Computational Arts (MA)

Happy end of 2022! 🥳 As it's the end of the very first cohort of students for MA Fine Art Computational Arts I wanted to share this video that was recently made documenting our inaugural year as a course. Hear from 2 graduates Titas Sen @unzeroed and Feb @febyifeixie about their practice and how they developed their ideas on this new and emergent pathway. There are lots of fantastic people who have puts lots of energy and time into making getting this course rolling to whom I wish to say thanks 🙏 Many thanks to brilliant teaching staff Jennet Thomas @jennetthomas Rachael Finney @r_____elizabeth James Stringer @james_b_stringer And wonderful visiting practitioners Zaiba Jabber @zaibajabbar Hazel Brill @hazel_brill Lizzie Wilson Eleanor Dare And the students of course! Thanks for your trust, commitment and creativity ❤️ looking forward to staying in touch as the community grows. 💫 Music and video by Simon Eaves (full video in bio) #computationalarts #digitalart #ualfineart #ualcamberwell #creativeai #blender3d #unity3d #creativecoding #postgraduate #mafacamberwell

I’m so thrilled to announce my upcoming performance, “Synchronise the Synth”, as a part of the Metabolizer: Research activating practice collection. This event is part of Metabolizer: a celebration of research activating practice, hosted by MA Fine Art Camberwell College of Arts, University of the Arts London, in the South London Gallery’s Clore Studio. Overview: Experience the 3D world of the Tattoo Synthetic Machine by Putpipat Tamtantiwattana (MA Fine Art: Computational Arts) Drawing on ongoing research into synthetic embodiment and digital animism, Putpipat Tamtantiwattana (MA Fine Art: Computational Arts) @ma_fineart_camberwell @ma_faca @camberwellual presents an integration of the noise-ambient sounds that transverse into the 3D world of the Tattoo Synthetic Machine within TouchDesigner and Unreal Engine. Part of an afternoon programme exploring technology and the (post)human condition, also featuring Filling the Void. Please note: Contains flashing lights and imagery. Not suitable for audiences under 18. This event will be recorded. ! This Nov 15 from 4:30pm to 5:30pm GMT At South London Gallery, 65 Peckham Road, London SE5 8UH Please save the date and reserve a spot. Link in bio! See you!

Ruting Wang @rita_ruting Toilet Diary - toilet rolls Conceptual art, inkjet silver film 2025 Replacing toilet paper with mirrored paper disrupts daily routines. The reflective surface transforms an ordinary act into an unexpected moment of self-confrontation and absurdity. Video: /watch?v=tln6Kdx4XU8

Ruting Wang @rita_ruting Untitled Clear glass, video 2024 In this Pepper‘s Ghost installation, themed around ”the glitched self,“ an image is placed within a semi-virtual space. Through constantly overlapping and shifting visuals, the work simulates the fragmentation of digital identity and the dislocation of self-perception under technological interference.

Ruting Wang @rita_ruting Tangible Deformation Intangible Interactive screen Dimensions variable 2024 Make tiny deformation perceptible. And all human beings need a mirror, and the end of the exploration is to see ourselves clearly.

Sak Yant Monolith (2025) CG-graphics The “ Virtual Thai Traditional Tattoo” transition is in the glass box. The visualiser translated the sense of sacred spiritual material coexisting with the technical computational method. This monolith raised the question of how it could be meant between being believed by spiritual or by computational. @put__pat @130.pdf

The Mad Black Woman Show (2025) Performance The Mad Black Woman show is a live improv show mocking the caricatures often portrayed in the media of Black Women. @akablackplanet

Birds Aren’t Real (2024) Short Film Birds Aren’t Real is a short film detailing the perspective of alternative media outlets narrated by AI. The images used support the story line told by the narrator describing the “deep truths” floating around the bottom of YouTube and Reddit algorithms. Birds Aren’t Real is edited in a way to reflect the concept of brain rot that comes as a result of overconsumption. This work explores the distrust caused by big tech companies promoting content to increase user engagement. Art by @akablackplanet

Data Ruins: Layer 0,@mirag_e039 2025, "Data Ruins: Layer 0" is an immersive scene based on real-time rendering with the Unreal Engine, simulating a forgotten information wasteland of the future.

Art by @zhannetpodobed : “Exploring the idea of “digital skin” as a living, emotional interface in a relation between human skin and tree skin ” 2025 #touchdesigner #computationalart

Projection for Installation workshop at Camberwell College of Arts, Computational Arts #mapping #projection #touchdesigner

MA Fine Art: Comp Arts Crit Unit 2, 2025 Featured artists: @dongnaixuan @wontonisland @s_yang__ @zhannetpodobed @put__pat @szyalil @rita_ruting @mirag_e039