L.A. is proof that sometimes all you need is a car, a streetlamp and that orange light to make something really special happen. Jonathan Anderson presented his first
@dior Cruise show in L.A. under the fluttering shadows cast by Peter Zumthor’s new Brutalist building at
@lacma , and the whole thing felt like the equivalent of sending a text after hours of getting ready, buzzing with anticipation: “I’m OMW.”
At the base of the David Geffen Galleries, anchored by classic American cars in colors like bubblegum and butter, was “an illusion of L.A., in L.A.,” so say the show notes. The scene mirrored the energy of a film set, all drama and specific lighting and smoke billowing from mysterious corners, honoring the house’s relationship with cinema.
Photos
@tmostudio
Words
@goodjuju8