💌🔐Please join us for the book launch of 'A Wing Beat! A Wing Beat!' published by @distanzverlag this Thursday @missreadberlin with @agnieszka_muriel__ and @casparreuss
26.09.2024, 19:00
Miss Read Space @missreadberlin
Gerichtstr. 45, 13347 Berlin
'A Wing Beat! A Wing Beat!' follows the perspective of a carrier pigeon — or rather the apparatus that it transports with every flap of its wings. The publication transforms the video installation of the same title to the medium of a book. The human view perspective determined by image technologies is taken over by a pigeon. The poetics, politics and history of camera images — especially drone footage and pigeon camera photographs — are placed in relation to the animal. 'A Wing Beat! A Wing Beat!' engages with the body of the pigeon and the attempts to control and capture it.
The publication combines historical photographs, images of sculptural objects and drone imagery of the Hohenlockstedt area — a region in Schleswig- Holstein, Germany, that was used for military training during the German Empire and the Nazi era — with texts by @agnieszka_muriel__ and @jayne_m_w
Very happy to share some install shots from ‘A Wing Beat! A Wing Beat!’ @m.1arthurboskampstiftung which is on until 31st July 🔹Thank you to the great team @m.1arthurboskampstiftung with special thanks to @touriszt and @agnieszka_muriel__ 🤍✨More exhibition material & beautiful publication with contributions by @jayne_m_w and @agnieszka_muriel__ coming 🔜
Photos by @jens.philipp.franke
The multimedia installation A Wing Beat! A Wing Beat! follows the perspective of a pigeon reproduced by a drone-mounted camera. In referencing aesthetics of earlier homing pigeon photography, whose analog technology drone-mounted cameras replace, the video shows footage from a camera attached to the pigeon‘s body and transported by it: parts of the video are recordings from the area surrounding Hohenlockstedt - a region that served military purposes during the imperial and national socialist regimes. A Wing Beat! A Wing Beat! engages with the body of the pigeon and the attempts to control and capture it.
#INHABITATIONS #in:visibilities #m1arthurboskampstiftung
IT'S IN MY BODY with @bennyord last month @kunstvereinharburgerbahnhof hosted by
@abc100hh . Thank you to @ohohmartinoh@katrinkrumm@tttheresaweise 🤍 #institutfürangewandteinformatik
It‘s In My Body is designed as a shared social event that welcomes its audience into the bar area of the exhibition space at Kunstverein Harburger Bahnhof. A series of works in a range of media explore the blurred boundaries of score, archive, and performance. The works featured include a large translucent dome, into which the sound present in the space is fed through a microphone, generating a score of the evening in real time.
Other works include a Playlist and 50 postcards. The works make reference to an extensive archive of photographs by the artist collective PaJaMa founded in 1937, whose intimate practices of staging and collaboration produced images were only initially shared at parties and social gatherings.
Images:
1) Translucent dome, recording device, microphone
2) Print of clapping hands recorded by an acoustic camera, perspex box with hole
3) 50 postcards able to be read as a score for future enactment by @bennyord
Documentation: Edward Greiner
Very excited that this is happening @kunsthallebasel next week ❤️🔥
We are excited to invite you to the opening of this year’s Regionale 26 exhibition, “After the Afternoon” at Kunsthalle Basel. Join us on November 29 at 6 p.m., with free admission!
Sixteen artistic positions gather in a landscape shaped by slow change, half-empty spaces, and quiet distortions. The works share a muted intensity, the kind that lingers in backyards, waiting rooms, and late afternoons that feel too long. Somewhere in the background, a town slowly folds in on itself. The streetlights hum. A dog barks once, then stops. Something is always about to happen, but never arrives.
With Nefeli Chrysa Avgeris @nefeliavgeris , Linus Baumeler @linus.v.b , Dorota Gawęda & Eglė Kulbokaitė @gaweda_kulbokaite , Matthias Gmeiner @matthiasgmeiner1 , Sebastian Haas @se_haas , Claire Hannicq @clairehannicq , Adrian Huber @am.uber , Dana Iskakova @damaiskakova , Lisa Jäger @lisajaeg , Leonie Kellein @lon_secle , Alessandra Leta @alessandra__leta , Enrico Luisoni @enrico.luisoni , Macha Ovtchinnikova @machaovtchinnikova , TinTin Patrone @tintin_patrone , Miriam Schmitz @miriam__schmitz and Kelly Tissot @tissotkelly .
“After the Afternoon” is part of Regionale 26 and curated by Mohamed Almusibli @almo.rtf , Yana Kadykova @yane.kvs , and Lena Katharina Reuter @lena_lucci .
Poster designed by @tontonmukuna
Meet Leonie Kellein (@lon_secle ), the selected artist for Parrot’s May Open Call.
Leonie Kellein (*1993, lives and works in Berlin) works primarily with moving image. Her practice centers on the investigation of the filmic gaze and technique in order to draw attention to the media themselves while simultaneously developing new, multilayered forms of narration. In her work - spanning film, sculpture and installation in space - moments of disturbance, suspense and repetition are deployed with intentional ambiguity to create a kind of splitting of real time into a double state. In doing so, the perception of the captured body is placed in dialogue – or even in conflict – with the technical recording. Kellein sees this double state between the real and the mediated world as a political instrument. She investigates how devices such as cameras, drones, or recording equipment relate to the body. In this way, her work reflects on the relationship between reality and the technologies that record it.
#LeonieKellein
@swissartawards 💞🐦
Opening June 16, 2025 6:00–10:00 PM
Exhibition June 17–22, 2025 Tuesday–Saturday: 10:00 AM–8:00 PM Sunday: 10:00 AM–6:00 PM
Booth 12 Hall 1.1, Messe Basel during Art Basel Entrance via Isteinerstrasse, Gate 107
The video installation A Wing Beat! A Wing Beat! follows the perspective of a pigeon reproduced by a drone-mounted camera. In referencing aesthetics of earlier homing pigeon photography, whose analog technology drone-mounted cameras replace, the video shows footage from a camera attached to the pigeon‘s body and transported by it: parts of the video are recordings from the area surrounding Hohenlockstedt - a region that served military purposes during the German Empire and the Nazi era.
Booklet published accompanying the exhibition IN WITH THE NEW at Sammlung Falckenberg @deichtorhallenhamburg a few months ago 📦🪶
With a text by @eva__wilson concept & design in collaboration with @casparreuss funded by @bkm_hh
🐦🐦🐦
Posted @withregram • @swissartawards We are delighted 🍀 to present Maureen Kägi, Chantal Kaufmann, Monika Emmanuelle Kazi, Leonie Kellein, and Roman Selim Khereddine - all short-listed in the #art category of the Swiss Art Awards 2025. 🍦
In this years edition, 55 finalists in the categories of art, architecture and critique, publishing, exhibition, along with 17 emerging artists competing for the Kiefer Hablitzel | Göhner Kunstpreis (@kieferhablitzel ), will be presenting their submissions in June 2025 in the context of the international fair Art Basel, together with two special projects by Brit Barton (@britbarton ) and Bessire Winter (@bessirewinter ), both laureates of last year’s edition.
🗓️ Save the Date:
Swiss Art Awards 2025
Exhibition 17 - 22 June
Opening 16 June
Free admission
📍Hall 1.1, Messe Basel
#SwissArtAwards #SAA #SwissArtAwards2025 #SAA2025
#SwissArtAwardsArt #SwissArtAwardsArchitecture #SwissArtAwardsCurating #maureenkägi #chantalkaufmann #monikaemmanuellekazi #leoniekellein #romanselimkhereddine
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