Keepsake Project

🏠「肉中之肉」詩歌寫作交流會招募 （EN ⭣ ）🏠 詩歌如何與創傷交織？ 我們如何通過書寫，與創傷中的身體、語言及言外之物共存？ ⋯⋯ 「肉中之肉」是對詩歌寫作經驗的探索，也是對中文寫作體感層面的交流。我們邀請七位詩人分享個人在創作過程中收穫的經驗以及遇到的困惑。在三個小時的工作坊中，我們試著交流寫作心路、情感暗湧、私人歷史、與創作方法的沉默和訴說。 📅 3 月 7 日 下午2–5時, 地址 N4. 請於 2 月 23 日前掃描二維碼/通過 Keepsake Project 主頁鏈接註冊 📖 活動將以國語進行，間以英文或一切令參與者舒適的語言。本活動不僅面向詩人，同樣歡迎通過影像、散文、小說等媒介創作詩歌的寫作者。 *･゜ﾟ･*:.｡..｡.:*･'･*:.｡. .｡.:*･゜ﾟ･* 🫁 Calling contributors for 𝙵𝚕𝚎𝚜𝚑 𝚘𝚏 𝚝𝚑𝚎 𝙵𝚕𝚎𝚜𝚑: A Workshop on Poetic Writing 🫁 - How does poetry braid with trauma? - What are the modes of being and writing that may respond to the bodies, languages, and the unspeakable and inaudible matters sedimenting through trauma? 𝙵𝚕𝚎𝚜𝚑 𝚘𝚏 𝚝𝚑𝚎 𝙵𝚕𝚎𝚜𝚑 explores the practice of poetic writing with, within, from, and through trauma. The workshop also seeks the specificities of poetic writing within Sinophone bodies and lineages. During this afternoon gathering, seven poets will share their presence through discussion and silence. We will explore ways to attune to personal trajectories, affective undercurrents, embodied knowledge, and the skilful approaches that sustain the transmutation between fleshy holdings and poetic utterances. 📅 2–5 pm, 7th March, 2026, postcode N4. Apply before 23rd February by filling out the form in Keepsake Project’s bio / via QR code 📖 Conversation will be held in Mandarin, with English or any other language of comfort. We welcome poets, as well as writers using film, prose, fiction, and/or other media as their means of poetic writing.

Hi there! In a New Year of reuniting and reconnecting, we’ll host a tea/salami gathering party in this Friday. Welcome all old and new friends who can sit together in a warm and comfortable place and share food, love, troubles and recent thinking. Maybe it‘s an old friend that you haven’t seen in years due to international travel restrictions, maybe it‘s the first time you’ve met someone online for years, or maybe it‘s a friend of a friend who pays attention to the same topic. We believe in the round table approach of seeking common ground while reserving differences, in equal and patient sharing and listening, and believe that these will give us the oxygen to breathe and innovate in the tides of our time. We offer special snacks and drinks such as osmanthus black tea, salami sausage, Pakistani dates, as well as temporarily confidential ones.

(Homing, or) Adverse Possession comes to the end in the gatherings of our cultural food and laughters

Last chance to catch up the amazing works before we close tmr!

1. The Kick (2019); and 2. The Dishes (2023) by Sae Yeoun Hwang at (Homing, or) Adverse Possession, open until May 18th 🌞

Finally a day with sunlight 🌞 🌞 🌞

Thank you everyone who came to the private view - The housewarming party is becoming a house-heating one! For those who didn't make it today - we have the public opening aka curator talk, & guided tour tomorrow!

Introducing Dorothy Cheung (@dorothy_films ), our last artist showing in (𝑯𝒐𝒎𝒊𝒏𝒈, 𝒐𝒓) 𝑨𝒅𝒗𝒆𝒓𝒔𝒆 𝑷𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏 ✨✨ 🦋Dorothy Cheung is a filmmaker and artist from Hong Kong. Her practice explores the notion of identities and home through a double perspective - personal and political, memory and forgetting. Her moving-image works are internationally selected for film festivals including International Film Festival Rotterdam, Leeds International Film Festival, Seoul Women’s Film Festival, South Taiwan Film Festival and Queer Lisboa. TONIGHT! (𝑯𝒐𝒎𝒊𝒏𝒈, 𝒐𝒓) 𝑨𝒅𝒗𝒆𝒓𝒔𝒆 𝑷𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏 May 12 (Fri)- May 18 (Thu) 11-6 pm Private View: May 12 (Fri) 5-8 pm Public: May 13 (Sat) - May 18 (Thu) 11-6 pm Curator Talk/Guided Tour : May 13 (Sat) 2 pm Private Residence, RSVP for the detailed address (Link in bio)

