We are pleased to announce the #opening of our #newgallery in #monaco .
Come un visit us at
21, Boulevard Princesse Charlotte
For this new chapter of our centennial story!
#lampronti #lamprontigallery
𝗛𝗮𝗿𝘁𝗳𝗼𝗿𝗱 𝗙𝗶𝗻𝗲 𝗔𝗿𝘁 𝗟𝗮𝗺𝗽𝗿𝗼𝗻𝘁𝗶 𝗚𝗮𝗹𝗹𝗲𝗿𝘆 per 𝗔𝗺𝗮𝗿𝘁 𝗠𝗮𝘀𝘁𝗲𝗿𝗽𝗶𝗲𝗰𝗲: Giovanni Antonio Canal, detto Canaletto, (Venezia, 1697 - 1768), 𝘐𝘭 𝘴𝘰𝘭𝘦𝘯𝘯𝘦 𝘪𝘯𝘨𝘳𝘦𝘴𝘴𝘰 𝘪𝘯 𝘗𝘢𝘭𝘢𝘻𝘻𝘰 𝘋𝘶𝘤𝘢𝘭𝘦 𝘥𝘦𝘭 𝟧 𝘯𝘰𝘷𝘦𝘮𝘣𝘳𝘦 𝟣𝟩𝟤𝟨 𝘥𝘦𝘭𝘭’𝘈𝘮𝘣𝘢𝘴𝘤𝘪𝘢𝘵𝘰𝘳𝘦 𝘧𝘳𝘢𝘯𝘤𝘦𝘴𝘦 𝘑𝘢𝘤𝘲𝘶𝘦𝘴-𝘝𝘪𝘯𝘤𝘦𝘯𝘵 𝘓𝘢𝘯𝘨𝘶𝘦𝘵, 𝘤𝘰𝘯𝘵𝘦 𝘥𝘪 𝘎𝘦𝘳𝘨𝘺 𝘱𝘳𝘦𝘴𝘴𝘰 𝘭𝘢 𝘙𝘦𝘱𝘶𝘣𝘣𝘭𝘪𝘤𝘢 𝘚𝘦𝘳𝘦𝘯𝘪𝘴𝘴𝘪𝘮𝘢, olio su tela, 183 x 261.5 cm.
𝗨𝗻𝗼 𝗱𝗲𝗴𝗹𝗶 𝗮𝘃𝘃𝗲𝗻𝗶𝗺𝗲𝗻𝘁𝗶 𝗽𝗶𝘂' 𝗳𝗮𝘀𝘁𝗼𝘀𝗶 𝗽𝗿𝗲𝘃𝗶𝘀𝘁𝗶 𝗱𝗮𝗹 𝗰𝗲𝗿𝗶𝗺𝗼𝗻𝗶𝗮𝗹𝗲 𝘂𝗳𝗳𝗶𝗰𝗶𝗮𝗹𝗲 𝗱𝗲𝗹𝗹𝗮 𝗥𝗲𝗽𝘂𝗯𝗯𝗹𝗶𝗰𝗮 𝘃𝗲𝗻𝗲𝘇𝗶𝗮𝗻𝗮 era quello organizzato in occasione della presentazione delle proprie credenziali al doge da parte degli ambasciatori stranieri.
L’opera qui presentata raffigura uno di questi momenti della vita di stato veneziana, in cui 𝗝𝗮𝗰𝗾𝘂𝗲𝘀-𝗩𝗶𝗻𝗰𝗲𝗻𝘁 𝗟𝗮𝗻𝗴𝘂𝗲𝘁, 𝗰𝗼𝗻𝘁𝗲 𝗱𝗶 𝗚𝗲𝗿𝗴𝘆 (1667-1724), arrivò come ambasciatore di Francia a Venezia.
