New York–based commercial photographer creating still and motion imagery for hospitality, beverage, and product brands—designed to elevate your presence in a crowded market.
Your brand deserves more. Let’s create something intentional.
A study in minimal interiors: balancing soft light against clean, structural lines. >
There is a specific discipline in capturing a space this quiet—letting the textures and the natural flow of the room lead the narrative.
The new studio site is now live featuring expanded Architecture and Culinary galleries. Link in bio to explore the full update.
Northport’s landmarks are evolving, and @skippersnpt is a prime example of how thoughtful lighting and facade design can redefine a streetscape. @paulgallowitsch and the team did an incredible job pivoting from the classic pub aesthetic to this modern nautical facade. Documenting these blue hour moments really highlights the intersection of local history and modern aesthetics.
Architecture is really just the result of thousands of micro-decisions—from the texture of the materials to the way the morning light hits a surface.
I captured this frame to highlight the kind of craftsmanship that standard documentation usually misses. For the designers and builders behind these beautiful spaces, the photography should be just as intentional as the design itself.
23h
There’s a fine line between a total mess and a masterpiece. This was a game of microseconds and lighting angles—trying to capture the architecture of a splash without losing the iconic clarity of the bottle.
It’s about finding that "moment of impact" where you can have all that chaos in the air but still keep the composition perfectly under control.
This was supposed to be a day off. My wife took me to the NY Botanical Gardens followed by lunch at one of her favorite spots on Arthur Avenue. We were sitting at a sidewalk table when this dish hit the cloth—the light was grazing the textures just right, and the plating was so perfect I had to reach into my bag for the camera. Sometimes the best shots aren’t the ones you plan, but the ones you’re ready for.
Amber waves of grain.
This was about finding the intersection between a perfectly lit icon and the energy within it. I wanted to capture the heavy viscosity of the swirl—inspired by the way sunlight catches an ocean wave at golden hour—while maintaining the precise form and presence of the bottle.
Bringing the spirit to life through controlled momentum, while keeping the glass itself perfectly still.
Though this wasn’t on the shot list. I was walking between setups when I had to stop—the way the architecture peeled away was too good to ignore. Between the non-existent 90-degree angles and the massive light disparity, it was a technical nightmare, but I had to see if I could capture what I was feeling in that moment. I think some spaces just demand to be noticed.
This one has been living in my head for over 25 years, ever since a throwaway line in There's Something About Mary. I wanted to create a visual that plays with your expectations—something that your eye reads as ice cream until you get closer and see the savory textures. It was a fun study in sculptural food and the art of the "visual trick."
