Jaime del Corro

⚪BCO⚫ Last year I designed the graphic identity for @serpentineuk arts & tech and @radxchange event 𝑩𝒆𝒚𝒐𝒏𝒅 𝑪𝒖𝒍𝒕𝒖𝒓𝒆𝒔 𝒐𝒇 𝑶𝒘𝒏𝒆𝒓𝒔𝒉𝒊𝒑 at @somersethousestudios . BCO was a day-long gathering that invited attendees to explore and strategise how art and culture can help reshape our understanding of ownership. It gathered artists, activists, researchers, technologists and policymakers to collectively sketch out new imaginaries and practices for more plural and relational protocols for interdependence through (un)conferences, flash talks, conversations and collective discussions. The graphic identity and custom typeface take inspiration from interdependence models found in nature, also known as ‘collective excitations’: ripples, viral infections, flower blossoms, fungal colonies, magnetism or gravity. A biggest thanks to my friend @roxyamina , without whom I hadn’t had this opportunity, and to @eva__jaeger for such a trustful, smooth and close collaboration experience! Identity and bespoke typeface: 🙋‍♂️ Motion design typeface and symbols: @gerardmallandrich Motion design assets and images: 🙋‍♂️ With guest speakers: @holly_herndon @matdryhurst @ladydangfua Adrienne Buller @hilary_cottam Divya Siddarth @indy_johar ________ #thedesignblacklist #repostersworld #postereposter #collectgraphics #lebenliebegrafik #selectedwork #designeverywhere #graphicdirectory #typosters #graphicindex #visualgraphic #aiga #itsnicethat

Este sábado ᏕᎮᏋᏦ, Asalto #9 a cargo de @claudia.rebeca.lorenzo en Bizkaia por @canicheeditorial Texto: Gema Intxausti Fotografía y documentación: Álvaro Perdices ____ #thedesignblacklist #repostersworld #postereposter #collectgraphics #lebenliebegrafik #selectedwork #designeverywhere #graphicdirectory #typosters #graphicindex #visualgraphic #aiga #itsnicethat

Cap. III: Extender la mano y agitar el pigmento Inauguración: Sábado 4 de octubre de 12 a 18h @espaciogaviota (Calle de la Gaviota, 25, Carabanchel, 28025. Madrid) La intención de esta exposición es explorar la pintura contemporánea en España a través de la lente de la materialidad del color—como organizador, como mercancía, como comunicador de ideología y como sistema de categorización del espacio y la forma. Esta exposición desplaza la atención hacia otro componente de la figuración pictórica: el pigmento como material, para indagar en cuestiones relacionadas con el consumismo, la identidad nacional, el colonialismo y los sistemas epistemológicos de ordenamiento que sostienen tales ideologías. Comisariada por @carmen_lael_hines y @robertomajano Diseño Gráfico @jaidelcorro Artistas: @cristinagarridowork #ElenaAsins @manu_blazquez @paulagarciamasedo @r.silvac @studiocristinalucas Con el apoyo de @madrid y la colaboración de @albarran.bourdais @galeriathegoma @freijogallery @luisadelantadovlc

Identity for ANIMARIO. Organized by @cinetecamadrid and @mataderomadrid , designed in collaboration between @victor.clemente_ @alfonso_yordi @emmegu and @jaidelcorro ANIMARIO is the international contemporary animation film festival of Madrid, with Poland as its invited guest country for the 2024 edition. This year’s graphic identity is inspired by ‘wycinanki’, a traditional Polish art of paper cutting born in the XIXth century. It involves creating intricate designs by cutting and layering paper, through which families depicted their daily lives and decorated interior spaces. The term comes from the Polish verb “wycinać,” which means “to cut out”. Parting from this research, the visual identity aims to bring a traditional technique into a contemporary language, mixing the rural and the fantastic, history and modernity. Music score by the wizard @pb___sr Special thanks @mario__cano__

💌 to Cabo de Gata Collage of images collected during our first 4-day expedition through land and sea in Cabo de Gata, Almería 🦂🐚🌾 with @radical_outdoors_club last year 🌞 A gathering of memories, objects, landscapes and people we met through the way. From my 🤎 to the land 🪢 ____ #thedesignblacklist #repostersworld #postereposter #collectgraphics #lebenliebegrafik #selectedwork #designeverywhere #graphicdirectory #typosters #graphicindex #visualgraphic #aiga #itsnicethat

𝕊𝕡𝕝𝕒𝕤𝕙𝕚𝕟𝕘 𝕄𝕚𝕖𝕤 gathers the intervention by artist @peral_alberto for the Mies van der Rohe Pavillion in Barcelona, ​​designed by Mies van der Rohe and Lilly Reich for the 1929 Barcelona International Exhibition. Peral's work takes the building's most recognizable elements as their starting point—the reflections in the stones, glass, metals, and water surfaces, and the legendary structural and constructive rigidity of the German genius—and thus challenges what is commonly accepted. With practically a single element, which he places in different locations and gives a variety of uses (beams that do not support anything, pillars that are not pillars, pipes as fountains that break the stillness of the ponds), he aims to redefine the myth, stripping it of its sacrosanct coldness and thus bringing it closer to the Mediterranean enjoyment of the contradictions on display and of the water that flows and splashes us. As silently playful as the installation, the publication establishes cues guiding the reader into its own tricks and happenings. A reflective surface, an upside-down title, pillar-like typography and thin materials. Pictures are by Juande Jarillo Text by David Mesa. Published by @canicheeditorial

