Lana Sprajcer

Grateful to have so many beautiful and special people to love and appreciate 🤍 PS. Thank you all for taking these film pics for us throughout the evening 💘 In no particular order — here is 31/1/2026 dump 3

Grateful to have so many beautiful and special people to love and appreciate 🤍 PS. Thank you all for taking these film pics for us throughout the evening 💘 In no particular order — here is 31/1/2026 dump 2

Grateful to have so many beautiful and special people to love and appreciate 🤍 PS. Thank you all for taking these film pics for us throughout the evening 💘 In no particular order — here is 31/1/2026 dump 1

31/1/2026 🤍

Our Pilates Method event kicks off April 19th! Join us for 4 weekly sessions designed to reconnect you to your body, build strength, and move with intention. Hosted by Lana. Spots are limited. Secure yours via the link in bio.

What actually happens over two days at Ctrl + Alt + Create? Day 1: Explore diverse choreographic ideas, practices and tools and different ways of thinking about dance making. Day 2: Co-Lab workshop where participants work together to create short experimental choreographies. We finish with an informal sharing — a chance to show what’s been explored. Low-key. Low-fi. All movement backgrounds welcome. Places are limited. #YouthDance #ProcessedBased #ChoreographyWorkshop #YouthArtists EmergingArtists ArtMatters EmpowerYouth

Curious about Lana Šprajcer’s CTRL + ALT + CREATE workshop?🤔 “I’ve titled this workshop ‘In-between Bodies and Things.’ Together we will explore an interdisciplinary choreographic method developed by a collective of visual and dance artists that I am part of based in Croatia - MOLD kolektiv. Our practice focused on process, is relational and speculative. We will play with objects, exploring both their material properties and movement-potential, before translating our investigations into choreographic principles for organising bodies into movement and dance.” @lanspr Don’t miss Lana’s workshop at Ctrl + Alt + Create 📅 Jan 12–13 📍 Oratory, @abbotsfordconvent 💸 $65 · Ages 14–25 REGISTER VIA 🔗 in bio @ydanceinitiative #ChoreographersofMelbourne #ChoreographyWorkshop #YouthArtists #AbbotsfordConvent #InterdisciplinaryProcess 📸 Lana Šprajcer, MOLD kolektiv, Dolce far niente, 2025 © Ivan Buvinić © 🎞️ Excerpts from MOLD Kolektiv, “Dolce far niente”

✨Getting to know Lana Šprajcer✨ 𝑾𝒉𝒂𝒕 𝒅𝒐 𝒚𝒐𝒖 𝒍𝒐𝒗𝒆 𝒂𝒃𝒐𝒖𝒕 𝒅𝒂𝒏𝒄𝒆 𝒂𝒔 𝒂𝒏 𝒂𝒓𝒕𝒇𝒐𝒓𝒎? I love the rigour, care and loving-discipline it takes to keep dancing as an adult. When dancing, I enjoy pairing my attention with mind-body in movement; constantly processing and negotiating thoughts, sensations and awareness through movement. 𝑾𝒉𝒂𝒕 𝒂𝒓𝒆 𝒚𝒐𝒖 𝒊𝒏𝒕𝒆𝒓𝒆𝒔𝒕𝒆𝒅 𝒊𝒏 𝒐𝒖𝒕𝒔𝒊𝒅𝒆 𝒐𝒇 𝒅𝒂𝒏𝒄𝒆? Other art forms and mediums, culture and people. 𝑫𝒆𝒔𝒄𝒓𝒊𝒃𝒆 𝒚𝒐𝒖𝒓𝒔𝒆𝒍𝒇 𝒊𝒏 𝒕𝒉𝒓𝒆𝒆 𝒘𝒐𝒓𝒅𝒔 Caring, curious and light-hearted. 𝑾𝒉𝒚 𝒅𝒐 𝒚𝒐𝒖 𝒍𝒊𝒌𝒆 𝒘𝒐𝒓𝒌𝒊𝒏𝒈 𝒄𝒐𝒍𝒍𝒂𝒃𝒐𝒓𝒂𝒕𝒊𝒗𝒆𝒍𝒚? Because I am more interested in what I might learn and discover in the process of thinking, working and dancing with others, than what I might be able to generate in solitude. Also, it’s much more fun! ……..…………… Originally from Croatia, Lana is an independent dance artist based in Naarm, teaching, practicing and collaborating with other local artists and choreographers developing, making and/or performing choreographic works. She has frequently collaborated with Rebecca Jensen, Thomas Woodman, Shelley Lasica, Jo Lloyd, Alicia Frankovich. Lana is also a co-founder of MOLD kolektiv, a performance collective of visual / dance artists based in Croatia, with whom she continues to make and perform dance works in Europe, most often in visual arts contexts. @mold.kolektiv ……..…………… We’re thrilled that Lana will be sharing her knowledge and practice at 𝗖𝗧𝗥𝗟 + 𝗔𝗟𝗧 + 𝗖𝗥𝗘𝗔𝗧𝗘 @abbotsfordconvent 🙌 REGISTER VIA 🔗 in bio @ydanceinitiative @lanspr 📸 Lana Šprajcer, MOLD kolektiv, Dolce far niente, 2025 © Ivan Buvinić © 🎞️ Excerpts from MOLD Kolektiv, “Dolce far niente”