Ogni elemento è descritto con sfolgorante nitidezza: la mole del Palazzo Ducale, le vesti sontuose dei personaggi del corteo, le gondole nere che punteggiano il canale, i remi che incidono, netti, le lievi onde sulla superficie dell’acqua. 𝗟𝗮 𝗽𝗲𝗻𝗻𝗲𝗹𝗹𝗮𝘁𝗮, 𝗮𝗺𝗽𝗶𝗮 𝗲 𝗳𝗹𝘂𝗲𝗻𝘁𝗲 , 𝘴𝘵𝘦𝘯𝘥𝘦 𝘪𝘭 𝘤𝘰𝘭𝘰𝘳𝘦 𝘥𝘦𝘧𝘪𝘯𝘦𝘯𝘥𝘰 𝘧𝘰𝘳𝘮𝘦 𝘦 𝘷𝘰𝘭𝘶𝘮𝘪 𝘤𝘰𝘯 𝘮𝘦𝘻𝘻𝘪 𝘦𝘴𝘴𝘦𝘯𝘻𝘪𝘢𝘭𝘪, 𝘧𝘢𝘤𝘦𝘯𝘥𝘰𝘴𝘪 “𝘨𝘳𝘢𝘧𝘧𝘪𝘢𝘯𝘵𝘦” 𝘯𝘦𝘭𝘭𝘢 𝘳𝘦𝘴𝘢 𝘥𝘦𝘪 𝘥𝘦𝘵𝘵𝘢𝘨𝘭𝘪 𝘢𝘳𝘤𝘩𝘪𝘵𝘦𝘵𝘵𝘰𝘯𝘪𝘤𝘪 𝘪𝘯 𝘱𝘳𝘪𝘮𝘰 𝘱𝘪𝘢𝘯𝘰.
Expertise: F. Pedrocco, 19 marzo 2007. D. Succi, gennaio 2019.
Bibliografia: W.G. Constable, Canaletto: Giovanni Antonio Canal, 1697-1768, Oxford, 1962, II, p. 346, sotto no. 356.
Visita il nostro sito:
@federazioneitalianamercantidarte@antiquariditalia@subertantiquari@allemandi_fineart@art_studio_pedrazzini@pinucciamatta@gianlucaarcuti@lorenza_salamon_fineart@ricci_valeria@altomani@pivaec@galleriacarloorsi@m45_milano@galleriacesaro@goldfinch_finearts@mirco.cattai.gallery@raffaellopernici@reveartgallery@mattarte@arsantiqua_milano@callistofinearts
📣 𝐌𝐨𝐝𝐞𝐧𝐚𝐧𝐭𝐢𝐪𝐮𝐚𝐫𝐢𝐚: 𝐝𝐚𝐥 𝟕 𝐚𝐥 𝟏𝟓 𝐟𝐞𝐛𝐛𝐫𝐚𝐢𝐨
🎨 La @lamprontigallery presenta in mostra 𝑄𝑢𝑎𝑡𝑡𝑟𝑜 𝑣𝑒𝑑𝑢𝑡𝑒 𝑑𝑖 𝑅𝑜𝑚𝑎 di 𝐀𝐧𝐠𝐞𝐥𝐨 𝐌𝐚𝐫𝐢𝐚 𝐂𝐨𝐬𝐭𝐚 (1670–1721), un ciclo di grandi oli su tela (120 × 150 cm) che racconta la Roma tra Sei e Settecento attraverso uno sguardo colto e raffinato
⚜️ Fondata nel 1914, la 𝐆𝐚𝐥𝐥𝐞𝐫𝐢𝐚 𝐋𝐚𝐦𝐩𝐫𝐨𝐧𝐭𝐢 è oggi guidata da Cesare Lampronti, terza generazione di mercanti d’arte con oltre cinquant’anni di esperienza, ed è specializzata in dipinti di Antichi Maestri italiani del XVII e XVIII secolo, con particolare attenzione a 𝐯𝐞𝐝𝐮𝐭𝐞, 𝐩𝐚𝐞𝐬𝐚𝐠𝐠𝐢 e 𝐧𝐚𝐭𝐮𝐫𝐞 𝐦𝐨𝐫𝐭𝐞
📍 La 𝐆𝐚𝐥𝐥𝐞𝐫𝐢𝐚 𝐋𝐚𝐦𝐩𝐫𝐨𝐧𝐭𝐢 ti aspetta a 𝐌𝐨𝐝𝐞𝐧𝐚𝐧𝐭𝐢𝐪𝐮𝐚𝐫𝐢𝐚: 𝐦𝐨𝐝𝐞𝐧𝐚𝐧𝐭𝐢𝐪𝐮𝐚𝐫𝐢𝐚.it
#modenantiquaria2026 #Modenantiquaria #mostra #arte #art
A masterpiece of rare imagination will enrich BRAFA 2026, presented by Hartford Fine Art - @LamprontiGallery (stand 70):
Giovanni Antonio Canal, called Canaletto, Capriccio of Piazza San Marco from the San Marco Basin with the Church of the Redentore (oil on canvas, 130 × 105 cm).
