Louise Schmid

@louiseschmid

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Weeks posts
#dna #dnaactivation #epigenetics #diagram #workonpaperart #drawing #pigments #gouache
20 1
4 days ago
#tasteofcherries #pigments #workonpaper #diagram #painting
31 2
21 days ago
#3wishes #colourpencils #workonpaper #drawing
62 2
21 days ago
Sunny deinstall day at Perth Creative Exchange
24 3
1 month ago
If in Perth - exhibition at Gannochy Project Space continues for another week, until Friday 10th April. Photo Credit : Lada Wilson #perthcreativeexchange #wasps #southblock #artiststudios #perth #gannochyprojectspace #whatnot #neko #workonpaper #drawings #mixedmedia
40 1
1 month ago
Matthew Collings at Scott Lawrie Gallery Edinburgh
32 2
1 month ago
33 4
1 month ago
Dundee
48 8
2 months ago
a big thank you to all of you who came along to the opening;-)
51 8
2 months ago
Whatnot - Louise Schmid. Launching this evening (Fri 27th Feb 5-7pm - all welcome). We're delighted @perthcreativeexchange will be host to this wonderful new exhibition! 2 March - 10 April 2026 Mon to Fri 9-5pm 📍 Perth Creative Exchange Stormont Street PH1 5NW "This project started at Metropolitan Fukujusou, an Artists’ Residency in Kyoto, in 2024. There has been a longstanding fascination with toys, miniaturisation, automatons and play as precursor to art. Dislocation from everyday life in the UK, and dis-orient-ation, intensified my perception of local toys, games, charms, replicas, childish things and the culture of childhood. Shedding a curious look at how Japan has shaped the post-World War II world, from toy pop- culture creations, from the techy to the super-kawaii. Japan’s toys, gadgets and fantasy worlds, profoundly transform every aspect of the way we live. Such toys transform how we connect, as well as isolate ourselves, opening pathways to social change. From a surrealist perspective on chance and indeterminacy, toys are bound up with judgment of value (i.e., not worth much). I have been revisiting modern and contemporary art, through the lens of its engagement with the way childhood has been understood and construed. How has a toy been adapted to new social/aesthetic circumstances? Revision of childhood emerges as a timely subject, the political dimension of play – things have significance beyond the intrapersonal. Marketing of stereotypes and fantasies, present as an endless stream of fun." @waspsstudios @louiseschmid
39 1
2 months ago
52 2
2 months ago
'Whatnot' is visual artist Louise Schmid's new solo exhibition, opening on Friday 27 February, 5pm–7pm at Perth Creative Exchange. From the artist: 'This project started at Metropolitan Fukujusou, an Artists’ Residency in Kyoto, in 2024. There has been a longstanding fascination with toys, miniaturisation, automatons and play as precursor to art. Dislocation from everyday life in the UK, and dis-orient-ation, intensified my perception of local toys, games, charms, replicas, childish things and the culture of childhood. Shedding a curious look at how Japan has shaped the post-World War II world, from toy pop- culture creations, from the techy to the super-kawaii. Japan’s toys, gadgets and fantasy worlds, profoundly transform every aspect of the way we live. Such toys transform how we connect, as well as isolate ourselves, opening pathways to social change. From a surrealist perspective on chance and indeterminacy, toys are bound up with judgment of value (i.e., not worth much). I have been revisiting modern and contemporary art, through the lens of its engagement with the way childhood has been understood and construed. How has a toy been adapted to new social/aesthetic circumstances?' Be among the first to see 'Whatnot' on Friday 27 February, or visit the show Monday–Friday, 9am–5pm from 2 March until 10 April. 🖇 Find out more about Louise and the exhibition by clicking the link in our bio. Photographs: Tom O'Sullivan. #WaspsStudios #PerthCityofCraft #ArtExhibition
84 4
3 months ago