Luuk de Kok

Een kijkje achter de schermen bij het nieuwe project van @giesbersinstallatiegroep de bouw van de Sax op de Kop van Zuid in Rotterdam. Ga mee met 1st AC Duncan en ontdek hoe deze toffe beelden tot stand komen.⁠ ⁠ Opdrachtgever: Giesbers InstallatieGroep⁠ Regie: @marceikelenboom D.O.P en coloring: @luukdek 1st AC: Duncan de Koning⁠ Geluid en Mix: @tijs_leemans Drone beelden: @rikhendrx Productie: @jasperjoosten Producent: @nextlevelfilmsnl #1stac #focuspulling #camera #bts #behindthescenes

2/13

Out on Feb 13: ‘Rubicon’ music video + ‘Rubicon Unplugged’. Mark your calendars. • Directed by @lucasvanwoo & @dorithmous Camera: @jasper_vg MUAH: @cindymantel_makeupandhair Prod. Assist.: @teuntjevth Edit: @dorithmous & @lucasvanwoo Grade: @luukdek • Track Produced by @j_hi_official & @charliekunce Master Engineer: @chrisgehringer Written by @dorithmous @j_hi_official & David Tobocman

- DO NO HARM Shot this really dark and claustrophobic short for director @eronsheean . intense evenings with rain, no space to stand, cold weather and lack of sleep but we made some visual pleasing images! loved doing this. thanks to an amazing team and talented cast @amelieonzon and @studiosjaak . Shot on Blackmagic pocket fullframe and Blazar Remus anamorphics. . . Production company: @makewayfilm Producer: @fauvography Director: @eronsheean DoP + Color grading: @luukdek 1st AC: @duncandekoning Gaffer: @mikedeen_lighting Best Girl: @dc.stout And the rest of the team!

- DO NO HARM Shot this really dark and claustrophobic short for director @eronsheean . intense evenings with rain, no space to stand, cold weather and lack of sleep but we made some visual pleasing images! loved doing this. thanks to an amazing team and talented cast @amelieonzon and @studiosjaak . Shot on Blackmagic pocket fullframe and Blazar Remus anamorphics. . . Production company: @makewayfilm Producer: @fauvography Director: @eronsheean DoP + Color grading: @luukdek 1st AC: @duncandekoning Gaffer: @mikedeen_lighting Best Girl: @dc.stout And the rest of the team!

- DO NO HARM Shot this really dark and claustrophobic short for director @eronsheean . intense evenings with rain, no space to stand, cold weather and lack of sleep but we made some visual pleasing images! loved doing this. thanks to an amazing team and talented cast @amelieonzon and @studiosjaak . Shot on Blackmagic pocket fullframe and Blazar Remus anamorphics. . . Production company: @makewayfilm Producer: @fauvography Director: @eronsheean DoP + Color grading: @luukdek 1st AC: @duncandekoning Gaffer: @mikedeen_lighting Best Girl: @dc.stout And the rest of the team!

"A few more stills from #Skindeep, shot by me. The environment we were working with had a lot of white walls and dull fluorescent lighting, so we wanted to add some visual interest without going overboard. The director and I discussed a grungy green look while still retaining the skin color—something bold, slightly harsh, and dramatic. I’m really happy with how it turned out and how it adds to the film’s overall atmosphere!" producer: @makewayfilm @jennifereikelenboom director: @ninanoelraaijmakers written by: @bodilsezen & @ninanoelraaijmakers DoP and Colorist: Me 1st AC: @duncandekoning Gaffer: @mikedeen_lighting Best girl: @dc.stout Edit: @kees.film #cinematography #horror #genre

#Skindeep I had the pleasure to work with @makewayfilm and @ninanoelraaijmakers for this awesome 3LAB pilot. the director, Nina, and i shared the idea to get it quite grungy and green and just make it a bit nasty in it's sharpness and midtone contrast. this is to emphasise the story which is about the ballet scene which can look beautiful but is also quite hard. Will share some BTS soon. producer: @makewayfilm @jennifereikelenboom director: @ninanoelraaijmakers written by: @bodilsezen & @ninanoelraaijmakers DoP and Colorist: Me 1st AC: @duncandekoning Gaffer: @mikedeen_lighting Best girl: @dc.stout Edit: @kees.film #cinematography #horror #genre