Introducing Sae Yeoun Hwang (@yoyokoolkool ), one of eleven artists showing in (𝑯𝒐𝒎𝒊𝒏𝒈, 𝒐𝒓) 𝑨𝒅𝒗𝒆𝒓𝒔𝒆 𝑷𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏 ✨✨ 💖Sae Yeoun Hwang (b.1994) received an MA in Painting from the Royal College of Art. Her work has been exhibited in galleries including Unit 1 Gallery | Workshop, Fold Gallery, and The Factory Project. She was an artist in residence at Reading Museum in 2021. Her work explores the intersection between personal experience and universal themes. Her work is influenced by a fusion of memory, imagination, and real-life encounters, presenting non-linear narratives that reflect both micro and macro aspects of self and life. 💖Growing up in multiple cultures, she was often viewed as an Asian immigrant in Western eyes, which provided her with a unique perspective on societal norms and the experience of being the perpetual outsider. Her artwork incorporates humor as a defense mechanism, exploring its power to diffuse the weight of serious subjects. She is interested in the mechanics of humor and who gets to partake in the joke. By understanding the underlying context of humor, viewers' socio-economic, cultural, and political acuity is revealed, challenging the essence of the joke itself. (𝑯𝒐𝒎𝒊𝒏𝒈, 𝒐𝒓) 𝑨𝒅𝒗𝒆𝒓𝒔𝒆 𝑷𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏 May 12 (Fri)- May 18 (Thu) 11-6 pm Private View: May 12 (Fri) 5-8 pm Public: May 13 (Sat) - May 18 (Thu) 11-6 pm Curator Talk/Guided Tour : May 13 (Sat) 2 pm Private Residence, RSVP for the detailed address (Link in bio)

📹PRIVATE VIEW FRIDAY You know... we have a very long installation process, so we take breaks, listen to music, and organize books. But tomorrow, most of our artists are coming to install their work, and the exhibition is opening a day after!! Can't wait to meet everyone. Here's some more sneak peek in case nobody checks the story. See you soon!

🪁Introducing Wing Ka Ho Jimmi (@groundhooo ), one of eleven artists showing in (𝑯𝒐𝒎𝒊𝒏𝒈, 𝒐𝒓) 𝑨𝒅𝒗𝒆𝒓𝒔𝒆 𝑷𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏 ✨✨ 🪁Wing Ka Ho Jimmi(b. 1993), from Hong Kong, currently based in the UK, explores political, social, and immigration-related history in his photography. For him, the relationship between memory and migration is a continuous journey, a theme that prompts reflection and contemplation. His latest project, "So close and yet so far away," showcases the traces of history and the passage of memory, as well as how these experiences and traumas shape self-awareness and a sense of belonging in modern society. 🪁His works have been featured in The Photographers' Gallery, the Kyoto International Photography Festival, and he is also one of the recipients of the 2021/22 Royal Photographic Society Postgraduate Bursary and a nominee for the C/O Berlin Talent Award. (𝑯𝒐𝒎𝒊𝒏𝒈, 𝒐𝒓) 𝑨𝒅𝒗𝒆𝒓𝒔𝒆 𝑷𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏 May 13 (Fri)- May 18 (Thu) 11-6 pm Private View: May 12 (Fri) 5-8 pm Public: May 13 (Sat) - May 18 (Thu) 11-6 pm Curator Talk/Guided Tour : May 13 (Sat) 2 pm Private Residence, RSVP for the detailed address (Link in bio)

🪡Introducing Leslie Tan (@leslesslies ), currently collaborating with xiaoyu1002 for site-specific installation in (𝑯𝒐𝒎𝒊𝒏𝒈, 𝒐𝒓) 𝑨𝒅𝒗𝒆𝒓𝒔𝒆 𝑷𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏 ✨✨ 🪡Leslie Tan is an artist based in London who works with various mediums, primarily fabric and textiles, as well as 3D animation. However, due to her severe ADHD, she often needs to collaborate with others to stay focused on one task instead of trying to do many things at once. Despite this challenge, her work showcases her penchant for clothing language that is excessive and uncontrolled, as well as visually chaotic pieces. . (𝑯𝒐𝒎𝒊𝒏𝒈, 𝒐𝒓) 𝑨𝒅𝒗𝒆𝒓𝒔𝒆 𝑷𝒐𝒔𝒔𝒆𝒔𝒔𝒊𝒐𝒏 May 12 (Fri)- May 18 (Thu) 11-6 pm Private View: May 12 (Fri) 5-8 pm Public: May 13 (Sat) - May 18 (Thu) 11-6 pm Curator Talk/Guided Tour : May 13 (Sat) 2 pm Private Residence, RSVP for the detailed address (Link in bio)