Dropped my art bag on qscs kw153s so I think we gotta run it up … I’ll lend to any friend for a pack of darts (free for weddings) if u want delivery n pick up I’ll do $100 for petty , if it’s a big space u need a sub on top but
#asianmoney
Yeh… Sun on da tarmac , back 2 the area I go , n now I am reminiscing about this tragic slappa from @jonnoxrevanche … perfect recap for 2025 cannot wait to do it all again with u next year Eshays psycho damage Sydney style 2026-4eva
Productive Labour, 2015
Made this work 10 years ago now… still haven’t topped it , I was 20 drinking in a pub in woolloomooloo and the idea fell in my lap. I still remember the feeling of discovering a bearing supplier near Windsor that had pillow block bearings w a 50mm diameter. Drove all over Syd and did sm tests to bring Rocky to life. Mum Sold the treadmill after on gumtree , made a profit, bought a snackpack. Miss the old @sca_sydney
‘Visions of the Harbour’ runs til 15 February 2026 at Woollahra Gallery at Redleaf
Pictured is Kalanjay Dhir's work 'Immersion'. The artist describes how swimming in the river became a way of immersing himself in its immediate material conditions, a result of pollutants of industry and colonisation, while also considering its future under immense urban redevelopment.'
'Visions of the Harbour' includes work from:
@penelopeajani@lucy_odoherty@belarofe@maurangi.c.carrol@blue__ruin@dan_exb@fairliekingston1
Marilyn Russell
Peter Kingston
Arthur Murch
Margaret Olley
📸 @jessica_maurer_photography
Been a year since I worked on “a vanishing point” with Akil for @bleed.online
-
A Vanishing Point is a short digital video that follows recently cremated person Ash and its unseen friend, Wind.
Drawing on existing prose from contemporary ballads, Medieval poetry and folk music, Ash reflects on interfaith friendships from its human life. As Wind breathes life into the scene once more, Ash laments, “Do we go to different after-lifes?”
ENVIRONMENT DESIGN, PARTICLE SIMULATION, SOUND DESIGN AND ANIMATION
Akil Ahamat
NARRATION, SCORE AND ANIMATION
Kalanjay Dhir
Built and written on the land, skies n waters of dharawal, dharug and gadigal people x
Cicada wrapped 2024
7 years underground drinking tree sap as a nymph,
waiting for a signal to
Wake up for 4 weeks to scream with the boys, root and then die
Bloodline secured via
120db choir @ 6000 Hz
This was on worimi country
‘There’s a magical thing that happens when I start using the puppet ... that makes people stop looking at me and start looking at the puppet, as if it has come to life.’ @kalanjay@westernsydneyu student and writer, Jonathan Payne interviews artist and musician Kalanjay Dhir. Kal is a member the Parramatta Artists Studios and Pari communities.
A collaboration between Powerhouse and the Writing and Society Research Centre, Western Sydney University, Parramatta Profiles supports the development of student writers. More via 🔗 in bio
📸 @justinnacua
‘Coming Down’ , 2024
A stocktake of artworks and avatars I’ve made over the past 4 years.
Puppets Gitu and Taju made in collab with @parra_flora and @handmade.nandini
Pics by @annakucera.au
Features bits from previous work:
‘a perfect storm’ (2023) shot and scored by @j__elphick - commissioned by @cementfondu
‘a clay life’ (2024) commissioned by @bankstownartscentre
‘habit habit’ (2022) commissioned by @phive.ps featuring art by @pixel.pems and logos by @amyytoma
& congrats to whole gang @kiensitu@charlottehaywood@gilliankayrooz@edithcollier@remy.faint that was fun let’s battle again ⚔️
I’m sure I’m forgetting some but I’ll post from those other artworks soon - I’m in aurangabad now and im gonna go look at some rocks 🪨