This is a Venetian vision elevated into poetry - an architectural fantasia in which Canaletto brings together the city’s most iconic monuments with brilliant wit and theatrical precision. The unusually high viewpoint, rising twelve to fifteen metres above the ground, offers a striking flourish, perfectly in tune with the freedom and inventive spirit of his London period.
The painting’s luminous silvery palette, impeccable perspective and imaginative dialogue between architectural elements reflect the maturity of his later career. By the mid-1740s, as artistic landscapes evolved across Europe, Canaletto embraced fresh opportunities beyond Venice. Guided by Joseph Smith - his agent and future British consul - he travelled to London in 1746 and cultivated a remarkable circle of patrons, among them the Duke of Richmond, Prince Lobkowitz and Hugh Percy, future Duke of Northumberland.
During these years, the artist expanded his repertoire with serene pastoral views of Badminton and Warwick Castle, magnificent prospects of the Thames, and the celebrated Interior of the Rotunda at Ranelagh. These works combine Venetian precision with a receptive engagement with English scenery and society. The capriccio revealed at BRAFA embodies this spirit of renewal - a canvas both anchored in Venice and enriched by the imaginative freedom that defined his English period. Its elevated panorama even anticipates the visionary daring that later captivated Turner, who portrayed Canaletto painting outdoors during one of his Venetian stays.
For collectors, connoisseurs and admirers of Venetian art, this canvas offers a rare encounter with #Canaletto at his most imaginative - a harmonious fusion of mastery, memory and artistic freedom.
📍 Join #BRAFAArtFair from 25 January - 1 February at Brussels Expo.
🔗 brafa.art for information & tickets
BRAFA Principal Sponsor: @DelenPrivateBank
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#oldmasterpainting
We are excited to announce that Lampronti Gallery is going to take part in Arte e Collezionismo a Roma!
The fair will take place from 18 to 23 September at Palazzo Barberini @barberinicorsini ).
We look forward to seeing you there!
The story of Judith and Holofernes is the subject of many paintings and sculptures from the Renaissance and Baroque periods. In the story, Judith, a beautiful widow, is able to enter the tent of Holofernes because of his desire for her. Holofernes was an Assyrian general who was about to destroy Judith’s home, the city of Bethulia. Overcome with drink, he passes out and is decapitated by Judith who becomes a heroin for her people.
Painting shown its Judith and Holofernes by Matteo Loves, oil on canvas, 91 x 114 cm, 35 7/8 x 44 7/8 in
We are pleased to present to you our first work in our “Jewels in Painting” series. 💎
This work by Gerrit Van Honthorst contains finely depicted earrings and jewels. The first picture showcases two wonderful pearl earrings that sparkle under the light. The man, on the other hand, is offering a gold chain to the woman, trying to seduce her with a precious gift.
Painting shown is “A Seduction Scene” by Gerrit Van Honthorst (Utrecht, 1592 - 1656), Oil on canvas, 107 x 133 cm, 42 1/8 x 52 3/8 in
Happy Valentine's Day!
Today we celebrate love with the eternal tale of Angelica and Medoro, narrated in Ludovico Ariosto’s Orlando Furioso.
Medoro, a young warrior, is badly wounded in battle. Angelica, a princess of timeless beauty, finds him and, moved by compassion, tends to his wounds. She nurses him back to health in the humble home of a kind shepherd and his family, depicted on the left side of the painting. As Medoro recovers, the two grow inseparable blossoming into a tender love.
In a moment of devotion, they carve their names into the walls of their refuge, sealing their bond for eternity. But love’s joy soon turns to tragedy—Orlando, once madly in love with Angelica, stumbles upon the inscription. Overcome with jealousy and heartbreak, he descends into a furious madness, setting the stage for one of the most iconic episodes of Renaissance literature.
Painting shows is “Angelica and Medoro” by Domenico Fiasella, also called Il Sarzana (Saran, 1589 - 1669, Genoa), oil on canvas, 175 x 215 cm
The week is almost over but BRAFA Art Fair is not!
If you don’t have any plans for the weekend yet, we will be at Stand 64 until February 2nd, from 11am to 7pm.
We understand that not everyone can take a trip to Brussels, therefore we encourage you to visit the 360° Tour of our BRAFA Stand, the link is in bio.
Painting shown is a detail from “Padua, Prato della Valle” by Francesco Guardi (Venice, 1712 - 1793, Cannaregio), oil on canvas, 42 x 84 cm, 16 172 x 33 1/8 in