Happy Halloween! Still love this particular shot that I made for the “Witte wieven” movie. We wanted it to feel atmospheric as if it was lit by the moonlight but not get it too sharp as it would ruin the positive mood in this part. The Key light was done by shooting two aputure 600X with fresnel into Polyboards on wind-ups which were a few meters apart. The fog (by the great @ruudverbakel and @melvindierdorp ) made sure that these sources would be even softer and create this great atmosphere. I wanted a nice but very subtle moonlight as backlight so we used an aputure 1200d and aimed it into a big CRLS DIF 3 on a 5 segment roller to get a soft/angled beam towards the main talent but kept it a bit Sourcy. As ambient we placed an arri M18 on the other side of the camera shooting up into the trees. The trees would bounce back a little bit of light but also if I would point the camera a bit up I could still see details in the forest. This setup made it great to backlight the image but keep some details in the front. Check out the last still as well in this post. “Witte Wieven” is currently being shown on various film festivals around the world. Produced by @makewayfilm and directed by the great @didier_konings_art . . @aputure.lighting @aputure.europe @makewayfilm @mikedeen_lighting @thelightbridge @hollywoodcamerawork #cinematography #lightingbreakdown #gaffer #directorofphotography

I’m very excited to finally share the first lighting breakdown of @wittewievenfilm directed by @didier_konings_art . For those of you who haven’t seen the film, it’s available on NPO start! INT. CHURCH. DAY. What are the only light sources available in this time period. The sun, the moon (technically the sun) and fire. So with this daytime interior our only sources are the sun and fire. During prep our DOP @luukdek en me came to the conclusion that we needed a large fire source from the ceiling and multiple smaller sources all over the space. Another important source was a ray of sun hitting our talent. For the large fire source we went for a square configuration of 4 Infinibars. This created a large top source that still created hard and interesting shadows. Another benefit of these lights is the ability to have a pixelated fire effect that danced around the room. A 600D pro + F10 came in through the top window to emulate a “holy” ray of sunlight, with was very fitting for the type of scene. These two sources were the base for this location, now it’s time to fill in the details. The art department brought in amazing hand crafted candles and placed them around the set, a great oppertunity for us the emulate more fire light! They also placed the outer walls, we could use the cracks bring in more daylight from outside. As you can see in the diagram we added an light wherever there were candles, It was so cool to see how it all worked together to create this look. The scene still needed more contrast, so we blacked out one of the walls and added a Nova 600 backlight for the close-up. With those last details in place it was time to shoot the scene and for me to get a cup of coffee! Thanks to @aputure.europe for hooking us up with this amazing set of lights for this project Next breakdown coming soon! :D DOP: @luukdek Production designer: @paula_loos Art director: @eefatwork Lighting crew: @daanpriem @k_dekkr @juliesarahphilipse #aputure #litbyaputure #gafferlife #gaffer #filmlighting #setlife

| SHOUTOUT #20 @luukdek When Luuk jumped on board I felt a great connection, not only on a filmmaking level but also on a personal level. It was such a pleasure to work with you and experience your love for the craft and the vision which made the film what it ultimately became. Luuk, your strong communicative skills with me, the operators and Lighting Dep and your eye and experience helped to tackle this film like a beast! That’s what this film needed because its ambitions were high on every level, making it an extremely challenging operation to capture. Even though we faced challenges such as snowstorms, chasing natural light, and extreme late nights, we were able to capture everything we wanted and beyond. It was so cool to see how you and your team of troopers powered through. The quality and creative collaboration was beyond what I was hoping for. I can’t wait to tackle bigger films with you- from start to finish. It’s evident that your dedication and talent have contributed immensely to the success of the film. Here’s to Luuk and the camera department for their exceptional dedication and craftsmanship! 🥃🎉🙏 Cinematography and color grading: @luukdek Camera operator: @jasper_vg Camera- & steadicam-operator: @jaronjoosten 1st assistants camera dailies: @duncandekoning @van_schajik_videos @wiktorbukowski_ 2nd assistant camera: @dc.stout 1st ac: @kasperstegeman BTS @saltlakelian @rienkonings @wittewievenfilm @martinkoolhoven @makewayfilm #wittewievenfilm #wittewieven #indiefilm #film #filmmaking #shortfilm #filmmaker #filmfestival #horrorfilm #folkhorror

We zijn heel blij en trots dat we de trailer van Lifecoach eindelijk kunnen delen! ✨ In slechts twee draaidagen hebben we vorig jaar in het huis van de familie Stoof deze film gedraaid. Bedankt geweldige cast en fijne crew met wie we dit samen hebben gemaakt. Ruud - @victorlow.official Lydia - @mirjam_de_rooij_ Storm - @ronald.kalter Producent - @frankheuvel Regie & scenario - @annaberlis Cinematografie - @luukdek AC - @jasonfilmt Gaffer - @mikedeen_lighting Belichter - @juliesarahphilipse Geluid - @jordyzijlmans Kleding & MUA - @mua_sfx_byzoe Productie assistentie - @jordykasse Edit - @zorros_kid Muziek & SD - @barton.kaye.music Speciale dank aan de Familie Stoof, Dorien van de Pas & Daniel Samkalden #shortfilm #trailer #filmtrailer #lifecoach #filmmakers #film #dutchfilm