Kevin Fletcher

🎉🎊🙌Very proud to announce this special recognition - Panorama’s “Made in Oregon Award!” Thank you to our amazing crew, our wonderful state, and all the local organizations that have supported us! Couldn’t have done it without you. 🚲🎥❤️ #indiefilm #portlandfilmmaker #portland #bikelife #lessismore

ShotDeck uploaded screen-grabs from It’s What’s Inside today. I use this site all the time, and now I can say one of the films I shot is on the platform; honored to be in the deck!

Up next. Fresh off the SXSW win, I have another feature film, @asimplemachfilm , in 3 festivals next month including @clefilmfest . As @moviemakermag puts it “Relevant to almost everyone in America.” #truth #indiefilm #relevant #whatmattersmost #gobybike

A SIMPLE MACHINE USA | 97 minutes Thursday, April 16 at 7:30pm Hollywood Theatre LOW TICKET WARNING! In a last-ditch attempt to get our of debt, an indecisive young man makes a series of radically frugal lifestyle choices without telling his girlfriend he’s going off the grid. This is the film’s Oregon premiere with director Mark Alan Hoffman in attendance alongside cast Richard Blackmon, Cinematographer Kevin Fletcher, Composer Mark Orton & more. #pdxpanorama #madeinoregon #oregonfilm #asimplemachine #asimplemachinelikethelever #booktoscreen

I am proud to share a second set of frame-grabs from Outdoor School: These images are pulled from the “Urban” portion of the film which is focused on Vin’s family, school, and difficult living environment. This story has hope, but also, harshness. The lenses and camera work didn’t need to further increase an already strenuous story - if anything the images needed a steady softness to get to the humanity. An emotional state where the viewer “feels” connected to the characters while also feeling the light from the windows, and overhead lamp, a soft flare, a reflection… - shot with Masterbuilt Softflares; a modern set of fast lenses with center sharpness and soft-ish edges. They have wonderful highlight roll-off and very pleasing highlight bloom. Not to mention and pleasing skin tones. And I love the flare characteristics… A tree can be a home and a forest can be a school, but raised in the wilds of 90’s Portland, Vin must first learn to be a child - A transformative true story @outdoorschoolmovie Director: @imeetuk Producers: @ifanyibell @vintime DP: @k__fletch Line Prod: @carneyfilm 1st AD: @nokevinsclub Prod Designer: @mdiallo__ 1st AC: Jerry Turner Pinata Post Gaffer: @justhollyward Key Grip: @fritzdakat Wardrobe: @theladyorr @dbarens Sound: @djsesqui @_.raaqel._ Locations: @theejazzzhand @LensKoerner Camera @Masterbuilt_Lenses

On a run of incredible festivals (with more to come) [not to mention AWARDS] - I am thrilled to share some frame-grabs from the movie Outdoor School. When I read the script there were two clear “worlds” - one urban and one in nature at a camp called Outdoor School. In each, the protagonist (a young boy named Vin), has differing experiences. Writer/Director Ime N. Etuk was excited by my proposal to use a different set of lenses for each world. Here you see frame-grabs from the “nature” world where we used B-Tuned Tribe 7s which emotionally matched Vin’s journey: increased focus roll off, colorful eyelash flare, low contrast, and what some describe as their “musical fidelity”. A perfect emotional match… I love how Ime describes the film: “…audiences say they feel like they are there. It’s not pretty, but it’s appropriately beautiful” @outdoorschoolmovie Director: @imeetuk Producers: @ifanyibell @vintime DP: @k__fletch Line Prod: @carneyfilm 1st AD: @nokevinsclub Prod Designer: @mdiallo__ 1st AC: Jerry Turner Gaffer: @justhollyward Key Grip: @fritzdakat Wardrobe: @theladyorr @dbarens Sound: @djsesqui @_.raaqel._ Locations: @theejazzzhand @koerner_camera @7isatribe

From the series: “The Angle of Incidence”

Outdoor School - World Premiere - American Black Film Festival - Miami _ June 2025 So proud of this film, and honored to be a part of it. I hope more movies get made like this: incorporating a training program while shooting that placed underrepresented people in every department. Director: Ime Etuk Exec Producer/storyteller: Vin Shambry Exec Producer: Ifanyi Bell Producer/UPM: Kevin Sullivan 1st AD: Kevin Brown Costume Designer: Erin Orr and Dionne Barens Production Designer - Michael Diallo 1st AC: Jerry Turner Gaffer: Justin Ward Key Grip: Ryan Fritz Locations: Janet Weiss Sound: Edgar Doumerc Camera: Koerner Camera -If I missed somebody, I apologize (reach out to me and I will edit/add)

one month from premiere at Tribeca Festival. Nothing is better than collaborating with intelligent, curious, funny, thoughtful, kind, uber-talented people. Thanks to @Logic for choosing me to shoot Paradise Records: thankful to call him my friend. Without a doubt, one of the great work/life experiences of my life. ——— Kevin Smith - thanks for the wisdom ——— T Man - thanks for the infectious smile everyday ——— A film crew becomes a family of sorts. It takes incredibly dedicated and engaged storytellers to make a movie… From the bottom of my heart - Thanks to the entire crew #tribeca2025 #tribecafestival @tmanthewizard @ThatKevinSmith @JordanMansanto @Destrofilm @Courtneytait @DanielMcGilvray @fredebokken @Carneyfilm @davidsicotte @kristicamera @nicowphoto Brian Mazzola @wardjustin503 @MattSemchee @koerner_camera @pictureshop @Arri @Hawk @Zeisscameralenses @Paradiserecordsmovie @Tribeca

Excited to join the exceptional director/writer/actor Anna Campbell to view and chat about the remarkable award-winning movie we made. It’s playing at LivingRoom theaters this weekend. Shout out to the exceptional people I get to collaborate with: Anna Campbell - Writer / Director / Actor Sascha Fix - Producer AJ Gordon - Producer Chris Pfeifer - Producer Rachel Brock 1st AD Nicole Harbor - 2nd AD Carrie Jordon - Production Designer Andrea Juneau - Script Supervisor Jerry Turner - 1st AC Michael Vukas - Gaffer Bruce Lawson - Key Grip Taylor Lawson - Genius Tyler Stephens - Sound Michelle Stoyanoff - HMU Savannah Gordon - Costume Designer Cristoph Baaden - editorial Ryan Graves - colorist