Jane Garbert

recently shown at in the garden @galerievincenzsala NYM-JG-35 from the anabeki series #janegarbert#soloshow#galerievincenzsala #inthegarden#anabeki Installationshots 📸 @Paula Wald

recently shown at the show passages @feldf ünf Crying, Druck auf Vlies, 240 × 170 cm, 2025 📷 Paula Baum #crying #janegarbert #feldfünf #passages #painting

Save the date! Opening April 25 15:00-19:00 15:30 performance by Olga Hohmann @olgahohoh Location: Parochial-Friedhof Friedenstrße 82 10249 Berlin-Friedrichshain ‼️Cemetery Entrance: The corner of Friedenstr./Weidenweg‼️ Introducing the artists participating in the first chapter of *Phantom Pförtnerhaus* exhibitions program🌚 Jane Garbert is a Berlin based artist. In her artistic practice, she combines poetic approaches with a keen attentiveness to real-life conditions. Her work often begins with seemingly mundane everyday situations—such as provisional constructions, urban details, or processes within work environments — which she documents through photography and film. She then detaches these observations from their original context to reveal new narrative layers. A central theme in her work is everyday ornamentation, as well as the equivalence she draws between daily occurrences and artistic processes. She experiments with a range of materials, translating her observations into painterly and sculptural form. @janegarbert Curated by Iana Pitenko @according_to_iana

We are happy to invite you to the first chapter of the exhibition program Phantom Pförtnerhaus, where participating artists engage with a former Pförtnerhaus (guard house) at the entrance of a cemetery—now reactivated as a site for exhibitions and research. Built in the 1920s and altered over time, the building carries layered traces of historical rupture, everyday use, architectural and affective change. The term Pförtner (from German Pforte, “gate” or “threshold”) refers to a mythological figure - a gatekeeper of passage and in-between states: mediating inside and outside, presence and absence, the living and the dead. The house and cemetery are approached as an affective archive of phantoms. Unlike ghosts, which return as identifiable figures, phantoms are unstable and partial presences. They persist as traces, atmospheres, and discontinuities—embedded in material surfaces and spatial memory, sensed in what is no longer fully present. Drawing on Walter Benjamin’s fragmented conception of history and Mark Fisher’s hauntology, the program reflects on how past temporalities—and futures that never came—continue to shape the present. In a time marked by polarization and historical amnesia, it resists closure and simplification, opening the space for more complex ways of relating to the present—where looking into the past becomes a way of reimagining contemporary conditions and their potential futures. Opening April 25 15:00 - 19:00 Duration: April 25 - May 23 Performance by Olga Hohmann @olgahohoh 15:30 Parochial-Friedhof Friedenstrße 82 10249 Berlin-Friedrichshain ‼️Cemetery Entrance The corner of Friedenstr./Weidenweg‼️ Curator: Iana Pitenko @according_to_iana Artists: Stefano Comensoli_Nicolò Colciago @sc__nc Jane Garbert @janegarbert Olga Hohmann @olgahohoh Daniel Hanh @danielhhan David Kroell @dkroell Giorgio Mattia @giorgiomattia__ Birgit Maria Wolf poster @danielhhan Exhibition is opened by appointment till May 23

#music #inthemaking

recently shown @paintshop as part of the work allies Löwenzahn Glas 2025 thank you, Jason, for providing the space and sharing your knowledge.it made the whole project possible. looking forward to gardening more 🌱 @berlinflameworkingstudio #janegarbert #allies #weeds

heat flow recently shown at vogelschlag October 2025 @spoiler.zone together with: @simon_chovan @estherihmseins @estergasparova @leonievonsaldern @claralilianberger @terez.novak @julieanheinz thank you to @spoiler.zone for this possibility and @lmnk44 for the installation shots. special thanks to clara 💚 #groupshow #spoilerzone #heatflow

#urbangardening

four songs are online- better late than never ;) huge thanks to everyone who’s been supporting me. more to come 🎶🍀 coproduced and mixed by Louis Gee @evolouis_gee mastered by AP Mastering album cover by Solveig Schmid @ssoollvveeiigg synth for picture yourself Dexter Francis Mason @dexterfrancismason lyrics for rage by Lexia Hachtmann @lexiahachtmann poem for time is silent by Solveig Schmid @ssoollvveeiigg You can listen to the songs on bandcamp link in bio #janegarbert

recently shown at @paintshop_berlin with @sophiamuriel_ Allies (Alliances) In the work Allies, Jane Garbert translates the resilience of supposedly inconspicuous plants into filigree glass objects: Dandelion, corn poppy and thistle - plants that are commonly considered “weeds” - become metaphors for different strategies of survival. The installation shows them not as isolated phenomena, but as part of a silent network: a collective web of protection, vulnerability and self-assertion. Garbert is not interested in the obvious, but in the subtle : a quiet but effective form of resistance that works through delicacy and presence. The choice of glass as a material underlines this ambivalence: seemingly fragile, but sharp, durable and clear.
In Alliances, vulnerability is not shown as a weakness, but as a prerequisite for resilience. The plants do not enter into a conscious connection - and yet as an ensemble they form a poetic image of solidary coexistence. #janegarbert #allies #glas #plants

recently shown at @paintshop_berlin with @sophiamuriel_ Allies (Alliances) In the work Allies, Jane Garbert translates the resilience of supposedly inconspicuous plants into filigree glass objects: Dandelion, corn poppy and thistle - plants that are commonly considered “weeds” - become metaphors for different strategies of survival. The installation shows them not as isolated phenomena, but as part of a silent network: a collective web of protection, vulnerability and self-assertion. Garbert is not interested in the obvious, but in the subtle : a quiet but effective form of resistance that works through delicacy and presence. The choice of glass as a material underlines this ambivalence: seemingly fragile, but sharp, durable and clear.
In Alliances, vulnerability is not shown as a weakness, but as a prerequisite for resilience. The plants do not enter into a conscious connection - and yet as an ensemble they form a poetic image of solidary coexistence. #janegarbert #allies #glas #plants

recently shown at @paintshop_berlin with @sophiamuriel_ Allies (Alliances) In the work Allies, Jane Garbert translates the resilience of supposedly inconspicuous plants into filigree glass objects: Dandelion, corn poppy and thistle - plants that are commonly considered “weeds” - become metaphors for different strategies of survival. The installation shows them not as isolated phenomena, but as part of a silent network: a collective web of protection, vulnerability and self-assertion. Garbert is not interested in the obvious, but in the subtle - in soft power: that quiet but effective form of resistance that works through delicacy and presence. The choice of glass as a material underlines this ambivalence: seemingly fragile, but sharp, durable and clear.
In Alliances, vulnerability is not shown as a weakness, but as a prerequisite for resilience. The plants do not enter into a conscious connection - and yet as an ensemble they form a poetic image of solidary coexistence. #janegarbert #allies #glas #plants