Lux Studio Productions

✨ PODIUM Festival 2026 so far. ✨ Two more days ahead and more video content coming soon. 🎬 @podiumesslingen @stadt.esslingen

✨ Eine schöne Erinnerung an SF7 mit “LADY LUMINARIES II – Koryphäen und Composer-Performerinnen der Klassik” im vergangenen November. Danke an @luxstudioproductions für den Trailer – und an alle beteiligten Musiker:innen für diesen intensiven, leuchtenden Konzertabend! SONUS FEMINÆ geht weiter: 📅 9. & 10. Mai 📍 Villa Elisabeth, Invalidenstraße 3, 10115 Berlin 🎟️ Tickets via Biolink Kommt vorbei – wir freuen uns auf euch! @st.elisabeth.villaelisabeth @miakoklein @jia.keys @proteanquartet @javier.aguilar.bruno @edikot @ricardogilsanchez @bruno.hurtado.gosalvez @semgurevich @noelia.melcruz @marghelu90 @meravimusic @kili_kit_ty #sonusfeminae #femalecomposers #womeninearlymusic #altemusik #earlymusic

We’re super looking forward to filming again at Podium Festival 2026, especially with this year’s theme. 👽👾🤖💚🎥 If you get the chance to come to Esslingen, definitely check it out. @podiumesslingen @stadt.esslingen #podiumesslingen #esslingenevents #musicforaliens

Sor Juanas Traum TRAILER 🎬🌙💜 A voice across centuries. A stage where past and present collide. Sor Juana’s Dream is a multidimensional music theatre experience shaped by a collective of outstanding female artists: @marsyasbaroque (music) @milenackolbo (performance) @claudiaisabel_martin (stage direction) @dohahne (composition) @katrinbethge (light art) @sabrina_htzr (stage design) Together, they bring Sor Juana Inés de la Cruz to life. ✨ Baroque and contemporary music 🎭 Acting 💡 Light art merge into a poetic space between thought and emotion, body and voice, silence and resistance. 🎟️ Next performance: 27.09.2026 📍 @zentrumfuerkunstbremen 🎥 @luxstudioproductions Thank you: @orchesterstiftung @mariann.steegmann.institut @zentrumfuerkunstbremen (Special guest music track on trailer @seb.flaig 🥁) #sorjuanastraum #baroque #womaninart #queerhistory

Das calens vocalensemble singt „Dashing Away with the Smoothing Iron“ in einer Bearbeitung von John Rutter. ............................................................. calens vocalensemble sings „Dashing Away with the Smoothing Iron“ in an arrangement by John Rutter. S: Katariina Westhäußer-Kowalski & Franziska Bubeck A: Marlene Frisch & Maria Magdalena Wessel T: Yannick Federmann & Jakob Frisch B: Florian Wolf & Frederic Mattes TEXT: Twas on a Monday morning And there I saw my darling， She looked so neat and charming In ev’ry high degree. She looked so neat and nimble O A-washing of her linen O， Dashing away with the smoothing iron She stole my heart away. ’Twas on a Tuesday morning… …A-hanging out her linen O… ’Twas on a Wednesday morning… …A-starching of her linen O… ’Twas on a Thursday morning… …A-ironing of her linen O… ’Twas on a Friday morning… …A-folding of her linen O… ’Twas on a Saturday morning… …A-airing of her linen O… ’Twas on a Sunday morning… …A-wearing of her linen O… Dashing away with the smoothing iron She stole my heart away. Production: Audioproduction: Martin Pilger Videoproduction: LUX Studio Productions GbR Location: Eisenlager Esslingen @konzertagentin.de #calensvocalensemble #calens #new #newmusic #listen

Wir lieben Volksliedbearbeitungen und freuen uns, das letzte Video unserer Produktion aus dem vergangenen Jahr mit euch zu teilen! Am Donnerstag, 26.03.2026 könnt ihr John Rutters Fassung von „Dashing away with the smoothing iron“ in Gänze anhören. - We love folk song arrangements and are delighted to share the final video from our production last year with you! On Thursday 26 March 2026, you can listen to John Rutter’s version of “Dashing away with the smoothing iron” in full. 🎼: John Rutter 🎥: @luxstudioproductions 🔊: @martin.pilger gefördert durch @orchesterstiftung

Johann Schobert, a composer from Silesia, influenced the young Mozart. Today we present a fragment of one of his sonatas. Full recording in bio 🎶 Johann Schobert - Sonata in D Major for Harpsichord with Violin Accompaniment Op. 20 No. 3 I. Allegro molto Duo Agion Agnieszka Skorupa - harpsichord Semion Gurevich - baroque violin Sound recording, mixing and mastering: Jona Claudio Monti Videoproduction: @luxstudioproductions

Das calens vocalensemble singt Mendelssohn’s Psalm 22 - „Mein Gott, warum hast du mich verlassen“. ............................................................. calens vocalensemble sings Mendelssohn’s Psalm 22 „Mein Gott, warum hast du mich verlassen“. S: Katariina Westhäußer-Kowalski & Franziska Bubeck A: Marlene Frisch & Maria Magdalena Wessel T: Yannick Federmann & Jakob Frisch B: Florian Wolf & Frederic Mattes Production: Audioproduction: Martin Pilger Videoproduction: LUX Studio Productions GbR Location: Eisenlager Esslingen @konzertagentin.de @raphael_ #calensvocalensemble #calens #new #newmusic #listen

Old traditions, new perspectives. ‚Tehillim‘ explores the transformative power of music across 400 years. 🥁 From Benedictine nun Chiara Margarita Cozzolani to the pulsing rhythms of Steve Reich. Check out the trailer for our latest project! Video by @luxstudioproductions #Tehillim #continuumberlin #framespercussion #stevereich #cozzolani

𝐌𝐲 𝐫𝐞𝐚𝐬𝐨𝐧: 𝐰𝐡𝐚𝐭 𝐡𝐨𝐥𝐝𝐬 𝐦𝐞. 𝐐𝐮𝐢𝐞𝐭 𝐫𝐞𝐬𝐨𝐥𝐯𝐞. An excerpt from the piece “Mein Grund, mein Puls”. Full version out on all streaming platforms. . . . music by @lauramarconi_musician lyrics by Felicitas Erben

In unserem Programm wiederblick, das uns im vergangenen Jahr intensiv begleitet hat, hat das Miserere von Zoltán Kodály eine zentrale Rolle eingenommen. Ein selten aufgeführtes Werk – vielleicht gerade deshalb eines, das uns besonders ans Herz gewachsen ist und das wir nun aufnehmen konnten. 🎥: @luxstudioproductions 🔊: @martin.pilger gefördert durch @orchesterstiftung — In our program wiederblick, which accompanied us intensively last year, Zoltán Kodály’s Miserere played a central role. A rarely performed work—perhaps precisely for this reason one that has grown particularly dear to our hearts and which we have now been able to record. #choir #acappella #reels #viralrreels

Wishing you a Merry Christmas - may your celebrations be exactly to your taste ❤️🪽💨☀️ The seven-voice motet „Ego flos campi“ by the Franco-Flemish composer Clemens non Papa is one of our absolute favourite compositions of the Renaissance; it was the piece that first led us, as an ensemble, to include Renaissance music in our concert programmes, and we were delighted to record it this year together with the brilliant Mexican cornettist Josué Meléndez Peláez. Full version on YouTube. video by @luxstudioproductions master by @genuinclassics adaption by @_franziska.eb___