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Melange Grotesk Specimen Melange Grotesk is the synthesis of 20th-century grotesque type design, blending elements of early, neo-, and geometric approaches to linear letterform design. It is truly modernist at heart, seamlessly merging the early systematic approach proposed by designers like Walter Käch with the optical balance and warmth of the neo-grotesques of the late 50s, represented by typefaces like Helvetica or Univers. Slightly geometric proportions, low contrast, and open terminals result in a smooth texture in paragraphs, while in large sizes, every word becomes a logotype. Melange Grotesk comes in an exceptionally wide range of weights, giving the user a maximum amount of control in choosing the right fit for any environment. Its development started in late 2021 by founder Michael Clasen as a result of a close study of the grotesque heritage. Design @michael_clasen Kerning Igino Marini Mastering Daniel Weiand Team @annasophia.pohlmann @claudio_bolz_ @michael_clasen #melangegrotesk #kimeratypefaces #kmrapparat #365typefaces #typographic #typedesign #typeface #thetypist #typematters #designfeed #typeinspire #grafikradar #typelover #lebenliebegrafik #certainmagazine #itsnicethat #layout #visualcommunication #tomorrow_featured #type01 #designeverywhere #collectgraphics #lavendrtype #grafikfeed #graphicdirectory #graphicindex #inonica #typosters #icographica #digitalarchive

Melange Grotesk Concept Melange Grotesk is the synthesis of 20th-century grotesque type design, blending elements of early, neo-, and geometric approaches to linear letterform design. It is truly modernist at heart, seamlessly merging the early systematic approach proposed by designers like Walter Käch with the optical balance and warmth of the neo-grotesques of the late 50s, represented by typefaces like Helvetica or Univers. Slightly geometric proportions, low contrast, and open terminals result in a smooth texture in paragraphs, while in large sizes, every word becomes a logotype. Melange Grotesk comes in an exceptionally wide range of weights, giving the user a maximum amount of control in choosing the right fit for any environment. Its development started in late 2021 by founder Michael Clasen as a result of a close study of the grotesque heritage. Design @michael_clasen Kerning Igino Marini Mastering Daniel Weiand Team @annasophia.pohlmann @claudio_bolz_ @michael_clasen #melangegrotesk #kimeratypefaces #kmrapparat #365typefaces #typographic #typedesign #typeface #thetypist #typematters #designfeed #typeinspire #grafikradar #typelover #lebenliebegrafik #certainmagazine #itsnicethat #layout #visualcommunication #tomorrow_featured #type01 #designeverywhere #collectgraphics #lavendrtype #grafikfeed #graphicdirectory #graphicindex #inonica #typosters #icographica #digitalarchive

Custom stencil typeface for @thefacemagazine Developed in collaboration with @jonnylu and @laramayz @daniel_._johns based on a study of archival issues and their iconic use of Berthold’s stencil version of Akzidenz. “Face Grotesk” extends the original with a dedicated text cut featuring more pronounced stencil gaps, increasing flexibility across sizes and applications. Used alongside a custom typeface by the talented people of @outline____online Design @kimeracorp @michael_clasen Campaign @kimeracorp @michael_clasen @johannes.pejas @object.theory

Letterpress cliché as a certificate for Swiss jewelry designer Otto Künzli — awarded at the Jewelry Matinee of Pinakothek der Moderne – Die Neue Sammlung with the title “Ambassador of Jewelry.” Typeface in use KMR Melange Grotesk @pinakothekdermoderne @dieneuesammlung Design @michael_clasen @johannes.pejas for @kimeracorp Campaign @object.theory Photography @dominik.leingartner Special thanks to @studiocnp Production @graveurbetrieb_berneisch

Waldenburg takes the big screen. Starring in Joachim Trier's masterpiece @sentimentalvaluefilm

Waldenburg in use by @aceandtate

Long time in the making: Meet KMR Intertype – an interpretation of the duplexed (uniwidth) typefaces optimized for the Harris-Intertype typesetting machines of the late 1950s. A uniwidth typeface is one in which every style shares identical metrics for each individual letter. This means that switching to bold or italics won’t alter the layout or cause reflow. In the era of mechanical typesetting, this was immensely practical: you could highlight passages without risking a broken composition. And the idea still holds up today – especially on the web, where responsive layouts benefit from stylistic changes that don’t trigger reflow. Coming to your local kimera outlet very soon. Credits: Type Design @michael_clasen @annasophia.pohlmann Campaign @object.theory #kmrintertype #kimeratypefaces #365typefaces #typographic #typedesign #typeface #thetypist #typematters #designfeed #typeinspire #grafikradar #typelover #lebenliebegrafik #certainmagazine #itsnicethat #layout #visualcommunication #tomorrow_featured #type01 #designeverywhere #collectgraphics #lavendrtype #grafikfeed #graphicdirectory #graphicindex #inonica #typosters #icographica #digitalarchive

Cursor Gothic is the new typographic core of the @cursor_ai identity – designed to unify product and brand communication. The typeface includes a custom icon set designed for clarity and consistency across web and product use. It also features a set of ligatures that allow users to recreate the various Cursor logotypes and align text precisely behind them. Based on Cursor Gothic, a monospace version – Cursor Mono – is currently in development for use within the code editor. Creative Direction & Design @kimeracorp @michael_clasen @justinjaywang Type Design @kimeracorp @michael_clasen Campaign @kimeracorp @michaelclasen @object.theory #cursor #branding #customtypeface #corporateidentity #artdirection #designfeed #typeinspire #grafikradar #typelover #lebenliebegrafik #certainmagazine #itsnicethat #layout #visualcommunication #tomorrow_featured #type01 #designeverywhere #collectgraphics #lavendrtype #grafikfeed #graphicdirectory #graphicindex #inonica #typosters #icographica #digitalarchive!

After a year of work our shop is finally online! w @nedkamburov

We partnered with @cursor_ai to refresh their visual identity, introducing a new logo, wordmark, custom type system and an update of their website. At its core is Cursor Gothic, a bespoke typeface built for the brand’s interface and communication. It includes a custom icon set for the website and the code editor, keeping the visual language consistent across all touchpoints. A new monospace typeface, tailored specifically for coding, is currently in development. The rebrand also introduced new logos and app icons, optimized for legibility, designed to work together as a cohesive system across product, web and social platforms. More coming soon. Creative Direction & Design @kimeracorp @michael_clasen @justinjaywang 3D Renders @yannikwenk Type Design @kimeracorp @michael_clasen Campaign @kimeracorp @michaelclasen @object.theory #cursor #branding #customtypeface #corporateidentity #artdirection #designfeed #typeinspire #grafikradar #typelover #lebenliebegrafik #certainmagazine #itsnicethat #layout #visualcommunication #tomorrow_featured #type01 #designeverywhere #collectgraphics #lavendrtype #grafikfeed #graphicdirectory #graphicindex #inonica #typosters #icographica #digitalarchive

Attention! Long Vehicle approaching. Waldenburg Extended Updated coming soon… #waldenburgtypeface

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