Please join Thomas Woodman and I tomorrow at 5pm for Happening #9 at Studio 24 @abbotsfordconvent 𝘈 𝘮𝘦𝘥𝘪𝘢𝘵𝘪𝘯𝘨 𝘧𝘰𝘳𝘤𝘦; 𝘢𝘤𝘤𝘶𝘮𝘶𝘭𝘢𝘵𝘪𝘯𝘨 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘮𝘪𝘥𝘥𝘭𝘦. Sound from @dial1900planetscaravan Produced by @sage_arts_australia With thanks to @jolloyd4448 To get there please head to @cams_kiosk then follow the signs to the toilets and Studio 24 is in the corridor under the staircase (wheelchair accessible) Entry is by donation and there is no need to book. Hope to see you there 🐇

NATURAL BASIC by @bec_jenny OPENS TONIGHT ! — Body as barometer Three dancers converge through clouds of thought and matter. Their movements register change like barometers - sensitive to pressure, to subtle shifts in metronome, to unseen forces acting upon them. Dinosaur-like, they attempt to carry the weight of deep time, caught between extinction and evolution, chewing up the future and spitting it back out again. The natural basic waltz step is a three-part clockwise movement. Originating in 16th-century peasant dances, the waltz has evolved through countless forms. In Natural Basic, this cadence is a starting point, a steady loop that drifts off-axis - its centre of gravity slipping. Re-iterating, re-versing, re-absorbing. The work inhabits a state of Polycrisis. “How do the conditions of contemporary planetary crisis shape the genres of temporal experience that make up the present?” - Gary Zhexi Zhang, Catastrophe Time Choreography: Rebecca Jensen Performers: Rebecca Jensen, Lana Šprajcer, Anika de Ruyter Sound Composition: Andrew Wilson Set & Costume Design: Romanie Harper Lighting: Giovanna Yate Gonzalez Producer: Anna Nalpantidis Understudy/ Operator: Texas Nixon-Kaine Consultant: Brooke Stamp

Landing soon… link in bio 🩵 💎 NATURAL BASIC 💎 Choreography: Rebecca Jensen Performers: Rebecca Jensen, Lana Šprajcer, Anika de Ruyter Sound Composition: Andrew Wilson Set & Costume Design: Romanie Harper Lighting: Giovanna Yate Gonzalez Producer: Anna Nalpantidis Understudy/ Operator: Texas Nixon-Kaine Consultant: Brooke Stamp 📸 Photo by Amelia Dowd.

NATURAL BASIC by Rebecca Jensen / 8pm, Tue 18 - Sat 22 Nov — Body as barometer Three dancers converge through clouds of thought and matter. Their movements register change like barometers - sensitive to pressure, to subtle shifts in metronome, to unseen forces acting upon them. Dinosaur-like, they attempt to carry the weight of deep time, caught between extinction and evolution, chewing up the future and spitting it back out again. The natural basic waltz step is a three-part clockwise movement. Originating in 16th-century peasant dances, the waltz has evolved through countless forms. In Natural Basic, this cadence is a starting point, a steady loop that drifts off-axis - its centre of gravity slipping. Re-iterating, re-versing, re-absorbing. The work inhabits a state of Polycrisis. “How do the conditions of contemporary planetary crisis shape the genres of temporal experience that make up the present?” - Gary Zhexi Zhang, Catastrophe Time Choreography: Rebecca Jensen Performers: Rebecca Jensen, Lana Sprajcer, Anika de Ruyter Sound Composition: Andrew Wilson Set & Costume Design: Romanie Harper Lighting: Giovanna Yate Gonzalez Producer: Anna Nalpantidis Understudy/ Operator: Texas Nixon-Kaine