Kasper De Vos

Seizoens arbeid. 2020, hout, polyestertouw Door het veranderende klimaat eindigt vandaag officieel het asperge seizoen vroeger dan vroeger. #asperges #plus_one_art

The cows are the most social things i see these days They munch the grass in twos and threes And stalk off to the milk parlour. First phrase of the poem #elladeburca wrote for my exhebition @plus_one_art 'A shepard Poem' on vieuw till 11/04 #chestnut #plusonegallery

"anatomy of the self" 2017-2018 Plastelina, studio objects

Final weekend to visit ‘Peace Nuts’ by Kasper De Vos! @kasper.devos The exhibition takes the acorn as its point of depar­tu­re, a natu­ral form desig­ned to fall and give rise to new life. Within this form, he recog­ni­zes a stri­king resem­blan­ce to the bomb, an object desig­ned by humans to fall in order to destroy. The wor­king pro­cess reflects a tra­di­ti­o­nal, craft-based appro­ach, whe­re the sca­le of the objects rela­tes direct­ly to both the dimen­si­ons of the trunks and the body of the artist. Nota­bly, the pop­lar acorn is the only hol­low pie­ce in the series — a tech­ni­cal expe­ri­ment inten­ded to con­trol the natu­ral crac­king of solid wood, though in the rest of the series, De Vos choo­ses instead to embra­ce the material’s unpre­dic­ta­ble and raw characteristics. ••••••••••••••••••••
 𝗞𝗮𝘀𝗽𝗲𝗿 𝗗𝗲 𝗩𝗼𝘀 — 𝗣𝗲𝗮­𝗰𝗲 𝗡𝘂𝘁𝘀
Sat — Sun: 11:00 — 18:00 Entrance: Pay What You Can ••• More info via link in bio

We are very happy to share that Kasper De Vos received the Discovery Acquisition Prize 2026 presented by Moleskine at Art Brussels yesterday. The work “gesneden geslepen gespleten”, 2026 will join the collection of Musée d’Ixelles, alongside works by Lena Marie Emrich and Alejandra Caicedo. The museum is consolidating its artistic narrative by integrating voices that question the object, the body, and territory —three pillars of its collection. The work of Kasper De Vos explores folklore, local history, and art through a conceptual and poetic lens. The inclusion of this work helps bridge the museum’s 19th- and 20th-century Belgian art collections (such as surrealism or abstraction), by reinterpreting the codes of popular culture and everyday materials. Visit us at booth 5A-06 at the Discovery Section of Art Brussels 2026. pictured: Kasper De Vos “gesneden geslepen gespleten”,2026. Wood, pencil, acrylic paint @museedixelles_museumvanelsene @moleskine @artbrussels

BOOTH 5A-06 at Art Brussels 🔥 Kasper De Vos (b. 1988, BE) lives and works in Ghent, Belgium. He studied sculpture in Antwerp and Ghent (2009–2012) and completed a postgraduate program at the HISK in Ghent. His sculptures and installations arise from a tactile and visual pleasure, a play of formal and conceptual associations that invite wonder and dreaming.

🇮🇹🏔️ Last week I had the enormous privilege of staying at @rifugio_val_di_togno in the Italian Alps. At the invitation of @pizzagalleryspace and @t_siffer I got the chance to make a work there that had been maturing for a long time. 🧀🏔️ With found pieces of stone from the area. I made alpine cheese. Referring to the local cultural heritage of cheesemakers who graze the alpine pastures each summer. This to preserve the cultural landscape. With Cheese as a cultural product. unique in shape, color and taste everywhere in Europe. And determined by geological and cultural diversity. Huge thanks to the wonderful hosts @elslybeer and Thomas Siffer and the fantastic travel companions @enpleinpublic @robertmonchen @mariami.tsotadze @kalliope_lino @anekin01 Pictures by @ anekin01

The exhi­bi­ti­on ‘Pea­ce Nuts’ by Bel­gi­an artist Kasper De Vos @kasper.devos takes the acorn as its point of depar­tu­re, a natu­ral form desig­ned to fall and give rise to new life. Within this form, he recog­ni­zes a stri­king resem­blan­ce to the bomb, an object desig­ned by humans to fall in order to destroy. 
The resem­blan­ce bet­ween the acorn and the bomb forms the point of depar­tu­re for a pro­duc­ti­on pro­cess in which monu­men­tal wooden acorn forms are cre­a­ted from tree trunks of various wood spe­cies. The wood was col­lec­ted during a jour­ney through Austria, and the works were finis­hed during a resi­d­en­cy at Jes­ter in Genk. 
••••••••••

