Class Robert

Impressions of performances at the finissage of Plastic Palm Trees Never Die at @gr_und photographed by @anasolfebres 1-3 Jusun Lee 4 Hava Erica Zeytin 5-7 Andrea Birmingham

Impressions of performances at the opening of Plastic Palm Trees Never Die at @gr_und photographed by @anasolfebres 1-3 kajo ilve nummi - Fovea kure @sitoisikositoi 4-5 Bea Mensing - 100 lines in 100 minutes @beasunnysideup 6-8 DIKEN - Sevecem Ben Seni @000dkn 9-10 noano el-metwally - deep dive into the nile, mother dove, heaven, i am my own @norrenono 11-13 Eva Ingver + p0bre diabla - Ballad of the Cabled Volants @evaevaevaeva__ @p0brediabla

Looking back at Plastic Palm Trees Never Die at @gr_und last year. Photographed by @anasolfebres 🖤

Looking back at Plastic Palm Trees Never Die at @gr_und last year. Photographed by @anasolfebres 🖤

I’ve been shape shifting too much, now I don’t know where I end and the world begins I’ve been bending and speaking different languages There’s no shared tongue now No common experience I’m dissolved I’m a plastic bird, a chandelier, I’m a mirror, a songstress and negotiator. I’m a Glock 19 ✴️ 𝓟𝓵𝓪𝓼𝓽𝓲𝓬 𝓟𝓪𝓵𝓶 𝓣𝓻𝓮𝓮𝓼 𝓝𝓮𝓿𝓮𝓻 𝓓𝓲𝓮 opening 13.11. 18h-22h group exhibition by @klasse_robert shown at @gr_und curated by @000dkn  @ellabliss_____  & @dolfmenagonz 🌀 @whooisam @sitoisikositoi @makeout_and_shazam_dubstep @hwyled @beasunnysideup @fauxxdelia @destagsregen @anasolfebres @jusumjusun @eestio @kniiiivves @hungrydaughter @artsiinaomii @evaevaevaeva__ @p0brediabla @norrenono @000dkn @ellabliss_____ @dolfmenagonz poster by @dolfmenagonz

Find us is room 90 + 94 + the Aula today and tomorrow 10:00-23:00

Opening this Friday at Rundgang UdK Berlin, Open Friday to Sunday. After a year of working side by side in the studio, the artists removed their furniture, stored it invisibly, painted the walls, and cleaned the floors. They erased most of their traces, yet these persist – a residual coexistence, silent yet insistent. Each practice carries a whole world within it, metabolising grief, rage, prayer, or dormant witnessing. Some works invent new mythologies to survive what is coming, while others function as archives of memory, refusing erasure. The artworks offer no pretence of solutions. Instead, they remain with what they carry, creating a space to exist without being purified into hope. “collecting branches for a temporary shelter * tomorrow is perfect” is to desire for myths about anti patriarchal tooth fairies, it is honoring the mother of many, it is to contain the fragility of memory in glass, it is stillness, stuckness, the stickiness of the earth and its radioactivity in between. Artists exhibiting @ellabliss______ @hwyled @aylinderya_ @dolfmenagonz @lucy.rosablanca @sarah_ama_duah @artsiinaomii @evaevaevaeva__ @noanoelmo Curated by @kniiiivves @ben.heiko @l4uryf0ng Poster by @dolfmenagonz

match matched alone is a match, match matched together is also a match at Gropius Bau as a part of ‘Interpretations of Grapefruit’ by abiye okujagu @t4thanx and sol @solsol.sos.solsol photos by Anasol Michael Forbes @anasolfebres

Windows Crashing In performed at Gropius Bau as a part of ‘Interpretations of Grapefruit’ by Noano El-Metwally @noanoelmo and Kajo Nummi @sitoisikositoi photos by Anasol Michael Febres @anasolfebres

Convenience Store performed at Gropius Bau as a part of ‘Interpretations of Grapefruit’ by Alina Amer @alina.3amer , Carmen Ng carmennng_g, Jared Marks @jadedmarxist , Holly Mia @makeout_and_shazam_dubstep and Ella Bliss Walker @ellabliss______ photos by Anasol Michael Febres @anasolfebres

Three Potential Performances performed at Gropius Bau as part of ‘Interpretations of Grapefruit’ by Elena Herrmann @eddnandde Photographs by Anasol Michael Febres @anasolfebres

Printing Station performed at Gropius Bau as part of ‘Interpretations of Grapefruit by Sarah Estio @eestio and Alexandra Ittner @alexandra.ittner photographs by Anasol Michael Febres @anasolfebres