Iâm so happy to share my third and last video clip áIáȘOáI for @tristessecontemporaine
đ âïžđđ°đ”
You can watch it on Youtube, the link is in my bio âĄ
đđđđđąđđđ by @remembers_productions
đ đđđđđđĄđđđđđđ đđđđđđĄđđđ: @laura_pssl
đ đŽđđđđĄđđđđđ đđđđđđĄđđđ: @tamerlanbekmurzayev@aleximaurice
đŠ đđđĄâ đĄâđ âđđđ đđ: @simoncadilhac
đȘ đ¶đđđđđ đđĄđđđ: @tamerlanbekmurzayev
đ đđđđđđđ đĄâđđđđ : @recordmakers@josephinemncn
đšâđ§âđŠ đđđâđđąđđĄđĄđđ : Clara Liu, Fred Mabou, Marc-Antoine Poisier
đŒ With the contribution of @le_cnc
Iâm happy to share the animated tribute I made for the film The Exorcist directed by William Friedkin in 1973 ! đč
Enjoy ! đ
Ămission SHORT CUTS @artefr
đ„ Sound&music: Baptiste Boutin @57atlantic
đȘ Compositing: @mathildeloubes
đș Production: @caimansproductions with the support of ARTE
I created an illustration for a book review published in @nytimes earlier this year đ· @nytbooks
It is a black comedy that deals in themes of age-gap relationship, class, consumer culture, and dissaffected girlhood. A genre reminiscent of âLolitaâ (or rather the misinterpretation that have been made of it) but from the female characterâs perspective, so it goes into uncomfortable territory. My goal was to create an illustration that doesnât perpetuate harmful iconography, and to avoid romanticizing and glamorizing while letting the toxic aspect of the relationship explored in the novel subtly linger.
I also relied on this sentence from the review, which I found both eloquent and accurate: âThe dead-end of longing whereby you ask people or things for the love they canât give you, and how lonely this mismatch can feel.â
đ The last two sketches are ideas that werenât kept.
Thanks AD @tonyadouraghy !
Always a joy to see my work in print đ Third piece for @newyorkermag to date ! đïž
Portrait of pop star @addisonraee
Thanks to @v.ctorguan for the opportunity
