Photos from the opening night of “No “One” Maker: Textiles as Community” that brought together worlds I deeply admire. Art and textile.
Delighted to collaborate with the extraordinary Bhuri Bai — a Padma Shri awardee whose visual language carries stories, memory, and spirit, and who has long shaped the narrative of Bhil art in India.
This body of work is my interpretation of her paintings through the lens of HARAGO — translated into a textile installation for the first time. An exploration of form, craft, and narrative… where tradition meets reinterpretation.
Grateful for the opportunity to learn, respond, and create in dialogue with such a powerful artistic legacy.
Thank you to @sreyansisingh for the thoughtful curation and vision, and to @rasikakajaria , @mandiralamba , and @inheritedartsforum for bringing the show together so seamlessly.
A truly special experience for us— honoured to be a part of it.
Thank you from all of us for making No ‘One’ Maker: Textiles as Community a huge success!
The exhibition is on view at our space at Inherited Arts Forum and you may reach out to us for an e-catalogue of the works at @inheritedartsforum@rasikakajaria@mandiralamba@ridhi_bhalla@sreyansisingh
All image courtesy the artists and Inherited Arts Forum.
#Rasikakajaria #MandiraLamba #MandiraaLambba #RidhiBhalla #Riddhibhalla
A legacy that began in 1940 now steps into a new chapter.
Kwality is opening soon at DLF Cyber Hub.
Bringing the same timeless flavours, heritage recipes, and dining experience that have defined Delhi for over 86 years.
We look forward to welcoming you.
.
.
(Kwality, Legacy, Now Open, Cyber Hub, Delhi Dining, Est 1940, Fine Dining, New Opening, Gurugram)
A look into the session led by Mandiraa Lambba and Riddhi Bhalla at @theassociatedartacademy
The session focused on artistic practices from the Indian subcontinent, tracing their evolution, material approaches, and growing presence within the international art landscape. It considered artists working across traditional techniques and contemporary mediums, and reflected on why South Asian art continues to hold relevance today, including its intersections with fashion and design.
The session was followed by a curated walkthrough at Bikaner House. @blueprint2012
#AssociatedArtAcademy #SouthAsianArt #IndianArt #ArtEducation #ContemporaryArt
@batrafamilycollection@greatbanyanart@crayonartgallery@art.magnum@ojasart@kalakaarart.in@artbela_official@dhoomimalgallery@blueprint2012@art.heirloom
Kingsley Gunatillake's solo presentation Endless Stairs, a solo presentation at Centre for Contemporary Arts Bikaner House.
Having trained as a painter in Colombo during the 1970s, Kingsley Gunatillake (b. 1951) was exposed to a unique style of abstraction, and with each body of work he evolves while simultaneously returning to his beginnings. ‘Endless Stairs’ is a display of abstraction composed of book art, sculptural installations, and paintings.
In numerous pieces of book art in ‘Endless Stairs’, Gunatillake examines knowledge, its foundations, acquisition, and ultimate destruction, inspired by the tragic losses of libraries in the recent history of Sri Lanka. Kingsley's five decades of work culminates in this exhibition, as a tribute to these moments among many others, linking Sri Lanka’s political history and knowledge through the symbol of the book. Each book is sourced second-hand, burned, and then branded with the military’s unwelcome involvement in library-burning protests in Sri Lanka. The welded steel figures of the military wield guns, stand ready to attack, and command a significant brooding presence over the text on each page. This is further signified with the tightly curated books in a single space, reminiscent of a library as well as a camp where troops would lie.
Alongside this series of book art, Gunatillake returns to his abstract paintings, where the page becomes a canvas. The paint layering process is more intricate than usual in this new series as he experiments with patterns and motifs that peek through during moments of intense visual meditation.
𝗢𝗡 𝗩𝗜𝗘𝗪 𝗧𝗛𝗥𝗢𝗨𝗚𝗛
8 April, 2026
11 AM — 6 PM
@kingsleygunatillake@mandiralamba@ridhi_bhalla
DM us for an e-catalogue. @blueprint2012
#Blueprint12 #MandiraLamba #RidhiBhalla #MandiraaLambba #Riddhibhalla
Kingsley Gunatillake's solo presentation Endless Stairs, a solo presentation at Centre for Contemporary Arts Bikaner House.
OPENING TODAY
3 April, 2026
5 PM — 8 PM
Ground Floor, Centre for Contemporary Arts, Bikaner House, New Delhi
𝗢𝗡 𝗩𝗜𝗘𝗪 𝗧𝗛𝗥𝗢𝗨𝗚𝗛
8 April, 2026
11 AM — 6 PM
@kingsleygunatillake@mandiralamba@ridhi_bhalla
Stay tuned for more updates!
#Blueprint12 #MandiraLamba #RidhiBhalla #MandiraaLambba #Riddhibhalla
A coming together of worlds I deeply admire.
Honoured to collaborate with the extraordinary Bhil artist, Bhuri Bai — a Padma Shri awardee whose visual language carries stories, memory, and spirit. She truly has long shaped the narrative of Bhil art in India.
This new body of work is my interpretation of her paintings through the lens of HARAGO — translated into a textile installation for the very first time. An exploration of form, craft, and narrative… where tradition meets reinterpretation.
Grateful to be able to learn, respond, and create in dialogue with such a powerful artistic legacy.
Thank you @sreyansisingh rasikakajaria @mandiralamba and @inheritedartsforum for the opportunity!
Join us for the preview tomorrow April 3, 2026 from 5pm-8pm at Bikaner House, New Delhi
The show is on view through April 8, 2026.
Join us for a conversation with Kabir (Co-founder MORII), Mansukh Bhai Khatri (Last remaining custodian for Bela Block Printing), David Abraham (Co-founder, Abraham & Thakore), Mangala Bai Maravi (Baiga Tattoo Artist) and Lekha Poddar (Founder, Devi Art Foundation), moderated by Sreyansi Singh, Curator of the exhibition.
Collaboration between contemporary art, design and craft is often framed in terms of cultural exchange and dialogue, yet beneath this language sits a difficult set of considerations: who benefits, who speaks and who decides in such collaborative making. The persistence of the singular recognized author in contemporary culture production usually dictates the current collaborative models, and casts aside indigenous, community-led modes. Here, the authorship is attributed and created as a tool for shared futures, most particularly in textile practices, where the making is with communities, nature and ancestors. The conversation centres the question of how to reposition the makers as artists, theorists, and innovators who are able to control their own design, representation and modes of production, and collaborators can strengthen this framework.
Date: 4 April, 2026
Time: 4:00 PM
Venue: 1st Floor, Centre for Contemporary Arts, Bikaner House, New Delhi
@morii.design , @mangalabaimaravi , @davidabraha , @lpoddar , @sreyansisingh
Stay tuned to know more about the works we have in our collection and DM us for an e-catalogue. @inheritedartsforum@sreyansisingh@bikanerhousedelhi@rasikakajaria@mandiralamba@ridhi_bhalla
All image courtesy the artists and Inherited Arts Forum.
#Rasikakajaria #MandiraLamba #MandiraaLambba #RidhiBhalla #Riddhibhalla
Hostess with the mostess……Thank you @pinkyreddyofficial for the most beautiful 24 hours in your stunning home @palacioaguada …. Full of love,laughter and warmth. ———————————-
#PinkyReddy #MandiraaLambba #MandiraLamba #Goa #Goavibes
