Show 2025 Highlights: ‘Flowers Bloom in All Seasons’ by Emma Sobh @emmasobh
‘Flowers Bloom in All Seasons’ is a series of images that explore the enduring impact of colonialism, occupation, and war in Lebanon. The series was shot in Southern Lebanon, highlighting the impact of the war on the area. The photographs are accompanied by a film that expands on the concepts of the image series, serving as both a continuation and a distillation of their themes. Rooted in lived experience and cultural history, art becomes an act of resistance—a refusal to forget, and a call to see the Middle East beyond the lens of the Western eye.’
Show 2025 Highlights: ‘Walking to Get Lost’ by Na-Yeon Kim @blooribbon
‘This project reclaims walking as a method of artistic research beyond algorithmic recommendation. Developed in collaboration with sound artist Gold Kim and a group of young artists and designers, the work began with a collective sound walking workshop in London. Participants moved slowly through the city, following a series of tasks and attuning to space through listening, drawing, and non-visual observation using simple tools. Their impressions were recorded, reflected, and reassembled into a printed publication that maps the experience through sound, mark-making, and fragmentary text. A web-based archive complements the publication and can be accessed via an NFC tag embedded within the book.’
Show 2025: ‘Fired by History’ by Kit Wang
‘Fired by History’ takes China’s Five Great Kilns as its narrative foundation, reimagined through real-time visual design in TouchDesigner. Utilizing particle systems and synchronized sound, the work transforms ceramic heritage into a dynamic, immersive visual experience. Aimed at younger audiences, it challenges the rigidity of conventional historical education by activating cultural memory through digital media—rekindling curiosity and fostering a renewed connection to traditional art forms in the minds of a new generation.
Show 2025 Highlights: The Disintegration of “Nature”: Post-Nature by Lexi Mak @lexi__mak
‘This project explores the transformation of ecological systems in the post-natural era. Inspired by PSEUDOMNESIA: The Electrician and Tetsumi Kudo’s Cohabitation entre l’homme et les transistors, it questions whether we are preserving nature or constructing a synthetic world. Through layered visual narratives—spanning nature, technology, and cultural memory—it reflects on how engineered ecosystems challenge our sense of reality.’
Show 2025 highlights: ‘4*16/5’ by Kritsada Chanaphaijaroensuk @kabiws
‘4*16/5’ is a spatial research project exploring memory, routine, and care in a five-storey family home in Thailand where my grandfather now lives with Alzheimer’s.
One part of the work is a printed archive — a quiet tool for reconnecting family and caregivers through shared schedules, roles, and memory prompts. The other is a short film, projected onto a transparent model of the house, capturing the emotional disorientation of Sundowning Syndrome through light, rhythm, and routine.
Together, they ask how architecture might help hold care — not through instruction, but through empathy and time.’
Show 2025 highlights: ‘On Being Here’ / ‘The Absence’ by Connie Collyer
@c.colllyer
‘On Being Here’ and ‘The Absence’ are two separate works made in conjunction with one another. One celebrates the act of collaborative making and the other suggests a way in which we can do this without being physically present with our collaborators. The final product, an exhibition, featured collaborative work between myself and six other artists.’
Show 2025 highlights: ‘Somewhere That’s Just Like Home’ by Joo Young Kim @jooyoungkimm
‘Somewhere That’s Just Like Home’ is the first issue in an ongoing editorial series exploring identity, cultural memory, and belonging within diasporic communities—focusing on South Korean international students in their 20s. Through interviews and bilingual storytelling, it documents life in London as a space of both disconnection and discovery.
Designed as a portable guide, the publication combines personal narratives, maps, visual motifs, and cultural references to offer empathy, understanding, and a sense of agency. At its core, it is a journey to rediscover traces of Korea in London—with love, gratitude, and deep care for the stories shared within.
Graduating today! Well done class of 2024. Amazing projects this year - and here’s some memories from the show - a publication ‘Decolonial Curatorial Toolkit’ by Alice Kim @anemone_kim 🎓🎓🎓
Graduating today! Well done class of 2024. Amazing projects this year - and here’s some memories from the show - a publication ‘La Generación de Cristal’ by Adriana Cornejo Capdevilla @just.me.adri 🎓🎓🎓
