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Lloyd Mst

@lloydmst

(;´༎ຶٹ༎ຶ`)
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🟢 BSRXV – 15 Years of Butter Sessions. Disc three / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥⁣🎧 ⁣ 📷 by @will.neill ⁣ 💽 mastering by @coreykikos ⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms ⁣ 💋
78 3
2 months ago
⚫️ BSRXV – 15 Years of Butter Sessions. Disc two / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥⁣🎧 ⁣ 📷 by @will.neill ⁣ 💽 mastering by @coreykikos ⛏️ typeface Herbik by @daniel_veneklaas via @counter__forms ⁣ 💋
90 7
2 months ago
🟤 BSRXV – 15 Years of Butter Sessions. Disc one / three. Compilation out now. 🖼️ Thank you @butter_sessions and all incredible artists. 💥⁣🎧 ⁣ 📷 by @will.neill ⁣ 💽 mastering by @coreykikos ⁣ 💋
150 9
2 months ago
Exterior Monologue Risograph catalog available for purchase this weekend at BUILD ENVIRONMENT book fair taking place at @threefivefivethree . Presented by @___office and @thresholdprojects 📍35-53 Emma St, Collingwood Sweetest collab 🤎🟫🟤
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1 year ago
🌌 A logo I designed for @recess.net.au a few years ago—forgotten but now dusted off for Recess’s curation of 𝘏𝘶𝘥𝘥𝘭𝘦, a new film by Avni Dauti and Rebecca Dauti, which launched on February 10, 2025. Screening every evening 7–8pm (until 31st March 2025) at Federation Square, Narrm Melbourne and screening online 10th February - 9th March 2025 Film commissioned by MAP Co @fed.square  and RECESS @avnidauti  @rebeccadauti Check out: recess.net.au & .au/projects/huddle
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1 year ago
A couple of Wednesdays ago – on the invitation of the curators of Next in Audio at @artscentremelbourne (@amruta_nargundkar , @weirdalpianobar , @ryan.powderly ) – we spoke to the spatiality of sound (as distinct from audio) … and followed it with our first spatial captioning experiment, using the new multiple instance functions of the live captioning tool that @lloydmst has been developing in collaboration with @j4k3b0n1n . It was a thrill and a privilege to do this for the very first time in collaboration with more than 30 workshop attendees; to witness and prod its possibilities together. Thank you to everyone who came and embraced this exercise with openness and spirit! (And thanks to @weirdalpianobar and Sam for letting us shunt two dozen screens around the studio without shedding a single drop of perspiration.) In the video slide (sixth in the carousel), some people walk around the workshop space with balloons, brushes, radios and other instruments. On various screens, meanwhile, captions describe either the prerecorded sounds or those being newly and spontaneously created in the room. Hot on the heels of this, we'll be collaborating on a (remote) spatial captioned performance with @ecstatic.magic and @whiskeysaurus this week. It'll take place at MIT Spatial Sound Lab, on the traditional lands of the Wampanoag Nation and Massachussetts people; we'll be languaging sounds from the unceded Country of the Wurundjeri-willam. Access Lab & Library is supported by the Victorian Government through Creative Victoria. #creativestate @creative_vic Image descriptions in alt text. Photos by @infojewels . #writing #captioning #spatial #spatialaudio #spatialsound #livecaptions #lovecaptions #access #accessibility #sensory
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1 year ago
Three weeks ago, in the midst of planning our next steps as Access Lab & Library, we spent an hour or two with Nelly Kate – experimenting with live performance and collective captioning across about 17,000km ... or a few milliseconds of time displacement over our internet connections. Nelly Kate is one of our dear collaborators on ~~~~~“...derelict in uncharted space...” and a Massachusetts-based access coconspirator deeply driven by sense, time and magic. For this performance workshop, she drew a sonic world from synthesisers, tape, signal processors and voice. In Naarm, we replicated it on loudspeakers as we each captioned it in real-time, using the tool developed for October’s show. Here are some short excerpts of the performance – we’re calling these experiments ‘smalls’, and plan on sharing more of them as we attempt various things over coming years, months, hours. Lloyd and Fayen are currently visiting Nelly in Boston for of a series of workshops and discussions this week, exploring tactile printing, captioning, spatial sound, access-driven XR, sonification and publishing. We undertake this work and these experiments with the heavy knowledge that we are in the throes of multiple mass disabling events. Mindful of our communities, we look forward to a week of connecting with our peers and bringing you some promising new developments on ALL’s future very soon. @ecstatic.magic @fkxde @infojewels (image descriptions in alt text) [reposted from @accesslabandlibrary ]
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1 year ago
@simulaa_ architecture cards 01/03 Lettering: @amyyu_amyme Printing: @pinkyprint.co 💿🥕
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2 years ago
@simulaa_ architecture office stationary and ID. Lettering: @amyyu_amyme Printing: @pinkyprint.co Photo 01 by Simulaa 💿🥕
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2 years ago
Touching Feeling Writing: Writing in the Expanded Field, Volume 4. Responding to @paul.yore 's exhibition WORD MADE FLESH at @acca_melbourne in 2022. (Digital publication, 1/3) Visit: touchingfeeling.acca.melbourne The homepage is a unique bricolage quilt made by cutting and sewing fragments of writers' texts on every visit. It is informed by the cut-up poetry technique developed by Dadaists and used by William S. Burroughs. Thanks and appreciation go to all the writers, editors, and coding wizard @j4k3b0n1n 🧙🏼‍♂️💜 Development by: @j4k3b0n1n Editors: @lucindastrahan and @de.loniiiiiiii ACCA curator and head of publications: @elysegoldfinch_ Writers: @ange_e_crawford @migdann @rachelkeirsmith @josephinemead @nasimulacrum @residualshanty @operation_escargot @michaelajbear Shari Kocher Sofia Stavrou Sound design: @rebecca_bracewell Videography: @sofiemcclure Supported by: @acca_melbourne @non_fictionlab
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3 years ago
Some wearables for @inner_varnika I.V.X, limited for the finale: 🍋 + 🍭 ^^^^^^^^^^^^^^^^^^^^^^^^^^^ Thanks @cosmo.36 and @josephinemead for their contribution/collaboration. 💚
130 3
3 years ago
Sometimes When The Curtains Are Open We Wave At Each Other (2022). A collaborative website publication with @muckletimes (Fayen d’Evie) initiated from a conversation around ekphrastic description. Approached as a method or exercise that provides a moment for pause, to mirror and reflect, the conversation expands to descriptions of physical surrounds (Reflection), references dug up and repurposed to provide context and knowledge (Matter) and ekphrastic descriptions written during the exchanges (Refraction). Text to speech audio was created using AI; these are ekphrastic descriptions of our (She/They and He/They) voices. The project explores description as a creative method. Commissioned by @liminalmag and edited by Jon Tjhia () Part of a practice based research enquiry, within the comm des MA program at RMIT. View: /liminal See other contribution from ‘Mirror’ 2022: /mirror Edited by Jon Tjhia for @liminalmag ‘Mirror’ issue 2022 Web development by amazing @nicole__holy @nh___nh___ Thanks to @muckletimes for your support and mentorship, and @adammcruickshank for supervision and encouragement.
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3 years ago