Recovering a most beloved project ♋ Last year I had the great luck to collaborate with @la_vica_ , an artist and human I admire very very much "ITA" is an audiovisual living organism, a contemplative system in movement like a world in entelequia swinged by the rhythm of an improvised concert. "ITA" means flower in Mixteco. This project felt to me like an insight into the sculptural and illustrative potential in letters. Into how thinking like a film-director when drawing letters can lead! I let myself be guided by the film, and rather than thinking of the letter, I thought of the little beings I was trying to create. So happy to have put a lace to this magical artwork 🎀 Directed by @la_vica_ Letters by 🙋🏻‍♂️ 3D in slide 2 by the magician @clumsycas 🩰

Queridos amigos🍸 Os recordamos a todos que el miércoles 3 de julio os esperamos en Calle Pradillo 11 para celebrar un nuevo modelo de galería. Enfatizamos el compromiso con nuestros artistas y seguiremos trabajando como representantes y a nivel comercial siguiendo una vocación de progresiva internacionalización del proyecto. A partir de las 19h presentaremos una selección de obras icónicas dentro de nuestra trayectoria y brindaremos con nuestros artistas, amigos y colaboradores. Habrá sorpresas 👀 ¡os esperamos! Agradecimiento especial a @jaidelcorro por su cariño, dedicación y talento gráfico durante estos años 🚀

SPEK, publicación de @claudia.rebeca.lorenzo por @canicheeditorial is grown and out 🌳🌱🌺 ____ La raíz indoeuropea spek ha ido propagándose, floreciendo y ramificando de manera entrelazada entre distintos idiomas: speculo en latín, espejo en castellano, ispilu en euskera. Los viajes a la raíz etimológica suelen estar plagados de desviaciones compatibles con irse por las ramas. Así, las ramas acaban imitando a las raíces, desplegándose y creciendo de manera azarosa y las raíces ramifican como en un juego de espejos invertidos. Esta publicación recoge la intervención que desarrolló la artista Claudia Rebeca Lorenzo en el jardín de Iturribide Etxea durante las obras de rehabilitación de la futura sede de caniche. La acompañaron en el proceso Gema Intxausti, que elaboró el texto, Álvaro Perdices, que documentó y fotografió la intervención y Jaime del Corro, que diseñó el cartel así como esta especie (esta palabra también proviene de spek) de fanzine, elaborado con un papel reciclado de algas. Las piezas de Claudia Rebeca que aquí se documentan, prótesis y reflejos de ramas y raíces, elaboradas con celo al que da forma durante horas y vueltas infinitas -el tejer y destejer de Penélope-; conforman un paisaje, un campo semántico, como a rose is a rose is a rose is a rose, de Gertrude Stein; unas estructuras que persisten en su reiteración, en el celo de su desempeño. 195 x 255 mm 24 páginas Edición bilingüe: euskera y castellano Texto: Gema Intxausti @gema.intxausti Documentación fotográfica: Álvaro Perdices @alvaroperdices Diseño: Jaime del Corro @jaidelcorro 15 euros Edición limitada de 50 ejemplares Gastos de envío gratuitos en España Gracias @canicheeditorial @claudia.rebeca.lorenzo 💚

TRASCITY book look inside! 🚨💽🔑 An exhibition catalogue that turns into an “artifact” putting together collage, texts and installation views where we explore the possibilities of the book as a constant flow of images (and words). Multiplicity, diversity, mutability and continuous displacement are characteristics offered to us by Alberto in this project, with which he establishes multiple identification processes that allow us to think about the avalanche of pictures that shape and occupy our spaces. This project reflects upon the concept of the ‘fragment’, understood from multiple points of view. We have a city created out of a mixture of several, with fleeting memories and everyday annotations in the form of photographs that pile up on top of one another to create unstable architectures denoting a world in collapse, accelerated and decadent. Edited by IVAM Texts by Nuria Enguita, Jon Uriarte and Angels Miralda Design by @jaidelcorro Concept by @jaidelcorro @albertofeijoo Pre-Printing by @latroupecolectivo Printed by @impresos_izquierdo Paperback cover with screen-printed plastic dust jacket 212 pages 31x24cm Texts in spanish, english and valencià 2023 Now available at the museum’s online bookshop https://tienda.ivam.es/en/producto/trascity-alberto-feijoo/

Earlier last June @albertofeijoo invited me to design the identity of 'Trascity' at @gva_ivam . An exhibition that reflects on the roles we perform and objects and images we accumulate and collect. To communicate each of the five roles explored in the rooms of the exhibition, I contributed with five logos that interpret and perform each of these roles: visual artist (pink), accumulator (orange), apprentice (green), photographer (black) and collector (yellow). Each logo dives into the semiotics of one mainstream or sub culture (corporate, web 1.0. pirate software, mass entertainment, jackass, idm) and bootlegs its codes, locating each role within the wider social and generational context that might have helped producing it. It's a pleasure to work in projects that not only involve help in designing, but that rather feel like artistic collaborations. Thank you for this incredible ride @albertofeijoo 🦢 ——————— #thedesignblacklist #repostersworld #postereposter #collectgraphics #lebenliebegrafik #selectedwork #designeverywhere #graphicdirectory #typosters #graphicindex #visualgraphic #aiga #itsnicethat

🌱🦋🌸🐝𝟐 𝔂𝓮𝓪𝓻𝓼🐛🐞🌞🌺 To celebrate the second birthday of @pradiauto we did some t-shirts filled with love to our bug friends, who have just come out to bathe in the sun with us 💗Carefully handmade by the screenprint master @julio_cubillos Very few left. DM if you want one!