zukunft · Brunnenpassage Vienna, supported by the Coalition for Pluralistic Public Discourse (CPPD) and the City of Vienna – Department of Culture, Cultural Initiatives.
(BHS)
Marko Marković je performer i muzičar, diplomirao na Univerzitetu primijenjenih umjetnosti u Beču. Njegov rad povezuje tjelesnu intervenciju, političku osjetljivost i zvučne eksperimente, istražujući tijelo kao mjesto sjećanja, iscrpljenosti i otpora. Njegovi radovi prikazani su na Arhitektonskoj bijenali u Veneciji, Bijenalu u Pragu, Kunsthalle Karlsplatz Beč, Kunsthalle Graz i Anthology Film Archive u New Yorku.
UNDER THE BALCONY
Performativni filmski esej s Markom Markovićem
21.1. · 📍 Admiral kino, Beč
Photos (c) @igorripakphotography
(DE)
UNDER THE BALCONY
Ein performativer Filmessay
mit Marko Marković
21.1. · 📍 Admiral Kino Wien
Teil von Breathing Spaces
Erinnerung als Widerstand.
Unter einem Balkon wird der Körper zum Resonanzraum – für Erschöpfung, Wut und das Ringen um Handlungsmacht. Under the Balcony verbindet Performance, Archivmaterial und Sound zu einer dichten Auseinandersetzung mit Gewaltgeschichte, umstrittenen Monumenten und der Frage, wer im öffentlichen Raum sichtbar ist – und wer verdrängt wird.
Regie & Drehbuch: Mikal Maldoror
Performance: Marko Marković
Schnitt: Antonella Sarubbi
Cinematography: Igor Ripak und Dragan Blagojević
Musik: Marina Džukljev
Postproduktion: Licht & Linsen
Eine Produktion der Initiative Erinnern in Zukunft · Brunnenpassage Wien
Mit Unterstützung der Coalition for Pluralistic Public Discourse (CPPD)
sowie der Stadt Wien – Kulturabteilung, Kulturinitiativen
(EN)
UNDER THE BALCONY
A performative film essay with Marko Marković
Jan 21 · 📍 Admiral Kino Vienna
Part of Breathing Spaces
Memory as resistance.
Beneath a balcony, the body becomes a resonant site for exhaustion, anger, and the struggle for agency.
Under the Balcony combines performance, archival material, and sound to reflect on histories of violence, contested monuments, and who is seen—or erased—in public space.
Director & Screenplay: Mikal Maldoror
Performance: Marko Marković
Editing: Antonella Sarubbi
Cinematography: Igor Ripak and Dragan Blagojević
Music: Marina Džukljev
Post-production: Licht & Linsen
(BHS)
UNDER THE BALCONY
Performativni filmski esej s Markom Markovićem
21.1. · 📍 Admiral kino, Beč
Dio programa Breathing Spaces
Sjećanje kao otpor.
Ispod balkona tijelo postaje prostor rezonance – iscrpljenosti, bijesa i borbe za djelovanje.
Film spaja performans, arhiv i zvuk u refleksiju o historiji nasilja, spornim spomenicima i pitanju ko je u javnom prostoru vidljiv – a ko potisnut.
Poster: Ivan Antunović
Breathing Spaces kommt als Diskurs, Work-in-Progress-Screening & Live-Performance ins Admiral Kino.
Breathing Spaces ist ein filmisch-literarischer Essay von Mikal Maldoror über plurales Erinnern, Körper, Stimme und Widerstand.
Der Abend beginnt mit Einblicken in die Residency-Recherche von Belinda Kazeem-Kamiński mit Ishraga Mustafa Hamid, gefolgt von einem Work-in-Progress-Screening des Essayfilms und einer Live-Performance von Kasho Chualan.
21.01. - Admiral Kino, Wien
🗓 Programm
18:30 Einlass
19:00 Diskurs (ca. 60′ / Deutsch, Englisch)
Einblicke in den Arbeitsprozess der Residency – Belinda Kazeem-Kamiński
mit Ishraga Mustafa Hamid (Verein Mendy für Friedenskultur & Diversitätsmanagement)
Fokus: Missionsgeschichte & Verschleppung afrikanischer Mädchen nach Wien (19. Jh.), Namen/Erinnerung, koloniale Kontinuitäten.
20:00 Work-in-Progress-Screening (ca. 35–40′ / mehrsprachig: Englisch, Deutsch und Spanisch mit englischen Untertiteln)
Breathing Spaces – Essayfilm von Mikal Maldoror
u.a. Breathing Space · Srebrenica · Wound · Under the Balcony · Sisi
Crew & beteiligte Künstler*innen anwesend.
21:00 Live-Performance (ca. 30′)
Kasho Chualan (Solo)
Posterdesign von Ivan Antunović
Tickets im Vorverkauf – wir freuen uns sehr über euer Kommen & Weiterteilen. Kommt, atmet mit uns, bringt Freund*innen mit.
Eine Produktion der Initiative Erinnern in Zukunft der Brunnenpassage Wien. Mit Unterstützung des Otto-Mauer-Fonds (Residency Belinda Kazeem-Kamiński). Gefördert durch die Coalition for Pluralistic Public Discourse (CPPD) sowie den Zukunftsfonds der Republik Österreich und die MA 7 Wien – Kulturabteilung Kulturinitiativen.
@bel.kamkaze@fri.dance@marko.markvic@barbimarkovic@mikalmaldoror@annewiederhold@civonutnanavi@kasho.chualan@cppd_dialogueperspectives_
Ausländer at PUMPAJMO GLASNO - Beograd/Beć
Schauspielhaus Wien, 13.09.2025
A loud evening of solidarity between Belgrade and Vienna.
An evening that showscased what protest is all about.
Thank you for having us 🖤
(c) eSel.at - Robert Puteanu