𝗞𝗮𝘀𝗽𝗲𝗿 𝗗𝗲 𝗩𝗼𝘀 — 𝗣𝗲𝗮𝗰𝗲 𝗡𝘂𝘁𝘀
𝟯𝟬.𝟬𝟭 — 𝟭𝟬.𝟬𝟱.𝟮𝟬𝟮𝟲
 ••• Opening weekend: — Fri 30.01 | 20:00 — 24:00 — Sat 31.01 | 11:00 — 18:00 — Sun 01.02 | 11:00 — 18:00

••• Entrance: Pay What Yo Can
••• More info via link in bio

Warm wishes for 2026 🏮🏮🏮 from the studio storage 🐦‍🔥🍁💥lamps made in 2025 from heating fuel barrels

ⓙⓔⓢⓣⓔⓡ warmly welcomes its current resident Kasper De Vos! Kasper De Vos (°1988, BE) lives and works in Ghent Belgium. Followed sculpture training in Antwerp and Ghent (2009-2012) and a postgraduate course at the HISK in Ghent. His sculptures and installations stem from a tactile and visual pleasure, a play of formal and substantive associations that make us wonder and dream. He exhibited his work at plus one Gallery Antwerp and Rodolphe Janssens gallery Brussels, De Brakke Grond Amsterdam and Mukha Antwerp. Participated in several group exhibitions such as ‘How to live together’ at Kunsthalle Vienna, and ‘Prelude Melancholie for the future’ at Museum Dhond’t Dhaenens, Udden Sculpture festival at Bohuslan Sweden. His work is in several private and public collections including M KHA, MuZee, Roger Raveel museum and Middelheim sculpture park Antwerp where his work is permanently on view. NL Kasper De Vos (°1988, BE) woont en werkt in Gent, België. Hij volgde een opleiding beeldhouwkunst in Antwerpen en Gent (2009-2012) en een postgraduaat aan het HISK in Gent. Zijn sculpturen en installaties komen voort uit een tactiel en visueel genot, een spel van formele en inhoudelijke associaties die ons doen verwonderen en dromen. Hij stelde zijn werk tentoon in plus one Gallery Antwerpen en Rodolphe Janssens gallery Brussel, De Brakke Grond Amsterdam en Mukha Antwerpen. Hij nam deel aan verschillende groepstentoonstellingen, zoals ‘How to live together’ in de Kunsthalle Wenen, ‘Prelude Melancholie for the future’ in Museum Dhond’t Dhaenens en het Udden Sculpture Festival in Bohuslan, Zweden. Zijn werk is opgenomen in verschillende private en publieke collecties, waaronder M KHA, MuZee, het Roger Raveel Museum en het Middelheim Beeldentuin in Antwerpen, waar zijn werk permanent te zien is.

A minimal website, designed and developed for visual artist Kasper De Vos. 🟥🔷🟩🟡 This website presents itself as archive which can be navigated by date or colour. The oh-so-present UNO-card serves as an alternative interface to filter the website’s images by the core themes that define Kasper’s work. A playful ‘easter egg’ embedded in an otherwise minimal digital environment. Go check it out: • • #webdesign #graphicdesign #webdevelopment #madewithkirby #artist #artistportfolio #artistwebsites #kasperdevos #visualartist #uno #unocard

I get in the water. Lara makes a question mark with apples, that she found in the grass. A muddy catfish at the lake. Bushfires on wood. A lake is like the drum from the moon, someone told me in a feverish dream. Your mother still runs here after the goose. You can feel her love. Everywhere. This place does not exist. Let’s do a parade. Someone who is here, wants to put himself on fire. I’ve heard that they`ve built a katapult for a man who never saw a falling star. There was also a guy here who fell from the sky. And then he helped to clean our shit out of the toilet bins. And then he cycled all the way home. For years he was on the road. He still is. A viking with stones on fire. The water in the lake is getting lower, but if you want to catch the big fish, you’ve got to go deeper. A lake is like the drum from the moon, someone told me in a feverish dream Together with a fish named Su, always chasing helicopters, waiting for the snake lady to arrive. Can’t you see that everything is here already? Why do we keep chasing helicopters? Let’s bring the boat to the water. Let’s dive in, and never return. And when we wake up, we will take a last ride on the catfish. Let’s have a look from the other side. These waves might never disappear. To all of you and the drum from the moon, to the catfish, to Robert Monchen, to Meer Meer. See you at the lake.