Merci @mairedelaval . Tellement à dire sur ton documentaire avec @onf_nfb . Mais pour le moment merci. Pour la dignité humaine et une meilleure qualité de vie pour les artistes! 🙌🏾✨
𝘌𝘯𝘨𝘭𝘪𝘴𝘩 𝘣𝘦𝘭𝘰𝘸
Et si on entrait dans l’œuvre… par l’écoute ? 🎧
Découvrez un nouvel entretien audio avec Malcom Odd (@malcomodd ) autour de 𝘓𝘢 𝘥𝘢𝘯𝘴𝘦 𝘥𝘶 𝘷𝘪𝘥𝘦 (2023), où un danseur explore une écriture chorégraphique où le corps dialogue avec la lumière, qui menace de l’absorber comme un trou noir.
Une porte d’entrée fascinante vers cette œuvre singulière.
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What if we entered the work… through listening? 🎧
Discover a new audio interview with Malcom Odd around 𝘓𝘢 𝘥𝘢𝘯𝘴𝘦 𝘥𝘶 𝘷𝘪𝘥𝘦 (2023), where a dancer explores a choreographic language where the body converses with light, which threatens to swallow him like a black hole.
A fascinating gateway into this singular work.
#RegardsHybrides #screendance #dancefilm #audiointerview #cinédanse
Prélude Afro-Hivernal et autres péchés originaux.
« Notre lassitude provient d’une discipline à faire saigner un Dieu » - Malcom
Photo: @_rose_glow@kjjrv
Dear George Stinney is a portrait shown at @manuelmathieu ’s studio during a two-day open studio–type exhibition, presenting my new body of works for the upcoming year.
Talking with @nanagermain at the show, I was reminded of how quickly we tend to forget or stop taking time to deplore injustices, especially the murders of innocent children at the hands of the state. In 1944, George Stinney was the youngest person in the U.S. to be electrocuted to death at age 14. He was wrongfully accused of raping and killing two white girls.
Here in Montréal, not even six months ago, the police executed Nooran Rezayi, 15 years old in broad daylight. He was shot twice in cold blood in front of his friends by a police officer who was known to harass kids in that neighborhood. The police department tried to control the narrative by lying and suggesting the kids were seen with a weapon.
Let us continue to remember the victims as the bright souls they are, keeping their names alive and their presence felt. Haunting all of us.
We end the year with a Bam! And we will begin the next with another.
Thank you so much to everyone who joined us for our last screening. It is truly inspiring to see you answer the call and show up so fully for these community gatherings.
As a collective, our goal is to revive the practice of witnessing and engaging with difficult subjects together, in a public, welcoming, and convivial setting, creating shared meaning and reclaiming public spaces as sites of dialogue and care.
This special screening reminded us how essential the work of women is, in this context and beyond, across societies and in all spheres of life. It also reminded us that, even today, we must continue to struggle to support and uplift them. Witnessing women supporting one another was a powerful reminder of intergenerational care and recognition, so deeply rooted in our singing traditions and cultural expressions.
This film was our way of saying thank you for showing up as your full selves and for remaining vocal on these issues, especially in support of Black women, whose tremendous contributions we cherish and honour.
If you appreciate what Ciné Cozry is building, we invite you to encourage your loved ones to follow us as we step into 2026 with another Bam! We are planning a major screening on February 19 (save the date!) in partnership with the National Film Board, and we intend to truly occupy the space so we can engage even more deeply with these conversations.
As our sense of community grows stronger, we continue to resist and struggle together. With you, we are choosing to show what we need and how we make solidarity tangible and lived.
Thank you from the bottom of our hearts.
See you very soon.
Bam Bam: The Sister Nancy Story;
Moderator: @roenhiggins
Guests: @tali_taliwah , @pat_dillon_moore and @_alannastuart_
Facilitated by @m2.0.talks ,
With the support of @cisf_bpoc and @blackonblackfilms
🎬 Projection de « Memorial Continuum » à la soirée d’ouverture des RIDM jeudi!
✨ Plongez dans l’univers de @manuelmathieu , artiste haïtien contemporain en pleine ascension, à travers le regard de @malcomodd , lauréat de la 11e édition de la résidence en cinéma Regard sur Montréal.
Ses œuvres d’art public abstraites, façonnées par de grands bouleversements, deviennent le terrain d’un dialogue intime. Au fil de leurs échanges, la caméra de Malcom Odd redéfinit la métropole et sa montagne emblématique.
Ce court-métrage documentaire raconte la complicité et l’amitié de deux artistes qui nous entraînent au cœur de Tiohtià:ke / Montréal, un espace vivant de mémoire, de rencontre et de fractures, où chaque geste résonne entre passé et futur.
🎥 Ce film a été créé dans le cadre de la résidence Regard sur Montréal, mise sur pied par le Conseil des arts de Montréal, la @la.sodec et l’@onf_nfb , en collaboration avec @lesfilmsdelautre et les @ridm_festival .
Crédits photos : Malcom Odd / Inzu Groupe Média (photos à l'extérieur) et Jeanne Tétreault (photos à l'intérieur)
@beesy_______ est sans aucun doute un nom à retenir. Cette extrait du clip “Mike Vick” prouve qu’il a ce qu’il faut pour marquer la scène rap québécoise et au delà. Charismatique, original, et prêt à tout pour faire entendre sa musique.
Produit par @inzuproductions
Réalisé par @malcomodd
Video/Montage de @hedm0nt
