Light Works is a site/space/body intravening the former Hubbard Dianetics Centre, on the east end of (Murray St), Boorloo. “Making distance” for intentional/unintentional practice through exhibiting, hosting, housing, ++.
We acknowledge these activities are conducted on unceded whadjuk noongar boodja.
REDACTION TOOLKIT is a collaborative, interdisciplinary artistic response to real-world conflict and disaster contexts, specifically, the social and cultural phenomena that arise in their aftermath. Artists collaborated through their own speculative contexts developed from a unique mix of the personally-sensed and experienced; as well as historical and currently-emerging events. As a form of self-redaction, the artists have not explicitly revealed the nature of these speculative contexts to their collaborators.
Jacob Canet-Gibson / @jacobcanetgibson
Stirling Kain / @stirlingkain
Harrison Waed See / @harrison.see
Jordee Stewart / @j_0rd33
LIGHT WORKS / @light___works (112 Murray St, Boorloo)
OPENING EVENT: 6pm – 8pm, Sat (28 Feb), opened by Martina Mrongovius, performance by Jacob Canet-Gibson
DURATION: 12pm – 5pm, Sat (28 Feb) – Sun (1 Mar) & Thu (5 Mar) – Sat (7 Mar)
OUTCOME UNKNOWN / @outcome_unknown (music): 7pm – 9pm, Thu (5 Mar)
ARTIST TALK: 2pm – 3pm, Sat (7 Mar)
MOVING IMAGE LAP PERTH / @moving.image.lab.perth (films): 3pm – 4pm, Sat (7 Mar)
#artist #boorloo #perth #artexhibition #gallery
Stimela
Jacob Kotzee
Opening Friday 13th February
6 - 9pm
Light Works
112 Murray St.
Show open 14th and 15th February
11 - 4pm
@light___works@jacob.kotzee
‘Pomace’
Light Works,
112 Murray Street, Boorloo
Opening night: Friday, November 7, 2025, 6 - 9pm.
‘Pomace’ is an exhibition about densely concentrated pockets of energy, extractivist legacies and futurity, the human compulsion to dig, and feedback between industry and culture. The project tries to consider a familial history of coal mining and its impending closure alongside a tradition of olive oil production, connecting the two through the motif of pomace - the pulpy byproduct of the production process, an excess that remains after a resource has been juiced of its riches. What happens to this pomace, how it endures and lays a blueprint for new industry and culture, is the key speculative task of the show. In short, ‘Pomace’ is about the end of coal, a new Tesla megapack battery grid, the possibility of nuclear, familial and industrial practices of compressing matter and contingency plans for uncertain times in my family’s hometown.
This project is supported by the Department of Creative Industries, Tourism and Sport.
@light___works
One small night, many small works, from a few small people (all under 6ft).
Works for sale for a small cost.
BYOMG=bring your own magnifying glass 🔍
Small nibbles and drinks available.
!ONE NIGHT ONLY!
Crossing Portals Opening — Friday 16th of May 6–9PM at @light___works Gallery 112 Murray Street, Boorloo, WA
An ode to the journey. This debut solo exhibition by Lauren Jane Salt presents a series of ceramic works as relics and offerings to the spaces between what was and what is becoming.
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Wishful Thinking & Personal Space join forces once again in the same weekend 😮💨 🤝
join us for a special live performance by Gi Gi while they are in town this Sunday at @light___works .. accompanying live performances by @lllllllllllalllllllllll (Naarm) and R. Glacken
Gi Gi (US) Gi Gi is a Texas-based DJ and artist blending traditional sampling with experimental sound collage. His work bridges the organic and synthetic, drawing from club rhythms and textural exploration to create immersive, shape-shifting compositions. Aarti Jadu (Naarm) Aarti composes cinematic, atmospheric pieces played live through electronic instrumentation, on occasion conducting ensembles. Pairing classical elements, currently referencing chamber music, vedic, baroque and various folk traditions, with industrial synthesizers, 808 and pop autotune, the work is idiosyncratic and purely based on context, place and state of being.
R. Glacken Their sound sits somewhere between the delicate and the distorted, where lush textures brush up against broken rhythms. Glacken crafts immersive compositions that blur the line between organic and synthetic sound, creating pieces that feel both intimate and expansive.
4-8PM
Tickets via Humanitix, link in bio
Door sales will be available Free entry for First Nations People always We would like to acknowledge the traditional custodians, the Whadjuk People, of the land on which this event is taking place on and their continuing culture . We pay respects to elders past & present. Sovereignty was never ceded. Always was, always will be Aboriginal Land.
